SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Capt Warner"/1) | (@(roleclean,performerclean) "Capt Warner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 601 matches on Performance Comments, 93 matches on Event Comments, 4 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Old Maid

Performance Comment: Harlow-Davis; Capt. Cape-Dunstall; Young Clerimont-White; Mrs Harlow-Miss Elliot; Miss Harlow-Mrs Younger; with a New Occasional Prologue-Smith.

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-a Young Gentleman, 1st appearance this stage; Aboan-Holland; Blandford-Palmer; Governor-Burton; Stanmore-Packer; Capt. Driver-Bransby; Hotman-Blakes; Planters-Moody, Mozeen, Parsons, Castle, Mrs Bradshaw; Slaves-Ackman, Clough, Fox, Watkins; Imoinda-Mrs Palmer; In Act II, will be introduc'd an entertainment of singing-Champnes, Miss Young; with a proper Dance of Slaves-Vincent, Lochery, Leppie.

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Garrick; Major Oakly-Yates; Charles-Palmer; Lord Trinket-OBrien; Sir Harry Beagle-King; Russett-Burton; Capt. O'Cutter-Moody; Paris-Blakes; Tom-Clough; Lady Freelove-Mrs Clive; Harriet-Mrs Palmer; Mrs Oakly-Mrs Pritchard.

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Obrien; Flash-King; Capt. Loveit-Packer; Puff-Moody; Jasper-Ackman; Tag-Mrs Bennet; Biddy-Miss Pope.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Old Maid

Performance Comment: Harlow-Davis; Capt. Cape-Dunstall; Young Clerimont-White; Heartwell-Gardner; Mrs Harlow-Miss Elliot; Miss Harlow-Mrs Walker.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Woodward; Belfond-Smith; Truman-Hull; Lolpoop-Dunstall; Cheatly-White; Shamwel-Cushing; Capt. Hack'em-Marten; Attorney-Anderson; Sir William Belfond-Shuter; Sir Edward Belfond-Gibson; Termagant-Gardener; Roger-Weller; Ruth-Mrs Pitt; Lucia-Miss Miller; Mrs Hack'em-Mrs Copin; Mrs Margery-Mrs White; Teresa-Miss Hallam; Isabella-Miss Vincent; Mrs Termagant-Mrs Vincent.

Afterpiece Title: The Upholsterer

Dance: TThe Knife Grinders, as17631012

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: As17631118, but Capt. Hack'em-Buck.

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders, as17631012

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Old Maid

Performance Comment: Clerimont-Didier, 1st appearance there; Heartwell-Philips; Harlow-Packer; Capt. Cape-King; Mrs Harlow-Miss Pope, 1st time; Miss Harlow-Mrs Bennet.

Dance: II: New Tambourine, as17640929

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Holland; Major Oakly-Yates; Lord Trinket-Griffith; Charles-Palmer; Sir Harry Beagle-King; Russet-Burton; Capt. O'Cutter-Moody; Pairs-Baddeley; Tom-Clough; Lady Freelove-Mrs Clive; Harriot-Mrs Palmer; Mrs Oakly-Mrs Pritchard.

Afterpiece Title: The Witches

Dance: II: A New Scaramouch Dance-Sg Berardi (1st appearance this stage), Miss Baker

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Powell; Aboan-Lee; Blandford-Palmer; Governor-Burton; Stanmore-Packer; Capt. Driver-Bransby; Hotman-Baddeley; Planters-Moody, Parsons, Marr, Watkins, Mrs Bradshaw; Slaves-Clough, Ackman, Fox; Imoinda-Mrs Palmer; In Act II, a Dance of Slaves-.

Afterpiece Title: The Fairy Tale

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Old Maid

Performance Comment: Old Maid-Mrs Walker; Harlow-Davis; Young Clerimont-White; Capt. Cape-Lewis; Heartwell-Gardner; Mrs Harlow-Miss Elliot.

Dance: II: A Tambourine, as17641015; End: La Femme Maitresse, as17641004

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Woodward; Belfond Jr-Smith; Truman-Hull; Lolpoop-Dunstall; Sir William Belfond-Shuter; Cheatly-White; Capt. Hackum-Buck; Shamwell-Cushing; Attorney-Anderson; Termagant-Gardner; Roger-Weller; Mrs Hackum-Mrs Copin; Margery-Mrs White; Sir Edward Belfond-Gibson; Ruth-Mrs Pitt; Lucia-Mrs Baker; Teresa-Miss Hallam; Isabella-Miss Vincent; Mrs Termagant-Mrs Vincent.

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Brazen-King, 1st time; Welch Collier-Baddeley; Capt. Plume-Palmer; Kite-Bransby; Bullock-Moody; Melinda-Mrs Lessingham, 1st time; Rose-Mrs Hippisley; Ballance-Havard; Worthy-Lee; Recruits-Yates, Vaughan; Lucy-Mrs Bennet; Sylvia-Miss Plym, 1st time.

Afterpiece Title: The Deuce Is in Him

Dance: II: A New Comic Dance, as17650516; End: Double Hornpipe-Walker, Miss Tetley

Performances

Mainpiece Title: The Commissary

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble, with a song in character-Shuter; Capt. Loveit-Gardner; Puff-Preston; Flash-Davis; Tagg-Mrs Granger; Biddy-Miss Reynolds.

Dance: As17650708

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Holland; Major Oakly-Yates; Charles-Palmer; Lord Trinket-Packer; Sir Harry Beagle-King; Capt. O'Cutter-Moody; Russet-Burton; Paris-Baddeley; Tom-Clough; Lady Freelove-Mrs Clive; Mrs Oakly-Mrs Pritchard; Harriet-Mrs Palmer; Occasional Prologue-King.

Afterpiece Title: The Deuce Is in Him

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Old Maid

Performance Comment: As17651220, but Capt. Cape-Dunstall.
Cast
Role: Captain Cape Actor: Lewis

Dance: II: The Village Romps, as17651019

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Performance Comment: Oroonoko-Younger, first time; Governor-Anderson; Blanford-Hull; Stanmore-Davis; Aboan-Gardner; Jack Stanmore-Murden; Capt. Driver-Dunstall; Daniel-Shuter; Hotman-Wignel; Planters-Bennet, Buck, Morgan; Charlotte-Miss Macklin; Lucy-Mrs Stephens; Widow Lackit-Mrs Pitt; Imoinda-Miss Ward, first time.

Afterpiece Title: Catherine and Petruchio

Song: II: A Song-Miss Twist

Dance: III: A Hornpipe-Miss Twist; IV: A Minuet-Dumay, Miss Twist; End: The Sicilian Peasants, as17660311

Entertainment: End: By Particular Desire (For positively the last time this season) Epilogue upon an Ass-Shuter

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Powell; Aboan-Bensley, 1st time; Blandford-Palmer; Stanmore-J. Palmer; Planters-Marr, Parsons, Moody, Watkins, Mrs Bradshaw; Hotman-Hurst; Governor-Burton; Capt. Driver-Bransby; Slaves-Strange, Ackman, Fox; Imoinda-Mrs Palmer; In Act II a Dance of the Slaves-Grimaldi, Duquesney, Sga Giorgi.

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: As17661023, but Cheatly-Davis; Attorney-Anderson; Termagant-Gardner; Shamwel-Cushing; Roger-Weller; Capt. Harkum-Buck.

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Desire. [Genest, V, 120, suggests The Old Maid as afterpiece with Clerimont-Capt. Cape-$Baddeley; Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French">Cautherley; Capt. Cape-$Baddeley; Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French on acct. #50; Shepherd for cotton #2 18s. 4d.; Mrs Hilman for cloaths #4 14s. 6d.; Mrs Humphreys for a suit of cloaths #9 9s.; Miss Allen for cleaning stockings #1 6s. 6d.; Licensing the Earl of Warwick and Cymon #4 4s. (Treasurer's Book). Receipts: #181 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Event Comment: [R+Rich's Register lists The English Merchant.] Paid Blandford (tallow chandler) #49 8s. 10d. Paid George Garrick for use of the managers #15 15s.; Paid French on account #20; Advanced to Granier on note #4 2s. 10d.; to Keen on note #4 4s. Rec'd stopages 16s. 6d. (Treasurer's Book). Sylas Neville (Neville MS Diary): With difficulty got into the Pit at Drury Lane, where I stood at the side so jambed up that I could not read the newspaper I carried: But I saw the play very well. It was Rule a Wife and Have a Wife, with the Farce of the Devil to Pay. Duke by Havard, Cacafago by Love, very well. Copper Capt. by Palmer, pretty well. Old woman pretty well by Mrs Baddeley, Astifania by Mrs Pritchard excellently, tho she is too old for the first part of this character. Leon inimitably by Garrick. I think he shows a good deal of Abel drugger, [both published and unpublished portions of the Neville Diary.] Receipts: #261 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Garrick; Duke-Havard; Cacafoggo-Love; Juan-Packer; Sancho-Aickin; Copper Captain-Palmer; Alonzo-Ackman; Altea-Mrs Lee; Margaretta-Mrs Hopkins; Old Woman-Baddeley; Maid-Weston; Estifania-Mrs Pritchard.
Cast
Role: Copper Captain Actor: Palmer

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: As17661213, but Attorney-_; Termagant-_; Shamwel-_; Roger-_; Capt. Harkum-_.

Afterpiece Title: Midas

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble-Dodd; Flash-J. Palmer; Capt. Loveit-Packer; Puff-Moody; Jasper-Ackman; Tag-Mrs Lee; Biddy-Miss Pope.

Dance: III: A Dance call'd The Nosegay-Duquesney, Mrs King; End: Hornpipe-Miss Tetley

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Holland; Major Oakly-Love, 1st time; Charles-Cautherley; Lord Trinket-Dodd; Sir Harry Beagle-J. Palmer; Russet-Burton; Paris-Baddeley; Tom-Ackman; Capt. O'Cutter-Moody; Lady Freelove-Mrs Clive; Harriet-Mrs Palmer; Toilet-Mrs Hippisley; Mrs Oakly-Mrs Pritchard.

Afterpiece Title: Fortunatus

Dance: II: A Dance call'd The Irish Hay@makers-Giorgi, Mrs King