Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Event Comment: Benefit for Miss Chapman. Tickets delivered for The Toy will be admitted. 3rd piece [1st time; D 1, author unknown. Larpent MS 950; not published. Songs by John Collins and Charles Dibdin (MacMillan, Larpent Catalogue, 157-58)]. Morning Herald, 14 May: Tickets to be had of Miss Chapman, No. 16, Henrietta-street, Covent-Garden. Receipts: #244 18s. (122.10; 13.5; tickets: 109.3) (charge: #105)

Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)

Event Comment: By Particular Desire of the Mirza, Prince of Broach. 2nd piece [1st time; M. INT 1, by Charles Dibdin; music by the author. MS: Larpent 1030; not published]: The Words of the Songs, &c. will be given at the different Doors of the Theatre. Tickets delivered for THE BEGGAR'S OPERA [Account-Book: by Heathcote, Bayzand, Egan, Pitt, Masters, Dick, Hall (carpenter), Doe, Goodwin] will be admitted. Receipts: #238 14s. 6d. (26/4/0; 3/17/6; tickets: 208/13/0)

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Event Comment: [In mainpiece the playbill retains Kemble, but "The Publick are respectfully informed that Kemble having been attacked in the course of Last Night with a violent Pleurisy, which confines him to his Bed, Charles Kemble has undertaken to read the part of Mahmoud, and hopes for your kind Indulgence" (printed slip attached to BM playbill (Harris, Vol. V)). Afterpiece in place of The First Floor advertised on playbill of 3 May.] Receipts: #315 4s. (252.6.6; 60.19.0; 1.9.6; tickets not come in: 0.9.0)

Event Comment: [In mainpiece the playbill assigns Cassio to Barrymore, but "Charles Kemble undertook Cassio at a short notice, and sustained it very creditably" (Monthly Mirror, Apr. 1797, p. 250).] Afterpiece: Engagement as 6 Mar. Receipts: #219 6s. 6d. (158.19.6; 59.6.6; 1.0.6)

Event Comment: Kemble Mem.: Palmer in Prison [see 20 Jan.]. Receipts: #170 1s. (134.4; 35.8; 0.9)

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Event Comment: [Kemble Mem.: Haymes, from Margate.] Afterpiece: Not acted these 2 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequin, and the Destruction of the Pantomimical Fleet. Harlequin's Invasion will be performed only Four Times this Season, when it must necessarily give place to Preparations for other Entertainments. Receipts: #183 3s. 6d. (119.4.0; 62.2.0; 1.17.6)

Event Comment: [Kemble's 1st appearance as Shylock was at the Smock Alley Theatre, Dublin, 3 Dec. 1781. In mainpiece the playbill assigns Antonio to Bensley, but "Clarke played Antonio in the room of Bensley, who was taken ill" (Morning Chronicle, 23 Jan.).] Receipts: #167 19s. 6d. (167/12/0; 0/5/0; ticket not come in: 0/2/6)

Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Event Comment: [Kemble's 1st appearance as King Richard was at Smock Alley Theatre, Dublin, 26 Apr. 1782.] Receipts: #130 10s. 6d. (99/15/0; 29/5/6; 0/10/0; tickets not come in: 1/0/0)

Event Comment: [Kemble had 1st acted Othello, and Mrs Siddons Desdemona, at Manchester, 29 Jan. 1777.] Receipts: #259 14s. (243/8; 15/18; 0/8)

Event Comment: [Kemble's 1st appearance as Biron was at the Smock Alley Theatre, Dublin, in 1782.] Paid Lokes & Co., wax chandlers, #56. Receipts: #232 5s. (213.4; 18.10; 0.11)

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Event Comment: Benefit for Miss Biggs. Morning Chronicle, 12 May: Tickets to be had of Miss Biggs, No. 17, Charles-street, Covent Garden. Receipts: #247 2s. 6d. (92.4.6; 62.4.0; 5.4.0; tickets: 87.10.0) (charge: #229 10s. 10d.)

Event Comment: By Command of His Royal Highness the Prince of Wales (playbill). Prince of Wales and 6 more (Cross). Receipts: #210 (Cross). [Kemble's note in MacMillan suggests that Holland was ill so Garrick gave Moody 5 guineas to play Thyreus, actually his first appearance at dl.

Event Comment: Benefit for Mrs Kemble. Afterpiece [1st time: F 2, by Stephen George Kemble, altered from The Fair Maid of the West, by Thomas Heywood. Larpent MS 914; not published. Author of Prologue unknown]. Morning Chronicle, 15 Aug.: Tickets to be had of Mrs Kemble, next door to the Old Slaughter's Coffee-house, St. Martin's Lane. "Miss Kemble, though only four years of age, drew forth much applause" (Diary, 17 Aug.)