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We found 10816 matches on Event Comments, 6058 matches on Author, 5498 matches on Performance Comments, 2490 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Mynn and Burny Sr. Mainpiece: Written by Shakespeare

Performances

Mainpiece Title: Othello, Moor Of Venice

Related Works
Related Work: Othello Author(s): William Shakespeare

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe Shepherd's Holiday (with Additions)-Tho. Burny, Sandham, Eaton, Mrs Haughton, Miss Sandham, Miss Mountfort

Event Comment: Mainpiece: As written by Shakespeare. Mossop did Macbeth-diff-much hissing when given out again (Cross). [+Taste published at 1s., by Foote, with Prologue by Garrick.] Receipts: #150 (Cross)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mossop(, 1st time); Duncan-Burton; Macduff-Havard; Ross-Lee; Malcolm-Blakes; Banquo-Sowdon; Angus-Simson; Lenox-Scrase; Seyward-Winstone; Donalbain-Mattocks; Witches-W. Vaughan, Yates, Shuter; Hecate-Berry; Lady Macduff-Mrs Mills; Lady Macbeth-Mrs Pritchard; Vocal Parts-Beard, Wilder, Vernon, Mrs Bennet, Mrs Clive; Furies-Shawford, Pelling, Harrison, Roger.
Related Works
Related Work: Macbeth Author(s): William Shakespeare

Afterpiece Title: The Chaplet

Event Comment: MMacbeth as written by Shakespeare. Receipts: #200 (Cross)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17520128, but Macbeth-Garrick; Hecate-Winstone; Young Seyward-Palmer; Seyward-_; Vocal Parts-_Vernon.
Cast
Role: Vocal Parts Actor: _Vernon.
Related Works
Related Work: Macbeth Author(s): William Shakespeare

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Oldcastle Actor: Taswell
Event Comment: Mainpiece: As written by Shakespeare. Receipts: #60 (Cross)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Mossop; Banquo-Ross; Duncan-Berry; Macduff-Havard; Malcolm-Lacey; Ross-Davies; Angus-Simson; Lenox-Scrase; Seyward-Bransby; Donalbaine-Vernon; Hecate-Beard; Witches-Burton, Yates, Blakes; Lady Macbeth-Mrs Pritchard; Lady Macduff-Mrs Mills; Vocal parts-Beard, Wilder, Mrs Clive; With proper decorations, particularly a Dance of the Furies-Devisse.
Cast
Role: Vocal parts Actor: Beard, Wilder, Mrs Clive
Related Works
Related Work: Macbeth Author(s): William Shakespeare

Afterpiece Title: The Intriguing Chambermaid

Dance: A Comic Dance-Devisse, Mlle Auguste

Event Comment: Mainpiece: As written by Shakespeare, Afterpiece: By Particular Desire. Receipts: #110 (Cross)

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan-Berry; Macduff-Havard; Malcolm-Usher; Lennox-Scrase; Hecate-Beard; Macbeth-Mossop; Siward-Bransby; Lady Macduff-Mrs Mills; Lady Macbeth-Mrs Pritchard; Witches-Burton, Blakes, Yates; Donalbain-Vernon; Ross-Davies; Banquo-Ross; Angus-Simson; Vocal parts-Beard, Wilder, Miss Thomas.
Related Works
Related Work: Macbeth Author(s): William Shakespeare

Afterpiece Title: The Devil to Pay

Event Comment: Mainpiece: As Written by Shakespeare. Receipts: #190 (Cross)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Garrick; Duncan-Bransby; Macduff-Havard; Ross-Davies; Malcolm-Austin; Lennox-Scrase; Banquo-Palmer; Angus-Perry; Seyward-Moody; Donalbaine-Master Simson; Hecate-Champness; Witches-Burton, Blakes, Yates; Lady Macduff-Mrs Bennet; Lady Macbeth-Mrs Pritchard; Vocal parts-Champness, Reinhold, Vernon.
Related Works
Related Work: Macbeth Author(s): William Shakespeare

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Drury; the other parts as17341119. the other parts as17341119.
Related Works
Related Work: Othello Author(s): William Shakespeare

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Garrick; Juliet-Miss Pritchard, 1st appearance on any stage; Lady Capulet-Mrs Pritchard; Escalus-Bransby; Capulet-Berry; Paris-Jefferson; Benvolio-Usher; Montague-Burton; Tibalt-Blakes; Friar Lawrence-Havard; Mercutio-Woodward; Nurse-Mrs Macklin; With the Additional Scene Representing the Funeral Procession to the Monument of the Capulets-; The Vocal Parts-Beard, Champnes; In I, Masquerade Dance-.
Cast
Role: The Vocal Parts Actor: Beard, Champnes
Related Works
Related Work: Romeo and Juliet Author(s): William Shakespeare

Afterpiece Title: The Anatomist

Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Performances

Mainpiece Title: The Law Against Lovers

Performance Comment: [Altered from William Shakespeare's Measure for Measure and Much Ado About Nothing by Sir William Davenant.] Downes (Roscius Anglicanus, p. 26) and the edition of 1673 have no actors' names. But see16610218@2.
Event Comment: Mainpiece: As written by Shakespeare. Not acted in 5 years. [See 11 Nov. 1748.

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Smith, 1st time; Jaques-Sparks; Duke Senior-Ridout; Duke Frederick-Gibson; Oliver-Anderson; Sylvius-Bennet; Touchstone-Shuter; Corin-Dunstall; LeBeau-White; Charles-Bencraft; William-Collins; Adam-Bridgwater; Amiens (with songs adapted to the play)-Lowe; Audrey-Mrs Pitt; Phoebe-Miss Cockayne; Celia-Mrs Vincent; Rosalind-Mrs Bland.

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Iago-Macklin [see puff in Daily Advertiser, 23 Feb.]; Othello-a young Gentleman, first time any stage [Foote]; Montano-York [Hogan, Shakespeare in the Theatre, I, 367]; Lodovico-Hill [Genest, IV, 76].Genest, IV, 76].
Related Works
Related Work: Othello Author(s): William Shakespeare
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this is the first performance, but a performance of Part II on 18 Jan. 1676@7 and a reference to both parts in a letter dated 19 Jan. 1676@7 suggest that the premiere must have occurred early in January

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part I

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Event Comment: NNeville MS Diary: Went to ye Pit to see ye Beggar's Opera-oblig'd to stand till ye play was over-Read some parts of ye Opera which I borrowed at Davies's, before it began and between the acts. Barry is a good Macheath, but most persons who have seen him when young observe that he has not ye activity and fire he then had. He sings tolerably as does Mrs Dancer; but both are greatest in ye acting part. Mrs D. is ye best Polly I ever saw, having that sensibility which your mere singing Pollys generally want. Mrs Mahon did Lucy with great ease and propriety, and has a good deal of expression in her countenance. Thomson has a force and mellowness of voice very suitable to ye character of Lockit. I do not think Weston excels in Filch. Shuter raised vast applause by adding, after Trapes has said "done under the Surgeon's hand'--"Oh dreadful and in such weather too!" Bannister in Mat added--"Die hard"--and Palmer in Budge--"Die game--" Mrs Gardner's pretending to get drunk in Mrs Slam is new. We had at ye end of Act 2 the Fing., of Act 3 a New Hornpipe, and at ye end of ye Opera the H. Peasant by $Miss Froment, with Duke and No Duke-of which I am tired

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Barry; Lockit-Thompson; Mat-Bannister; Ben Budge-Palmer; Peachum-Shuter; Filch-Weston; Jemmy Twitcher-Smith; Crook@finger'd Jack-Lyngs; Wat Dreary-Newton; Robin o Bagshot-Gardner; Nymming Ned-Pynn; Harry Paddington-Loveman; Player-Strange; Beggar-Castle; Lucy-Mrs Mahon (being her first appearance on that Stage); Mrs Peachum-Mrs Johnson; Mrs Slammekin-Mrs Gardner; Molly Brazen-Mrs Burden; Dolly Trull-Mrs Kirby; Betty Doxy-Mrs Palmer; Polly-Mrs Dancer.
Cast
Role: Player Actor: Strange
Role: Beggar Actor: Castle

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Event Comment: NNeville MS Diary: At 6 took my place in ye Pit. I expected ye Taylors would have been damned; but with certain alterations and additions it went off better than it did last night. It is a sort of burlesque tragedy. If there is any wit in it, it is very low and unlike that in Mr Foote's other pieces. The Prologue, spoken by him, is more diverting than any part of ye play. Some Masters and leading Journeymen are taken off. [Cast listed.] The Citizen was vilely performed, except Old Philpot by Weston. Palmer is not equal to ye young one. They went off without concluding it. We had ye Builders Prologue before ye farce, by ye same means we had it last night. Foote wished for ye Builder, as ye person who supplied his place did his part vilely

Performances

Mainpiece Title: The Taylors

Cast
Role: Regniades Actor: Castle

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Taylors

Performance Comment: Master Taylors: Francisco-Foote; Campbello-Bannister; Regniades-Castle; Pearcy-Gardner; Higgleston-Newton; Flints: Abrahamides (Chief Flint)-Shuter; Bernardo Bernardo-Davis; Isaacos-Palmer; Jackiades-Weston; Bartholomeau-Smith; Humphreymingos-Loveman; Dungs: Zacharides-Thompson; Phillippominos-Keen; Timotheus-Pynn; Taylors Ladies-Mrs Jeffries, Mrs Burden, Mrs Gardner; Attendants to the Ladies-Mrs Denton, Mrs Kirby, Mrs Palmer; New Prologue-Foote.
Cast
Role: Regniades Actor: Castle

Afterpiece Title: The Old Maid

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: Betterton's Company. The date of the first performance is not known, but Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 309, speculates that James Brydges' attendance at lif this day may have been prompted by his seeing this new play, as he stayed longer than he often did at a theatrical performance. The comedy was certainly acted before 12 March 1699@1700. James Brydges, Diary: I went to ye play in Lincolns inn fields, where I met Sr G. Coply, who set me down after it was ended (Huntington MS St 26). Downes, Roscius Anglicanus, p. 45: The Way of the World, a Comdey wrote by Mr Congreve, twas curiously Acted; Madam Bracegirdle performance her Part so exactly and just, gain'd the Applause of Court and City; but being too Keen a Satyr, had not the Success the Company Expected

Performances

Mainpiece Title: The Way Of The World

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood; Or, The Distrest Lovers

Performance Comment: Principal Parts-Wilks, Mills, Williams, Corey, Harper, Griffin, Norris, Mrs Porter, Mrs Booth; but edition of 1728 lists: Duke Angelo-Corey; Roderick-Mills; Henriquez-Wilks; Don Bernard-Harper; Camillo-Griffin; Julio-Booth; Citizen-Oates; Master of Flocks-Bridgwater; 1st Shepherd-Norris; 2d Shepherd-Ray; Leonora-Mrs Porter; Violante-Mrs Booth; Prologue by Phillip Frowde-Wilks; Epilogue-Mrs Oldfield.
Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: Venice Preserved

Event Comment: At the Desire of Several Ladies of Quality. Boxes 5s. Pit 3s. Gallery 1s. 6d. [Usual concert formula. See letter to today's Daily Advertiser wherein Foote is threatened with being horsewhipped if he puts on his Diversions. This is part of Foote's publicity program.] Several of Miss Cymber's Friends [at the Play Jane Shore] mistaking the House for the Theatre in James St., are desir'd to observe this is facing the Opera House in the Haymarket.--General Advertiser

Performances

Mainpiece Title: The Orphan

Performance Comment: Monimia-Miss Cymber her second time on any stage; Castalio-(by desire) young Gentleman that played Hastings; parts-company that played Jane/Shore see17470324.

Afterpiece Title: Miss in Her Teens

Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Performance Comment: Parts-Barry, Sparks, Smith, Ridout, Usher, Mrs Bland, Mrs Vincent, Miss Kennedy, Mrs Griffith, Miss Nossiter. [ Basilius-Sparks; Pyrocles-Barry; Musidorus-Smith; Amphialus-Usher; Philanax-Ridout; Euristus-Anderson; Dametas-Redman; Thyrsis-Holtam; Gynecia-Mrs Bland; Pamela-Miss Kennedy; Philoclea-Miss Nossiter; Cecropia-Mrs Vincent; Eugenia-Mrs Griffith; Phebe-Miss Mullart; Prologue-Sparks; Epilogue-Mrs Bland [[Edition of 1754).][Edition of 1754).]
Event Comment: By Their Royal Highnesses' Command. At Penkethman's Theatre. Mainpiece: Written by Shakespear. Afterpiece: a diverting Droll. Box Tickets at Penkethman's House in Richmond. Daily Post, 5 Sept.: Mr Penkethman...had the Honour to divert their Royal Highnesses the Prince and Princess of Wales, with Entertainments of Acting and Tumbling perform'd to Admiration; Likewise with his Picture of the Royal Family, down from the King of Bohemia to the young Princesses, in which is seen the Nine Muses playing on their several Instruments, in Honour of that August Family. There were present Nobility, Gentry and Ladies upwards of 200

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

Event Comment: Benefit De Fesch. At the Desire of several Persons of Quality

Performances

Mainpiece Title: L'etourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles