SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Moore"/1) | (@(roleclean,performerclean) "Charles Moore")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2469 matches on Author, 1262 matches on Performance Comments, 354 matches on Event Comments, 93 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-a Gentleman, 1st appearance; Sir Charles Raymond-Bannister, 1st time; Sir Roger Belmont-Love, 1st time; Faddle-Dodd (with song); Col. Raymond-Packer; Villiard-Bransby; Rosetta-Miss Pope; Fidelia-Mrs Palmer.
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: A Peep behind the Curtain

Dance: II: Hearts of Oak, as17671022

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Reddish, first time;Sir Charles Raymond-Bannister; Villiard-Bransby; Faddle, with song-Dodd; Col. Raymond-Packer; Sir Roger Belmont-Love; Rosetta-Miss Pope; Fidelia-Mrs Baddeley, first time.
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Jubilee

Related Works
Related Work: The Jubilee Author(s): Charles Dibdin

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Reddish; Sir Roger-Love; Sir Charles-Bannister; Faddle (with Song)-Dodd; Col. Raymond-Packer; Villiard-Bransby; Rosetta-Miss Pope; Fidelia-Mrs Baddeley.
Cast
Role: Sir Charles Actor: Bannister
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Cooke; Sir Charles Raymond-Mitchell; Colonel Raymond-Sparks; Sir Roger Belmont-Durravan; Villiard-Clarke; Faddle-Everard; Fidelia-Miss Freeman; Rosetta-Mrs Robinson; Occasional Prologue-Mitchell.
Cast
Role: Sir Charles Raymond Actor: Mitchell
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Prejudice of Fashion

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Palmer; Sir Roger Belmont-Parsons; Sir Charles Raymond-Aickin; Colonel Raymond-Brereton (Their 1st appearance in those characters); Villiard-Wrighten; Faddle (with a song)-Dodd; Fidelia-Mrs Brereton; Rosetta-Miss Farren (Their 1st appearance in those characters) .
Cast
Role: Sir Charles Raymond Actor: Aickin
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: Linco's Travels

Afterpiece Title: The Alchymist

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Palmer; Sir Roger Belmont-Parsons; Sir Charles Raymond-Aickin; Colonel Raymond-Brereton; Villiard-Wrighten; Faddle (with a song)-Dodd; Fidelia-Mrs Brereton; Rosetta-Miss Farren .
Cast
Role: Sir Charles Raymond Actor: Aickin
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by the Miss Stageldoirs, &c

Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): Charles Bonnor

Monologue: 1782 09 20 As 17 Sept

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond -Wroughton; Colonel Raymond-Farren; Sir Roger Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rosetta-Mrs Warren; Fidelia-Miss Brunton (1st time of her appearing in comedy) .
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Poor Soldier

Dance: As17851103

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond-Farren; Colonel Raymond-Pope; Sir Robert Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rossetta-Mrs Mattocks; Fidelia-Miss Wilkinson (from the Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Sir Charles Raymond Actor: Farren
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Padlock

Related Works
Related Work: The Padlock Author(s): Charles Dibdin

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond-Farren; Colonel Raymond-Macready; Sir Robert Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Pope (1st appearance in that character); Rossetta-Mrs Mattocks; Fidelia-Miss Brunton.
Cast
Role: Sir Charles Raymond Actor: Farren
Related Works
Related Work: The Foundling Author(s): Edward Moore

Afterpiece Title: The Padlock

Related Works
Related Work: The Padlock Author(s): Charles Dibdin

Dance: End: a new dance, Mirth by Moonshine-Byrn, Ratchford, Mrs Invill, Mrs Goodwin

Event Comment: Pepys, Diary: We met with Mr Salisbury, who took Mr Creed and me to the cockpitt to see The Moore of Venice, which was well done. Burt acted the Moore; by the same token, a very pretty lady that sat by me, called out, to see Desdemona smothered. Possibly Clun acted Iago. Pepys (6 Feb. 1668@9) refers to his playing that role, and a reference to Clun as Iago appears in A Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31. See also entry of 14 Aug. 1660

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora, King Of The Timbusians

Related Works
Related Work: Mangora, King of the Timbusians. Or The Faithful Couple Author(s): Thomas Moore
Event Comment: [By James Moore Smythe.]All the Characters new dress'd

Performances

Mainpiece Title: The Rival Modes

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe
Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

Event Comment: Benefit Mr Charles. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Ryan; Aimwell-Hale; Scrub-Hippisley; Bonniface-Mullart; Foigard-Rosco; Sullen-Bridgwater; Gibbet-Neale; Sir Charles-Salway; Mrs Sullen-Mrs Horton; Dorinda-Mrs Hale; Cherry-Mrs Vincent; Lady Bountiful-Mrs James; Gipsy-Miss Horsington.
Cast
Role: Sir Charles Actor: Salway

Afterpiece Title: The Mock Doctor

Dance: I: Grand Ballet-Mlle Roland the Elder; II: Serious Dance-Master Charles Poitier; a Child of Five Years Old, the first time of his appearing on the Stage. III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier

Performance Comment: III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier.

Song: II: Duet-Mrs Lampe, Miss Young

Music: V: By Desire, a Preamble on the Kettle Drums-Poitier

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley

Performances

Mainpiece Title: King Charles The First; An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Charles 8. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles the Merry Trumpeter, a Batchelor, who used to Sound with Mr Bullock. At Lee's Booth on the Bowling Green. The Doors will be open'd at Five, and begin pricisely at Six

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles, the Merry Trumpeter of Oxford. At Fielding's Great Booth. 6 P.M. And tis well if it takes@If not the Trumpeter breaks

Performances

Mainpiece Title: A Bold Stroke For A Wife

Entertainment: Between the Acts: particularly the Black and White Joak, to be sounded-Charles, and also a Joak of his own

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Persons from the Theatres but the principal Part to be perform'd by Charles the Merry Trumpeter, that is to take the Money.

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England