SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Davenant"/1) | (@(roleclean,performerclean) "Charles Davenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3166 matches on Author, 1171 matches on Performance Comments, 369 matches on Event Comments, 86 matches on Performance Title, and 14 matches on Roles/Actors.
Event Comment: Alter'd from Shakespear by Sir Wm. Davenant and Mr Dryden. With Songs, Machines, and other Decorations proper to the Play

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Neptune and Amphitrite

Song: DDear Dear Pretty Youth by Henry Purcell-Miss Raftor as Dorinda

Dance: DDance of the Four Winds-; Grand Dance of Infernal Spirits-, as perform'd before the Grand Signor, by the Eunuchs of the Seraglio, at the Bairam Feast; Dance of Watermen-

Event Comment: Mainpiece: Alter'd from Shakespear, by Sir William Davenant and Mr Dryden

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Patie and Peggy

Event Comment: Mainpiece: Alter'd form Shakespear by Sir William Davenant and Mr Dryden

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey
Event Comment: Mainpiece: Alter'd from Shakespear by Sir Wm. Davenant and Mr Dryden

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: Cephalus and Procris

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant and Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: As altered by Mr Dryden and Sir William Davenant from Shakespear

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant
Related Work: The Tempest Author(s): Sir William Davenant
Event Comment: As alter'd by Mr Dryden and Sir William Davenant from Shakespeare

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant
Related Work: The Tempest Author(s): Sir William Davenant
Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: The Anatomist

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

Event Comment: Benefit Mr Charles. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Ryan; Aimwell-Hale; Scrub-Hippisley; Bonniface-Mullart; Foigard-Rosco; Sullen-Bridgwater; Gibbet-Neale; Sir Charles-Salway; Mrs Sullen-Mrs Horton; Dorinda-Mrs Hale; Cherry-Mrs Vincent; Lady Bountiful-Mrs James; Gipsy-Miss Horsington.
Cast
Role: Sir Charles Actor: Salway

Afterpiece Title: The Mock Doctor

Dance: I: Grand Ballet-Mlle Roland the Elder; II: Serious Dance-Master Charles Poitier; a Child of Five Years Old, the first time of his appearing on the Stage. III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier

Performance Comment: III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier.

Song: II: Duet-Mrs Lampe, Miss Young

Music: V: By Desire, a Preamble on the Kettle Drums-Poitier

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley

Performances

Mainpiece Title: King Charles The First; An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Charles 8. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles the Merry Trumpeter, a Batchelor, who used to Sound with Mr Bullock. At Lee's Booth on the Bowling Green. The Doors will be open'd at Five, and begin pricisely at Six

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles, the Merry Trumpeter of Oxford. At Fielding's Great Booth. 6 P.M. And tis well if it takes@If not the Trumpeter breaks

Performances

Mainpiece Title: A Bold Stroke For A Wife

Entertainment: Between the Acts: particularly the Black and White Joak, to be sounded-Charles, and also a Joak of his own

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Persons from the Theatres but the principal Part to be perform'd by Charles the Merry Trumpeter, that is to take the Money.

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This play was also reprintdd in 1683. This performance is on the L. C. list, 5@145, p. 120: Wth ye Q: & a box for ye Maides of honor. See also Nicoll, Restoration Drama, p. 349. On this day Drury Lane was leased for nineteen years to Charles Davenant and his associates in furthering the union of the two companies. See Hotson, Commonwealth and Restoration Stage, p. 277

Performances

Mainpiece Title: The Souldier's Fortune

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances