SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles Boyle"/1) | (@(roleclean,performerclean) "Charles Boyle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3510 matches on Author, 1159 matches on Performance Comments, 314 matches on Event Comments, 86 matches on Performance Title, and 2 matches on Roles/Actors.

Performances

Mainpiece Title: King Charles The First

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Mad House

Dance: IV: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Song: I: Dialogue (composed by Purcell)-the Masters Hamilton; III: A Song of Lord Flame's out of the Opera of All Alive and Merry-Master W. Hamilton

Dance: II: Tambourine-Mlle Roland; V: A new Serious Dance-Mlle Roland

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Dance: III: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

Performances

Mainpiece Title: An Historical Play king Charles I

Afterpiece Title: The Virgin Unmaskd

Dance: II: Le Tambourine-Mlle Chateauneuf; III: Muilment; IV: Pierots-Lalauze, Livier; D: Muilment

Song: I: The Noon Tide Air (Comus)-Miss Edwards

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Miller of Mansfield

Dance: I: Pierots-Lalauze, Liviez; II: Mlle Chateauneuf; III: Muilment; A new Saraband-Miss Wright; IV: Le Tambourine-Mlle Chateauneuf; V: Le Gout Anglois-Master Matthews, Miss Wright; End Afterpiece: Larry Grogan-Master Matthews, Miss Wright

Music: I: Trumpet Piece-Adcock; IV: Concerto on French Horns-Charles; V: Preamble on Kettle Drums-Woodbridge; with Handel's Water Musick-

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Event Comment: Roger Boyle, Earl of Orrery, to Edward, Viscount Conway, 17 July 1666: If we meet at London you will see a Play Acted, wh I writt by ye King s Command; I call it, Edward ye Black Prince; And if ever I writt anythinge fit for ye Theatre this Play is it (Calendar of State Papers, Ireland, 1666-1669, p. 158; in The Dramatic Works of Roger Boyle, 1, 43)

Performances

Performances

Mainpiece Title: The Czar Of Muscovy

Performance Comment: Edition of 1701 lists: Demetrius-Hodgson; Zueski-Booth; Bassilius-Boyle [Boyce?]; Zaporius-Nap; Rureck-Pack; Bosman-Berry; Carclos-Arnold; Fedor-Harris; Manzeck-Freeman; Alexander-Bowman; Sophia-Mrs Leigh; Marina-Mrs Bowman; Zarriana-Mrs Barry; Terresia-Mrs Martin; Prologue-; Epilogue[ written by William Burnaby-.
Cast
Role: Bassilius Actor: Boyle
Event Comment: Diary of Richard Boyle, Volume III, in the Duke of Devonshire's Library in Chatsworth: the new play caled the Indian Queen. [I am indebted to Professor Kathleen Lynch for this notice.

Performances

Mainpiece Title: The Indian Queen

Event Comment: This performance was attended by Richard Boyle (Diary, Vol. III, Chatsworth, through the courtesy of Professor Kathleen Lynch)

Performances

Mainpiece Title: Henry Viii

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances