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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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16034 results for: Keyword - Castle</i>. <i>Horatio-$Mr Packer</i>. Several parts of ye play, as it is in $<span class=
We found 10699 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.

601
09 July 1661 @ Lincoln's Inn Fields

Event Comment: At Oxford the players gave All's Lost by Lust in the morning, The Milkmaids in the afternoon. For these plays see 4 and 5 July

Performances

Mainpiece Title: The Siege Of Rhodes Part Ii

602
03 January 1671 @ The (first) Drury Lane Theatre

Event Comment: See 2 Jan 1670@1 for the possibility that this play was given on this day

Performances

Mainpiece Title: The Conquest Of Granada Part Ii

603
18 January 1677 @ Drury Lane Theatre

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian Part Ii

Performance Comment: See16770112, but Edition of 1677: The Prologue-; The Play ended, Epilogue-Mrs Marshal (in the Character of Queen Berenice).

604
April 1681 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but the date 31 May 1681 on a copy in the Ohio State University Library, representing Luttrell's purchase of a copy, argues for a performance initially in April or early May 1681. See Wilson, Six Restoration Play-Dates, p. 222

Performances

Mainpiece Title: Henry The Sixth The First Part With The Murder Of Humphrey Duke Of Glocester

605
28 September 1732 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. With all the Scenes, Machines, and other Decorations proper to the Play and the Original Musick, Songs, and Dances. Afterpiece: With the Additional Scene representing the Drawing of the Lottery in Guild-Hall. [For a discussion of Wilks as actor-manager and a brief comment on the defects of T. Cibber as Macduff, see Grub St. Journal, 5 Oct.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lottery

Music: The Original Musick-; Vocal Parts-Stoppelaer, Miss Raftor, E. Roberts, Charke

Dance: Essex, Thurmond, Houghton, Tench, Davenport

606
30 October 1732 @ Lincoln's Inn Fields

Event Comment: Written by Shakespeare. And all the usual Flyings, Sinkings, and Decorations proper to the Play. Receipts: #92

Performances

Mainpiece Title: Macbeth

Music: Vocal and Instrumental Music-; Vocal Parts-Leveridge, Legar, Rochetti, Salway, Papillion, Thompson, Mrs Wright, Mrs Sanderson

Dance: Poitier, Nivelon, Dupre Sr, Pelling, Newhouse, LeSac, Dupre Jr, Delagarde Jr

607
18 April 1734 @ Drury Lane Theatre

Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv Part Ii

Song:

Dance:

608
27 May 1734 @ Haymarket Theatre

Event Comment: Benefit Hewson. Tickets for The Stratagem at LIF will not be taken this Night, but are desir'd to be changed for the Tickets of this Play

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Covent Garden Tragedy

Music: A Piece of Musick upon the Common Flute by a Gentleman, composed by Sig Valesciene

Dance: Two Pierrots by F. Tench and Davenport. Scotch Dance by Mr and Mrs Davenport. The Whim by F. Tench and Miss Mann

609
18 September 1739 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. With Scenes, Machines, Dancing, and other Decorations proper to the Play

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Shipwreckd

Music: Vocal Parts [for Macbeth]-Beard, Mrs Clive

Dance: TTambourine-Mlle Chateauneuf

610
27 February 1749 @ Covent Garden

Event Comment: Benefit for Quin. Play By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, the Lady Augusta, and Lady Elizabeth. In which will be reviv'd a scene not acted these 30 years. Five rows of the Pit will be laid into the Boxes, and for the better Accomodation of the Ladies the Stage will be enclos'd and formed into an Amphitheatre, where servants will be allowed to keep places. Ladies are desired to send servants to keep places at three o'clock

Performances

Mainpiece Title: King Henry Iv Part I

611
27 April 1773 @ Covent Garden

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv Part Ii

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

612
18 October 1779 @ Covent Garden

Event Comment: [Henderson had 1st acted Macbeth in London at dl, 31 Mar. 1778.] "We have often remonstrated against the incongruous stile of dressing plays at each theatre...Last night the modern custom of making the principal actor fine was followed without any regard to propriety, or any care about the other personages of the drama" (Morning Chronicle, 19 Oct.). Receipts: #249 10s. 6d. (248.6.0; 1.4.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Touchstone

Song: Vocal parts-Reinhold, Doyle, J. Wilson, Baker, Miss Brown, Miss Valois, Mrs Morton, Mrs Willems

613
24 September 1787 @ Covent Garden

Event Comment: Mainpiece: In Act I a Masquerade Scenev incident to the Play. Account-Book: Paid Music 21st Inst. #7 14s 8d.; Properties 9s. 6d.; Chorus Singers #3; Wardrobe #6 2s. 6d.; Supernumeraries #3 7s. 6d.; Guard [master carpenter] for Scenemen #12 16s. 3d. Receipts: #220 8s. 6d. (219.15.6; 0.13.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Midas

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge-; Vocal Parts-Johnstone, Cubitt, Brown, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Miss Blower, Mrs Kennedy

614
22 September 1788 @ Covent Garden

Event Comment: Mainpiece: In Act I a Masquerade Scene incident to the Play. [This was included in all subsequent performances. Middleton was from the Bath theatre.] Paid Music 19th Inst. #8 6s. 6d.; Properties 6s. 10d.; Kettle Drum 5s.; Wardrobe 19s. 6d.; Supernumeraries #1 15s.; Chorus Singers #1 10s.; Cox for Sceneman #32 7s. 5d.; Hodgins [scene painter] #4 4s. Receipts: #304 13s. (302.18; 1.15)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Love in a Camp or Patrick in Prussia

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Bonville, Lee, Rock, Janson, Mrs Martyr, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Paye, Mrs Byrne, Mrs Kennedy

615
14 September 1789 @ Covent Garden

Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Farmer

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

616
13 September 1790 @ Covent Garden

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. Places for the Boxes to be taken of Brandon at the Theatre. No Money to be returned. No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Mainpiece: In I a Masquerade Scene [incident to the Play. Receipts: #216 9s. 6d. (213.11.0; 2.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Padlock

Song: End IV: Juliet's Funeral Procession-; with Solemn Dirge, Vocal Parts-Bannister, Johnstone, Cubitt, Reeve, Rock, Lee, Letteney, Mrs Mountain, Mrs Warrell, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Byrne, Mrs Lloyd, Mrs Martyr

617
26 September 1791 @ Covent Garden

Event Comment: In I Masquerade Scene incident to the Play. Receipts: #212 2s. 6d. (210.11.6; 1.11.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Divertisement

Song: End IV: Juliet's Funeral Procession-; Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Darley, Cubitt, Rock, Lee, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Mrs Byrne, Mrs Lloyd, Mrs Martyr

618
08 October 1792 @ Covent Garden

Event Comment: [Mrs Esten's 1st appearance as Juliet was at Edinburgh, 19 Jan. 1790.] In Act I of mainpiece a Masquerade Scene incident to the Play. Afterpiece: The Overture and the rest of the Music composed new by Baumgarten. Receipts: #340 9s. 6d

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Blue Beard or The Flight of Harlequin

Dance: In afterpiece: Dancing-Byrn, Platt, Ratchford

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge Vocal Parts-Johnstone, Incledon, Darley, Gray, Rock, Lee, Letteney, Mrs Blanchard, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Miss Leserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Broadhurst

619
09 April 1794 @ Drury Lane Theatre

Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the violin by Giornovichi

620
05 January 1795 @ Covent Garden

Event Comment: Mainpiece: In Act I a Masquerade Scene incident to the Play. Receipts: #235 7s. (231.1; 4.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mago and Dago

Cast
Role: It blows Hot and Cold Actor: a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard
Role: a Storm Actor: an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard

Song: As17941020, but Elegy-_; Vocal Parts-_

621
11 December 1799 @ Drury Lane Theatre

Event Comment: Mainpiece: 32nd Night [i.e, in continuation of the reckoning for the previous season]. The Scenery, Dresses and Decorations entirely New. The Musick, Airs and Chorusses incidental to the Piece composed by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood, Demaria, Banks, Blackmore, &c. The Machinery, Decorations and Dresses under the Direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book lists the attendance as follows:@1st Account Spectators Receipts@Boxes Pit 1st Gallery Upper Gallery@1162 348!12@706 123!11@583 58!6@312 15!12@Total 2763 546!1@2nd Account Spectators Receipts@300 45!0@13 1!6@23 1!3@14 0!7@Total 350 47!16@. Total of spectators 3113. Receipts: #595 5s. (546.1; 47.16; 1.8)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates

622
29 April 1800 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Joanna Baillie. "Adapted to the stage by J. P. Kemble" (note in his hand on Kemble playbill), Text in the author's A Series of Plays (T. Cadell Jun. and W. Davies, 1798). Prologue by the Hon. Francis North; Epilogue by Georgiana Cavendish, Duchess of Devonshire (Larpent MS 1287)]: The Scenery, Musick, Dresses, and Decorations entirely new. The Musick of the Third Act composed by Shaw [and sung by Sedgwick (Dramatic Censor, II, 162)] and of the Second and Fourth Acts by Kelly. The Scenes designed by Greenwood? Jun and Capon, and executed by them, Banks, &c. The Dresses and Decorations designed by Johnston, and executed under his direction by Gay and Underwood. The Female Dresses designed and executed by Miss Rein. Receipts: #308 12s. 6d. (264.3.0; 43.15.6; 0.14.0)

Performances

Mainpiece Title: De Montfort

Performance Comment: Characters by Kemble, Talbot, Barrymore, Cory, Dowton, Powell, Caulfield, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder, Mrs Siddons, Miss Heard, Mrs Crouch, Miss DeCamp, Miss Tidswell. Cast from Dramatic Censor, II, 115: De Montfort-Kemble; Rezenvelt-Talbot; Count Freberg (Albert)-Barrymore; Jerome-Dowton; Manuel-Powell; Grimbald (Conrad)-Caulfield; Jane De Montfort-Mrs Siddons; Countess Freberg-Miss Heard; Abbess-Mrs Crouch; Nuns-Miss DeCamp, Miss Stephens; Maid-Miss Tidswell; unassigned-Cory, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder; Prologue-Mrs Powell; Epilogue-Mrs Siddons.
Cast
Role: unassigned Actor: Cory, Packer, Holland, Archer, Maddocks, Clarke, Sparks, Trueman, Surmont, Fisher, Chippendale, Ryder

Afterpiece Title: The Purse

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Wentworth, Maddocks, Evans, Cook, Danby Jun., Tett, Caulfield Jun., Sawyer, Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Stephens, Ms Leak, Ms Arne, Ms Menage, Ms B. Menage, Ms Wentworth, Ms Roffey, Ms Jacobs, Ms Saunders, Ms Maddocks, Ms Bristow, Ms Butler, Ms Gawdry

623
19 September 1774 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. [See 31 Dec. 1772.] Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons admitted behind the scenes, nor any money returned after the Curtain is drawn up. Places for Boxes to be taken of Mr Sarjant (only) at the Stage Door. The Doors to be open'd at half an hour past 5 o'clock. To Begin half an Hour past 6. Vivant Rex & Regina. [Customary footnote for all succeeding bills this season, not to be repeated here. Woodward seems to have spoken an Occasional Prologue on the opening of the theatre. See request for its repetition on bill for 21 Sept. This Prologue is Larpent MS 377. It suggests the policy of offerings and competitions for the season--some old plays, some new, some foreign, some pantomimes, some Shakespeare, &c.

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

624
29 October 1684 @ The City, London

Performances

Mainpiece Title: Londons Royal Triumph For The Citys Loyal Magistrate In An Exact Description Of Several Scenes And Pageants Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.

625
02 March 1734 @ Haymarket Theatre

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Performances

Mainpiece Title:

Entertainment: The strong Man from Islington (not in Defiance to Mynheer Cajanus) as was Yesterday improperly advertis'd, but out of good Will to the Author, and to oblige the Audience, for that Night only, will perform several surprizing proofs of Manly Strength, unequall'd yet by any