Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Hughes"/1) | (@(roleclean,performerclean) "Charles Hughes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
4246 results for: Keyword - Charles Hughes
We found 2832 matches on Author, 1212 matches on Performance Comments, 356 matches on Event Comments, 101 matches on Performance Title, and 0 matches on Roles/Actors.

4201
09 October 1777 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

4202
24 January 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]

Afterpiece Title: Daphne and Amintor

4203
04 February 1778 @ Covent Garden

Event Comment: Afterpiece [1st time; burl 2, by Charles Dibdin, based on The Loves of Mars and Venus, by Peter Anthony Motteux]: With New Scenes and Dresses. The Music chiefly composed by Dibdin. [Dr Arne and Dr Arnold each wrote one air.] Books of the Burletta to be had at the Theatre. Public Advertiser, 5 Feb. 1778: This Day at Noon is published Poor Vulcan! (1s.). [The playbill lists Reinhold in place of Mahon, but on the Kemble playbill his name is deleted and a MS annotation substitutes Mahon's.] Receipts: #232 5s. 6d. (230.2.6; 2.3.0)

Performances

Mainpiece Title: Percy

Afterpiece Title: Poor Vulcan

Related Works
Related Work: Poor Vulcan! Author(s): Charles Dibdin

4204
15 October 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.

4205
23 November 1778 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

4206
21 December 1778 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift; or, A ChristmasGambol

4207
25 March 1779 @ King's Theatre

Event Comment: A New Serious Opera [1st time; SER 3, ascribed to Giovanni Gualberto Bottarelli]. The Music entirely new, composed by Sacchini. 2nd dance: The Music entirely new, composed by Charles Stamitz

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

4208
01 March 1780 @ Haymarket Theatre

Event Comment: [This was a puppet show, rewritten by Charles Dibdin from his Comic Mirror; it consisted of 7 different acts, presented in 3 Parts. The audience was both misled into thinking that it was to be performed by actual persons, and made angry because of the "almost unintelligible manner of conveying [the various acts], as the singers were scarcely audible, and the objects very indistinctly visible.' A riot ensued. Lighted candles were thrown on the stage against the curtain, chandeliers broken, benches torn up. The audience was not "satisfied" until Colman the proprietor of the theatre, disclaimed any concern with the entertainment, and Dibdin made an apology. Although announced for repetition on 3 Mar., it was not again performed. (See Dibdin, II, 65; Morning Chronicle, 2 Mar. )]

Performances

Mainpiece Title: Pasquin's Budget; Or, A Peep At The World

4209
22 August 1781 @ Haymarket Theatre

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Related Works
Related Work: The Marriage Act Author(s): Charles Dibdin
Related Work: Ripe Fruit; or, The Marriage Act Author(s): Charles Stuart

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

4210
30 December 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

4211
31 December 1782 @ Covent Garden

Event Comment: Mainpiece: Not acted these 5 years [not acted since 26 Dec. 1776. Mrs Robinson, who was from the Portsmouth theatre, is identified by MS annotation on Kemble playbill]. Afterpiece [1st time; CO 2, by Frances Brooke, based on Les Moissonneurs, by Charles Simon Favart]: The new Music and overture composed, and the Selected Airs compiled [from Paxton and Sacchini], by Shield. Books of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid Shield for composing Rosina #100. Receipts: #158 18s. 6d. (154/5/6; 4/13/0)

Performances

Mainpiece Title: King Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

4212
23 May 1783 @ Covent Garden

Event Comment: Benefit for [W.] Bates and Mahon. Afterpiece: With an exact Representation of the Irish Giant [who had recently been exhibited in London: Charles Byrne, 1761-83], and a Leap through a Cask on Fire. Receipts: #132 5s. Receipts: #132 5s. (none listed; tickets: 132/5) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

4213
21 January 1784 @ Haymarket Theatre

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Performance Comment: Principal Parts by L'Estrange, Smith, Williams, Robson, Stannard, Jones, Johnson, Brett, Remy, Thomson; Mrs Willliams, Mrs Moore, Mrs Beaufield, Mrs Lefevre. [Larpent MS lists the parts: Sir Charles Drinkwater, Francis Friendly, Sir William Randal, Darby Mulroony; Lady Drinkwater, Mrs Friendly, Miss Timor, Betty.] Prologue spoken by L'Estrange .

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

4214
15 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Afterpiece in place of Too Civil by Half, announced on playbill of 14 Apr.] Public Advertiser, 24 Mar.: Tickets to be had of Brereton, Charles-street, Covent-Garden. Receipts: #317 19s. (133/13; 12/11; 0/9; tickets: 171/6) (charge: #107 15s. 10d.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Apprentice

Dance: As17840311athi

4215
12 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Public Advertiser, 26 Mar.: Tickets to be had of Brereton, Charles-street, Covent Garden. Receipts: #262 7s. 6d. (129/3/0; 18/13/0; 0/10/6; tickets: 114/1/0) (charge: #106 7s. 10d.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: High Life Below Stairs

4216
24 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Not acted these 3 years. "Mrs Bellamy was too much frightened to speak the address [written by Charles Stuart (European Magazine, May 1785, p. 354)], and Miss Farren spoke it--Mrs Bellamy herself added some few words in prose" (Genest, VI, 342). But Stuart's address was abandoned, and in its place Miss Farren spoke one written by Alexander Bicknell (Gentleman's Magazine, June 1785, pp. 449-50). This occurred at the end of the play; following the address the curtain rose, and Mrs Bellamy "succeeded in muttering a few words, expressive of her gratitude" (Reynolds, I, 282-83). [This was Mrs Yates's last appearance in London. In July of this year she was acting in Birmingham (Morning Chronicle, 18 July). Mrs Bellamy's last appearance on the stage was at CG, 1 June 1780.] Receipts: #306 4s. (188/1/0; 13/3/6; 0/14/6; tickets: 104/5/0) (charge: #113 8s. 10d.)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Comus

4217
18 March 1786 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by A Lady [unidentified], based partly on L'Amitie A l'epreuve, by Charles Simon Favart and Claude Henri de Fusee de Voisenon]: The Overture and the new Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Mar. 1786: This Day at Noon is published The Peruvian (1s. 6d.). [The music was printed under the title of The Fair Peruvian (S. A. & P. Thompson [1786]), which was the original title as given in the MS (Larpent 727).] Receipts: #246 8s. (242/16/6; 3/11/6)

Performances

Mainpiece Title: The Peruvian

Afterpiece Title: The Country Wife

4218
06 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Kemble. Mainpiece: Not acted these 2 years. "Mrs Siddons spoke the speech on mercy as it certainly should be spoken--but as in truth we never heard it spoken--as a reply to 'On what compulsion must I?' From every other Portia it has always appeared as a recitation, prepared for the occasion" (Morning Chronicle, 8 Apr.). Morning Chronicle, 20 Mar.: Tickets to be had of Kemble, No. 19, Charles-street, Covent-garden. Receipts: #284 2s. 6d. (160/19/0; 20/17/6; 1/1/0; tickets: 101/5/0) (charge: #107 0s. 5d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116

4219
11 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mr and Mrs Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 21 Apr.: Tickets to be had of Mr and Mrs Brereton, No. io, Charles-street, Covent Garden. Receipts: #317 6s. 6d. (121/17/0; 7/11/6; 1/6/0; tickets: 186/12/0) (charge: #106 2s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Who's the Dupe

Song: As17860223

4220
20 May 1786 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: L'inglese In Italia

Dance: As17860516 throughout

4221
14 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Performance Comment: Principal Characters-Palmer, Bensley, Aickin, Whitfield, Packer, Chaplin, Benson, Kemble, Mrs Brereton, Mrs Ward, Miss Tidswell, Mrs Siddons. Cast from text (Charles Dilly, 1787): Marcellus-Palmer; Durazzo-Bensley; Manoa-Aickin; Camillo-Whitfield; Duke of Genoa-Packer; Mentevole-Kemble; Olympia-Mrs Brereton; Fulvia-Mrs Ward; Nerina-Miss Tidswell; Julia-Mrs Siddons; Chaplin, Benson are unassigned; Prologue-Kemble; Epilogue-Mrs Siddons.

Afterpiece Title: The First Floor

4222
11 December 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Performance Comment: Principal Characters by Kemble, Bensley, Aickin, Whitfield, Packer, Chaplin, Benson, Wroughton, Mrs Kemble, Mrs Ward, Miss Tidswell, Mrs Siddons. [Cast from text (Charles Dilly, 1787): Mentevole-Kemble; Durazzo-Bensley; Manoa-Aickin; Camillo-Whitfield; Duke of Genoa-Packer; Marcellus-Wroughton (in text: Palmer); Olympia-Mrs Kemble; Fulvia-Mrs Ward; Nerina-Miss Tidswell; Julia-Mrs Siddons; unassigned-Chaplin, Benson; Prologue-Kemble; Epilogue-Mrs Siddons. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Humourist

4223
28 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Taylor. Mainpiece: Not acted these 12 years. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Taylor, No. 10, Charles-street, Covent-Garden. Receipts: #173 (50.17; 23.17; 0.10; tickets: 97.16) (charge: #109 11s. 11d.)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Comus

4224
07 May 1789 @ Covent Garden

Event Comment: Benefit for Macklin. [This was his last appearance on the stage; his 1st was c. 1716. In the middle of his first scene his memory failed him, and Ryder, who had been asked by the manager to be prepared for this eventuality, finished the part (Public Advertiser, 9 May; William W. Appleton, Charles Macklin, 1960, 225-27).

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Death of Captain Cook

Dance: End IV: Fortune's Favor-Byrn, Mrs Goodwin, Mrs Ratchford

4225
31 July 1789 @ Haymarket Theatre

Event Comment: Benefit for Mr and Mrs Iliff. Afterpiece: Not acted these 10 years [not acted since 30 July 1778]. Diary, 28 July: Tickets to be had of Iliff, No. 20, Charles-street, Westminster

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff