SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Carlo Francesco Badini"/1) | (@(roleclean,performerclean) "Carlo Francesco Badini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1582 matches on Author, 476 matches on Performance Comments, 43 matches on Event Comments, 20 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: As17860124 throughout

Event Comment: A comic Opera; Music by Gaetano Pugnani; Poetry by Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini
Event Comment: Opera [1st time; COM 3, by Carlo Francesco Badini, based on The Duenna, by Richard Brinsley Sheridan]: the Music entirely new by Bertoni

Performances

Mainpiece Title: La Governante

Performance Comment: Principal Characters by Jermoli, Rossi, Rovedino, Coppola, Sga Pozzi, Sga Salpietro, Sga Sestini. Cast from libretto (R. Ayre, 1779); Antonio d'Ercilla-Jermoli; Don Giuseppe di Mendosa-Antonio Rosse; Don Girolamo de Castellano-Carlo Rovedino; Ferdinando-Giuseppe Coppola; Chiaretta-Sga Pozzi; Catterina-Sga Salpietro; Lucinda-Sga Sestini.

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: End of Act I Divertissement Villageois, as17860124, but omitted: Spozzi; End of Opera a new Ballet Historique, Acis and Galatea, by Vestris, Sga Carolina, D'Egville, Henry, Sga Crespi, Duquesney Jun., the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.]

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: As17860218 throughout, but Acis and Galatea here entitled a New Divertissement

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: End of Act I Divertissement by Vestris, Henry, Duquesney [Jun.], the two Mlles Simonet, Mlle Mozon, &c.; End of Opera Divertissement Villageois, as17860218

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: As17860225 throughout

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: As17860225 throughout

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: As17860225

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: End of Act I New Divertissement, as17860311End of Opera L'Amour Jardinier, as17860401, but added: Miss Hervey, and L'Amour-Miss De Camp

Song: In the beginning of the 2nd act a Bravura Song by Mme Mara

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini
Related Work: Titus Author(s): Francesco Veracini

Dance: End I: Divertissement, as17870116; End Opera: La Fete Provencale, as17870308

Event Comment: A new Comic Opera in 2 acts [1st time, by Carlo Francesco Badini]; the music composed by [Tommaso] Giordani

Performances

Mainpiece Title: Il Bacio

Related Works
Related Work: Il Bacio Author(s): Carlo Vandini

Dance: As17820402 throughout

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale; O Sia, L'amore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon

Event Comment: A new Serious Opera [1st time; SER 2, by Carlo Francesco Badini, based on Alessandro nell'Indie, by Metastasio]; the Music new by Tarchi. "The House was so pleased with it that they did as is done in foreign Theatres--they gave the Composer specific applause, 'Bravo Tarchi', 'Bravo Maestro'" (World, 3 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: As17890526

Performances

Mainpiece Title: Merope

Performance Comment: Edition of 1736 lists: Merope-Signora Antonia Merighi; Epitide-Carlo Broschi called Farinello; Polifonte-Francesco Tolve; Argia-Signora Eliz. duParc called Francescina; Trasimede-Signora Marg. Chimenti called Droghierina; Anassandro-Antonio Montagnana.
Related Works
Related Work: Merope Author(s): Francesco Maffei

Performances

Mainpiece Title: L'arcadia In Brenta

Performance Comment: The printed version 1755 (Larpent MS 114) as acted as Covent Garden gives the following: Fabrizio Fabroni-Sg Francesco Baratti; Giacinto-Gaetano Guadagni; Rosana-Sga Ninetta de Rossennaw; Mlle Lindora-Sga Anna Castelli; Conte Bellezza-Gaetano Quilici; Laura-Sga Eugenia Mellini; Foresto-Christiano Tedeschini Koerbitz.
Related Works
Related Work: L'Arcadia in Brenta Author(s): Carlo Goldoni

Performances

Mainpiece Title: Tamerlane

Performance Comment: Edition of 1724 lists: Tamerlano-Andrea Pacini; Bajazet-Francesco Borosini; Asteria-Signora Francesca Cuzzoni; Andronico-Francesco Bernardi called Senesino; Irene-Signora Anna Dotti; Leone-Guiseppe Boschi.
Related Works
Related Work: Tamerlane Author(s): Francesco Gasparini

Performances

Mainpiece Title: Piramo E Tisbe

Performance Comment: Principal Characters by Roncaglia, Trebbi, Manzoletto, Mme LeBrun. Cast from libretto (E. Cox, 1781): Piramo-Francesco Roncaglia; Eupalte-Giuseppe Trebbi; Corebo-Manzoletto; Tisbe-Mme LeBrun.
Cast
Role: Piramo Actor: Francesco Roncaglia
Related Works
Related Work: Piramo e Tisbe Author(s): Francesco Bianchi

Dance: End I: a new Ballet Anacreontique (composed by Vestris Sen.) Les Caprices de Galatee-Vestris Jun., Mlle Baccelli, Traffieri, Sga Tantini [Galatee-Mlle Baccelli ($Lynham, 166)]

Ballet: End Opera: a new Ballet Tragique (composed by Vestris Sen.) Medee et Jason. -Mme Simonet, Vestris Sen., Mlle Baccelli, Vestris Jun., Simonet, Traffieri, Slingsby, Sg and Sga Zuchelli, Henry, Sga Jason Cast from libretto of Piramo e Tisbe: Medea-Mme Simonet; Jason-Vestris Sen.; Creusa-Mlle Baccelli; A young Prince-Vestris Jun.; Creon-Simonet; Furies-Traffieri, Slingsby, Sg and Sga Zuchelli, Henry, Sga Tantini; 2 children of Medea-

Performances

Mainpiece Title: Il Filosofo Di Campagna

Performance Comment: Eugenia-Signora Angiola Calori; Rinaldo-Pietro Sorbellini; Nardo-Carlo Paganini; Lesbina-Signora Angiola Paganini; Capocchio-Christiano Tedeschini; Mezzi Caratteri Don Tritemio-Gaetano Quilici; Lena-Signora Teresa Eberardi (Libretto, 1761).
Cast
Role: Nardo Actor: Carlo Paganini
Related Works
Related Work: Il Filosofo Di Campagna Author(s): Carlo Goldoni

Dance: New Dances , as17601216-Gherardi, Mlle Asselin, Polly Capitani, Tariot

Performances

Mainpiece Title: La Pescatrici

Performance Comment: Lindoro-Pietro Sarbelloni; Eurilda-Sga Angiola Caroli; Lesbina-Sga Angiola Paganini; Nerina-Sga Teresa Eberardi; Frissellino-Carlo Paganini; Burlatto-Gaetano Quilici; Mastricco-Cristiano Tedeschini; Dancers-Gerhardi, Mlle Asselin, Binetti, Sga BinettiEdition of 1761.
Cast
Role: Frissellino Actor: Carlo Paganini
Related Works
Related Work: La Pescatrici Author(s): Carlo Goldoni
Event Comment: [Words from the Italian of G. B. Neri. Music by Francesco Conti and others.] A new Opera. By Subscription. The Boxes to be open'd to the Pit, and no Person to admitted but by the Subscribers' Tickets. Stage Boxes 15s. First Gallery 5s. Upper Gallery 2s. At 6 p.m

Performances

Mainpiece Title: Clotilda

Related Works
Related Work: Clotilda Author(s): Francesco Conti
Event Comment: Never perform'd before. By Subscription. The Boxes to be open'd to the Pit, and no Person to be admitted but by the Subscribers' Tickets. Edition 1710: Music composed by Francesco Mancini. The Scenes painted by Signor Marco Rizzi of Venice

Performances

Mainpiece Title: Hydaspes

Related Works
Related Work: Hydaspes Author(s): Francesco Mancini
Event Comment: [Words by Apostolo Zeno. Music by Francesco Gasparini.] By Subscription. First Gallery 5s. Upper Gallery 2s. Stage Boxes 15s. At 6 p.m

Performances

Mainpiece Title: Antiochus

Related Works
Related Work: Antiochus Author(s): Francesco Gasparini