SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Williams"/1) | (@(roleclean,performerclean) "Charles Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 12662 matches on Author, 2676 matches on Performance Comments, 721 matches on Event Comments, 137 matches on Performance Title, and 6 matches on Roles/Actors.
Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire in King's Stredt, Covent Garden (playbill). We gave our Night's pay for ye Sufferers by the fire in King's Street Covent Garden Sun: ye 23d. of Dec. (Cross). Sisters diner at Mrs B's. I slept [slipt?] in after the play at Drury Lane & see them in the Gallery, where I had a few words with Mr Williams (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Rape of Proserpine

Dance: As17610907

Performances

Mainpiece Title: Comus

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: None

Related Works
Related Work: None Are So Blind as Those Who Won't See Author(s): Charles Dibdin

Performances

Mainpiece Title: The Clandestine Marriage

Event Comment: Rec'd stopages #5 12s.; Paid salary list #440 9s.; Williams one night, Musical Lady, 10s. 6d.; Chorus singers 2 nights #4 11s. (Treasurer's Book). Receipts: #180 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Rec'd stopages #3 9s. 6d.; Paid salary list-#441 4s.; Chorus 1 night, #2 5s. 6d.; Paid Mrs Brown, not on list #1 12s. 6d.; Paid Mr Williams (violin) in Musical Lady 10s. 6d. (Treasurer's Book). Receipts: #221 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Paid Mr Williams 2 nights in Musical Lady #1 1s. (Treasurer's Book). Receipts: #162 6s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Daphne and Amintor

Dance: II: A New Pantomime Dance call'd The Millers and the Colliers-Grimaldi, Duquesney, Mons Rolle, Mrs King, Miss Tetley; End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Performances

Mainpiece Title: None

Related Works
Related Work: None Are So Blind as Those Who Won't See Author(s): Charles Dibdin
Event Comment: Paid Wm Gard for performing in the Lyon 12 Nights #1 10s. Paid Thomas Singleton for the same #1 10s.; Paid Henry Williams for performing the Bells 4 nights #1 10s. (Account Book). [Epilogue is Larpent MS 306.] Receipts: #194 2s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: [The usual payments to Williams, Gard, and Singleton for 4 nights' work. See 15 Feb.] Receipts: #157 11s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Mainpiece: A tragedy [by John Hoole] never performed. Paid Williams for performing the Bells 3 nights #1 2s. 6d.; Paid Gard and Singleton each 7s. 6d. for performing 3 nights in the Lyon (Account Book). [Mainpiece reviewed in the Freeholder's Magazine, March.] Receipts: #227 6s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 5 years. [See 7 May 1766.] Charges #74 4s. Balance to Woodward #82 7s. plus income from 190 Box tickets, #47 10s.; Paid Williams 3 nights performing the Bells, #1 2s. 6d., and Gard & Singleton 3 nights for perfoming in the Lyon 7s. 6d. each (Account Book). Receipts: #156 11s

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Harlequin's Jubilee

Event Comment: Benefit for Miles. Charges #73 16s. Balance to Miles #47 14s. plus #119 7s. from tickets (Box 226; Pit 331; Gallery 132). Williams, Gard & Singleton rec'd customary Pay for performing the Bell and the lion in the Pantomime [see 15 Feb.] (Account Book). Receipts: #121 10s

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Harlequin's Jubilee

Dance: III: A Minuet-King, Miss Twist; IV: The Tartars, as17691207

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Last time of performing this season. Williams for performing the Bells 7s. 6d.; Gard and Singleton 2s. 6d. each for performing in the lion. LeLewes and Quick paid up deficiencies for last season, and Ansell and Green theirs for the 26th inst. (Account Book). Receipts: #155 17s

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Harlequin's Jubilee

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Miss Stede, Mrs Heard, Mrs Willems, Abbott and Furkins. Tickets deliver'd by Wilkinson, Wooley, Pilfold, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Bassin, Whatley, Doe and Mrs Paddick will be taken. Charges o. [House received in addition to the ready receipts half the value of each beneficiary's tickets.] @Tickets Box Pit Gallery Value Half Value@Miss Stede 28 57 61 #21 13s. #10 16s. 6d.@Mrs Heard 19 34 .. #9 17s. #4 18s. 6d.@Mrs Williams .. 24 21 #5 14s. #2 17s.@Mr Abbott 18 95 75 #26 5s. #13 2s. 6d.@Furkins 22 37 26 #13 13s. #6 16s. 6d.@Wilkinson 28 27 20 #13 1s. #6 10s. 6d.@Wooley 9 42 79 #16 9s. #8 4s. 6d.@Pilfold 37 227 74 50 14s. #25 7s.@T. Ansell 9 66 64 #18 11s. #9 5s. 6d.@Mrs Hitchcock 27 15 45 #13 10s. #6 15s.@Widow Trott 24 4 8 #7 8s. #3 14s.@Sharratt 1 12 19 #3 19s. #1 19s. 6d.@Bassan .. .. .. .. ..@Whatley 5 18 57 #9 13s. #4 16s. 6d.@Doe 2 22 44 #8 4s. #4 2s.@Mrs Paddick 1 14 14 #3 15s. #1 17s. 6d.@Total 230 694 607 #222 6s. #111 3s.@ Receipts: #19 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Intriguing Chambermaid

Dance: I: A Dance-incident to the piece; II: A Minuet-Dumay, Mrs Heard; End of Opera: Hornpipe-Miss Stede

Performances

Mainpiece Title: None

Related Works
Related Work: None Are So Blind as Those Who Won't See Author(s): Charles Dibdin