SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare"/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10820 matches on Event Comments, 6058 matches on Author, 5498 matches on Performance Comments, 2490 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece the playbill retains Pope, but "Pope's part in The Mysteries of the Castle was read by Middleton, on Saturday evening last, on account of the indisposition of the former" (Morning Herald, 9 Mar.).] Receipts: #174 6s. (165.16; 8.10)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle or The Birth of the Prince of Wales

Performance Comment: Characters by Barrymore, Davies, Benson, Cooke, Bannister, Bannister Jun., Suett, Mrs Kemble, Mrs Bland, Miss DeCamp. Vocal Parts-Kenrick, Linton, Walker, Dorion, Dorion Jun., Little, Brown, Saunders, Dibble, Abbott, Lyons, Miss Dall, Mrs Powell, Mrs Hatton, Mrs Masters, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale; Cast from text (William Lane, 1793): Edward I-Barrymore; Edward de Mortimer-Davies; Walter-Benson; Merlin-Bannister; Adam de Francton-Bannister Jun.; Phillip le Brun-Suett; Isabel-Mrs Kemble; Resa-Mrs Bland; Jane-Miss DeCamp; unassigned-Cooke.
Event Comment: Afterpiece [Harlequin's Invasion] in three parts not performed for five years. [See 22 April 1762.

Performances

Mainpiece Title: The Distressed Mother

Cast
Role: Pylades Actor: Packer

Afterpiece Title: Harlequins Invasion in Three Parts

Performance Comment: Harlequin-King; Others-Yates, Dodd, Bransby, Moody, Baddeley, Burton, Vaughan, Parsons, Clough, Ackman, Johnston, Strange, Castle, Marr, Mrs Bennet, Miss Matthews, Miss Wright, Miss Pope; The Dances-Grimaldi, Aldridge, Giorgi, Miss Baker, Sga Giorgi.
Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Benefit Ryan. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Country Wedding the Comic Part of Acis and Galatea

Dance: Glover, Lalauze, Mlle Roland

Event Comment: At the Request of several Persons of Quality. At 5 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: An Extraordinary Consort of Vocal and Instrumental Musick-; Particularly, the Instrumental Musick, Composed by Mr John Eccles for the Coronation-; With several of Mr Weldon's Songs made for his Consort in York-Buildings. To be Perform'd-Mr Hughs, the Boy; Entertainment on the Violin-Mr Deane (not perform'd there before)

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Performance Comment: And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England .

Performances

Mainpiece Title: The Old Batchelor

Music: Instead of Act Tunes will be perform'd Select Pieces of Musick adapted to various Instruments, Being deisgn'd as a Concert Intermix'd with the Play. For theOverture: a Grand Concerto- by Dr Pepusch, in which the Kettle Drums are principal,; accompanied with Trumpets Hautboys Violin-; The Kettle Drums-Mr Benj. Baker; V: That celebrated Piece, The Water Musick-; by Mr Handel, for Trumpets, French Horns, Kettle-Drums, Hautboys. Concluding with a Preamble on the Kettle@Drums-Benj. Baker

Dance: II: Tambourin-Miss Rogers; In III: Scots Dance-Mrs Bullock; III: Two Pierrots-Poitier, Pelling; IV: Sicilian-Glover, Mrs Pelling; V: Comic Dance in the Footing Manner-Jones, Mrs Ogden, with some Additions to it, never performed before

Song: I: Mrs Wright

Event Comment: Benefit Cuthbert, Lovelace, and White. At the Desire of several Persons of Quality. Tickets 5s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; particularly, several select Entertainments of the following (English Operas) Operas viz. The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-

Performance Comment: The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-.
Event Comment: [Revised by Christopher Bullock.] Not Acted these Twenty Years. Reviv'd, with several Alterations. The whole Play to be new dress'd

Performances

Mainpiece Title: The Traytor

Dance: A new Dance proper to the Play by Moreau-Moreau, Mrs Moreau

Song: Singing In Italian and English-Mrs Barbier

Performances

Mainpiece Title: Concert

Music: The Vocal part-Mrs Arne; late Miss Cecilia Young. With select Songs and Pieces of Musick; compos'd by Mr Arne, particularly, a New Ov e rture-; a new Concerto for Hautboys-; the March in Zara-; with a Comic Medley Overture-; two new Songs in English-; (by particular Desire) a Ballad Air call'd, Come and Listen to my Ditty-Mr Arne on the Violin, with many Variations; Also variety of Pieces by other Authors-; particularly the first and eighth Concertosof Corelli-; two Italian Songs-

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this is the first performance, but a performance of Part II on 18 Jan. 1676@7 and a reference to both parts in a letter dated 19 Jan. 1676@7 suggest that the premiere must have occurred early in January

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian Part I

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Related Works
Related Work: Look before You Leap Author(s): Horatio Edgar Robson

Afterpiece Title: Such Things Have Been

Performance Comment: Characters-Ryder, Bernard, Fearon, Macready, Rock, Booth, Mrs Webb, Miss Wewitzer, Miss Fontenelle. [Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 7 May: Tickets to be had of Mrs Martyr, No. 32, St. Martin's-strcet, Leicester-fields. 1st piece [1st time; CO 2, by Horatio Edgar Robson. MS: Larpent 657; not published. Composer of music unknown]: The Music partly new and partly compiled. With a New Overture. Receipts: #181 i5s. (99/16; tickets: 81/19) (charge: #105)

Performances

Mainpiece Title: Too Loving By Half

Related Works
Related Work: Too Loving by Half Author(s): Horatio Edgar Robson

Afterpiece Title: The Winters Tale

Afterpiece Title: Rosina

Dance: End of 2nd piece Adelaide de Brabant, as17840508

Event Comment: Benefit for Bannister. 3rd piece [1st time; F 1, by Horatio Edgar Robson, based on La Bonne Mere, by Jean Pierre Claris de Florian]: Now reading with universal Applause by Mons. LeTexier. Public Advertiser, 9 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street. Ibid., 8 Oct. 1788: This Day is published Look before You Leap (1s.)

Performances

Mainpiece Title: The Catch Club i

Performance Comment: . The Sons of Anacreon]. President-Palmer; Vocal Parts-Bannister, Bannister Jun., Davies, Moss, Mathews, Chapman, Master Braham, Edwin; In which The Anacreontic Song-Bannister; Old [recte Poor] Thomas Day-Edwin, Bannister, Davies; The Wolf-Bannister; Moderation and Alteration-Edwin; Bonny Christ Church Bells, Hark the Lark, [Sing] Old Rose and Burn the Bellows-.

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Related Works
Related Work: Look before You Leap Author(s): Horatio Edgar Robson

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

Event Comment: Benefit for Johnstone. Afterpiece [1st time; MF 2. Larpent MS 980; not published]: By a Gentleman of the Bar [Horatio Edgar Robson]. The Story partly founded on the celebrated old Scotch Ballad of the Heir of Lynne. The Irish, Scotch, Italian and French Airs selected, and the new Music and Medley Overture composed by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #488 9s. 6d

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Money at a Pinch or The Irishmans Frolicks

Related Works
Related Work: Money at a Pinch; or, The Irishman's Frolicks Author(s): Horatio Edgar Robson

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Cast
Role: Loveit Actor: Packer

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Event Comment: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Cast
Role: Apparently Parts Actor: Sorin, Baxter.

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Barry; Lockit-Thompson; Mat-Bannister; Ben Budge-Palmer; Peachum-Shuter; Filch-Weston; Jemmy Twitcher-Smith; Crook@finger'd Jack-Lyngs; Wat Dreary-Newton; Robin o Bagshot-Gardner; Nymming Ned-Pynn; Harry Paddington-Loveman; Player-Strange; Beggar-Castle; Lucy-Mrs Mahon (being her first appearance on that Stage); Mrs Peachum-Mrs Johnson; Mrs Slammekin-Mrs Gardner; Molly Brazen-Mrs Burden; Dolly Trull-Mrs Kirby; Betty Doxy-Mrs Palmer; Polly-Mrs Dancer.
Cast
Role: Player Actor: Strange
Role: Beggar Actor: Castle

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment