SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle"/1) | (@(roleclean,performerclean) "Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1084 matches on Roles/Actors, 341 matches on Performance Title, 230 matches on Performance Comments, 106 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Event Comment: A Concert, etc. At the Great Room, Castle Tavern. [See Comment, 5 May 1752.] To be conducted by Mrs Mary Midnight, author of the Midwife, and his Family. No admittance without Tickets, which are to be had at the Bedford Coffee House, Covent Garden. The Room will be lighted by Wax Candles. To begin at 7 p.m. Price 2s. 6d. [Time and price repeated thus for subsequent performances at the Castle Tavern.

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Performance Comment: Harlequin-Rooker; Colombine-Mrs King; others as usual; Dances-the Giorgis; Pantaloon-Grimaldi; Old Lady-Mrs Cross; Clown-Ackman; Hermit-Kear; French Lady-Johnston; Country Girl-Miss Young; J. Burton, Castle. See17670923. J. Burton, Castle. See17670923.

Dance: I: The Wake, as17680929

Entertainment: End of Opera: King (for that night only) will present the Audience with a Comic Paraphrase-King on Shakespeare's The Seven Ages

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Ancient and Honourable Fraternity of Free and Accepted Masons, who on this occasion will attend in proper cloathing, and the different Regalias of their Order. Afterpiece [1st time; F 2, author unknown. MS: Larpent 685; not published. Author of Prologue unknown]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had at the Globe in Pall-mall; the Black Horse, Coventry-street; the Castle, in Castle-Court, Cornhill; the Rose Coffee-house in the Old Bailey; the Half Moon Tavern, Cheapside; and at the Theatre, where places for the boxes may be taken. Great care will be taken to have the House well aired

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Diary of Robert Hooke (p. 423): At Bartholomew fair Saw Elephant wave colours, shoot a gun, bend and kneel, carry a castle and a man

Performances

Mainpiece Title: Entertainments

Event Comment: A troupe of French Comedians played at theatre in Windsor Castle. On 25 July 1688 a warrant (L. C. 5@17, pp. 60, 65, in Boswell, Restoration Court Stage, pp. 61, 127) ordered the playhouse there to be made ready for the foreign company. According to L. C. 5@17, in Nicoll, Restoration Drama, p. 65, the French players arrived on 11 Aug. and remained at Windsor until 22 Sept

Performances

Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus, King Of Thebes

Event Comment: At the Castle Tavern without Cripplegate. At 6 p.m

Performances

Mainpiece Title: Medley

Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle
Event Comment: At the Desire of several of the Inhabitants of Cripplegate Parish, This present Tuesday, and no more, at the Castle Tavern without Cripplegate. Price 1s. 6d. or 1s. At 6 p.m

Performances

Mainpiece Title: Aesop

Afterpiece Title: Scene of% The Spanish Fryar

Song: New Song-Tony Aston in the Habit of a Fryar; other new comical songs-made this year at Tunbridge Wells

Event Comment: Benefit Paget and Mrs Forrester. At the Desire of several Persons of Quality. Mainpiece: Alter'd from Shakespear. Receipts: money #29 8s.; tickets #106. Tickets at Paget's House, next the Castle Tavern, Fleet Street

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

Afterpiece Title: A Journey to Bristol

Dance: IV: Scottish Dance, as17330329 V: Tambourine-Miss Rogers; II of Farce: Tollet's Grounds-Newhouse, Mrs Ogden