SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Capt Edward Hamilton"/1) | (@(roleclean,performerclean) "Capt Edward Hamilton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1642 matches on Performance Comments, 948 matches on Author, 289 matches on Event Comments, 92 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Narcissa Actor: Mrs Hamilton

Afterpiece Title: The Toy Shop

Dance: I: Scotch Dance by Mrs Bullock. V: La Follette c'est Ravizee by Tench and Mrs Woodward

Song: III: A Song by Mrs Chambers. IV: Waterman's Song (in Britannia) by the Two Masters Hamilton

Performance Comment: IV: Waterman's Song (in Britannia) by the Two Masters Hamilton .
Event Comment: TThe Stratagem deferr'd on account of Mrs Hamilton's illness

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Contrivances

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: TThe Earl of Essex deferr'd on account of Mrs Hamilton's Indisposition

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Knights

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: A List of the Company Performers etc.@Actors Messrs Ross #1 6s. 6d.@Sparks #250 #1 8s.@Dyer #180 #1@Smith #1 8s.@Shuter #1 6s. 8d.@Ridout #180 #1@Clarke 16s. 8d.@Collins 13s. 4d.@Dunstall 13s. 4d.@Bencraft #100 12s.@Barrington #100 12s.@Gibson 10s.@Marten 6s. 8d.@Costollo 6s. 8d.@Anderson 6s. 8d.@Hull 6s. 8d.@Wignell 5s.@Bennet 5s.@Redman 4s. 2d.@Holtom 5s.@Buck 4s. 2d.@Perry 4s. 2d.@Stoppelaer 3s. 4d.@R. Smith 3s. 4d.@Giffard 3s. 4d.@Creswick 3s. 4d.@Gibbs 3s. 4d.@Weller 3s. 4d.@C. Smith 2s. 6d.@Blakey 2s. 6d.@Davis 5s.@Actresses Misses Ms Macklin #300 #1 13s. 4d.@Ms Ward #1 6s. 8d.@Ms Hamilton #1 10s.@Ms Elmy 13s. 4d.@Ms Vincent 13s. 4d.@Ms Green 11s.@Ms Pitt 10s.@Ms Dyer #70 7s. 8d.@Ms Barrington 6s. 8d.@Ms Baker 6s. 8d.@Ms Morrison 5s.@Ms Ferguson 5s@Ms Stephens 5s.@Ms Helm 4s. 2d.@Ms Mullart 3s. 4d.@Ms Sledge 3s. 4d.@Ms Copen 3s. 4d.@Ms Burden 3s. 4d.@Ms Davis 3s. 4d.@Ms Cokayne 3s. 4d.@Ms Allen 2s. 6d.@#9 19s. 4d. Actors #15 10s. 10d.@#25 10s. 2d.@Singers Men Messrs Beard #210 #1 3s. 4d.@Mattocks 10s.@Baker 6s. 8d.@Legg 5s.@#2 5s.@Singers Women Mrs Ms Lampe 13s. 4d.@Ms Brent 13s. 4d.@Ms Young 10s.@Ms Abegg 5s.@#2 1s. 8d.@Men Singers #2 5s.@#4 6s. 8d.@. Dancers Men Messrs Poitier Sr #80 8s. 10d.@Maranesi #150 16s. Sd.@Poitier Jr #150 16s. 8d.@LaLauze #100 12s.@Miles 10s.@Granier 10s.@Desse 6s. 8d.@Rochford #50 5s.@Dumay 5s.@Gosly 5s.@Baltazer 5s.@Dufour 5s.@Lassy #35 3s. 8d.@#5 9s. 6d.@Dancers Women Mrs Capdeville #150 16s. 8d.@Ms Maranesi #120 13s. 4d.@Ms Vernon 10s.@Ms Granier 6s. 8d.@Ms Jansolien 6s. 8d.@Ms Mariane #50 5s.@Ms Welch #35 3s. 8d.@Ms Craford #35 3s. 8d.@Ms White 3s. 4d.@Ms Dause 3s. 4d.@Ms Vallois 2s. 6d.@#4 4s. 10d. Men Dancers #5 9s. 6d.@#9 14s. 4d.@Mrs P. R. 10s.@Ms S. B. 6s. 8d.@Ms Bambridge 1s. 8d.@10s. 4d.@Prompters etc. Mr Stede 10s.@Young 5s.@Robertson 1s. 6d.@16s. 6d.@Painters Messrs Lambert #100 12s.@Dall #100 12s.@Austin 2s.@#1 6s.@ Servants numberers Stables 5s.@Housekeeper Sarjant #40 4s. 6d.@Wardrobe Whitefield #30 3s. 4d.@Officekeeper Ballard 3s. 4d.@Pearson 2s. 6d.@Box office Carne 2s. 6d.@Davis 2s. 6d.@Assistants Baker 2s. 6d.@Etherington 2s.@Lobby Door Goode 2s.@Ruby 2s.@Evans 2s.@Condell 2s.@Box Keepers Ansell 2s.@Letsam 2s.@Vaughan 2s.@Green 2s.@Potter 2s.@Pit Office Henning 2s.@Wilford 1s. 8d.@Toten 1s. 8d.@Pit Door Keepers Ross 1s. 8d.@Clingo 1s. 8d.@Ass. Office Clarke 1s. 8d.@1 Gal. Office Slater 2s.@Doorkeeper Rawlinson 1s. 8d.@2 Gal. Office Derby 2s.@Doorkeeper Seymour 2s.@Constable Barnes 2s.@Featherman Scott 1s. 8d.@Porter Besford 2s.@#3 9s. 10d.@Women Dressers #1 2s. 8d.@Charwomen 12s. 10d.@#5 5s. 4d.@Women Dressers Mrs Goold Wardrobe Keeper 3s. 4d.@Asst. Do Ms Wignell 2s. 6d.@Do Ms Paddick 1s. 8d.@Ms C. White 1s. 6d.@Ms Hales 1s. 6d.@Ms Martin 1s. 6d.@Ms Potts 1s. 6d.@Ms Wallis 1". 6d.@Ms Broad 1s. 6d.@Ms Gwynn 1s. 6d.@Ms Whitfield 1s. 6d.@Ms Buck 1s. 6d.@#1 2s. 8d.@Charwomen Mrs Brooks 1s. 2d.@Ms Hanmore 1s.@Ms Warwick 1s.@Ms Byrn 1s.@Ms Niblett 1s.@Ms Hollingsworth 1s.@Ms Barron 1s.@Ms Rumsey 1s.@8s. 2d.@Lampman Smith, Jo. 1s. 8d.@Sweeper Cawder, Jo. 1s. 6d.@Candleman Carter 1s. 6d.@12s. 10d.@Performers Sallerys #25 10s. 2d.@Singers Do #4 6s. 8d.@Dancers Do #9 14s. 4d. 18s. 4d.@Prompters Do 16s. 6d.@Painters Do #1 6s.@Servants Do #5 5s. 4d.@#47 17s. 4d.@Nightly Charges as per estimate #36 1s.@#83 18s. 4d.@--British Museum Egerton MS 2271.

Performances

Mainpiece Title: Comment Continued

Event Comment: Benefit for Holtom, Hamilton, Bates, and Mrs Dyer

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: By Particular Desire. Benefit for Wild, Holtom, Bates and Hamilton. Tickets deliver'd for Every Man in His Humour will be taken, as will Tickets deliver'd by Mr Flight. Charges #66 4s. Deficit to each beneficiary #4 9s. 10d., cover'd by income from tickets (Account Book). @Tickets Box Pit Gallery Value@Wild 9 56 133 #23 19s.@Holtom 23 122 94 #33 9s.@Hamilton 32 102 111 #34 8s.@Bates 42 67 48 #25 7s.@Flight [gratis] .. 62 152 #24 10s.@#141 13s.@ Receipts: #48 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Englishman in Paris

Song: End: Ailen Aroon-Mrs Woodman, as17720429

Dance: End: The Old ground Young, as17711030

Event Comment: Paid Younger for Licenses for Prelude, Elfrida, Cross Purposes, and Golden Pippin #8 8s. Gave Hamilton #21 (Account Book). Receipts: #206 6s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: A New Pantomime Ballet call'd The Bird Catchers-Fishar, Sga Manesiere, Mas. Blurton, Miss Besford. [See dl 27 Nov. 1750.

Event Comment: Rec'd from Redman for cash advanc'd last season #10 10s., and from Hamilton for his deficiency 1771. Receipts: #173 7s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Event Comment: Benefit for Wild, Hamilton, Holtom, Bates, Thompson. Mainpiece acted but once these 15 years. [See 23 April 1750.] Receipts: #27 12s. 6d. Charges #70 9s. Deficit to each beneficiary #8 11s. 3d., cover'd by tickets (Account Book): @Tickets Box Pit Gallery Value@Wilde 26 103 124 #34 7s.@Hamilton 38 68 89 #28 12s.@Holtom 22 64 83 #23 8s.@Bates 21 109 170 #38 12s.@Thompson .. 35 130 #18 5s.@Total 107 379 596 #170 16s. 6d.

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Dragon of Wantly

Monologue: Interlude.End: True Blue. As 3 May

Dance: End I Farce: Minuet-Blurton, Miss Stede

Event Comment: Tickets delivered by Prosser, Simpkinson, Jackson, J. Wilson, Smith, Mrs Lampe, Mrs Hamilton, Miss Willis, the Widow Wise, the Widow of the late Dr Arne will be admitted this Evening. Receipts: #169 (50.14.6; 5.2.6; tickets: 113.3.0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Barnaby Brittle

Dance: End II: The Rakes of Mallow, as17810501; End IV: Hornpipe-Prosser

Ballet: End: St. David's Day. As17810501

Event Comment: Tickets delivered by J. Wilson, Jackson, Prosser, Eves, Rowson, S. Besford, Mrs Lampe, Miss Francis, Mrs Wise, Mrs Dalrymple, Miss Ellington, Mrs Hamilton will be admitted. Receipts: #260 (81/17; 5/9; tickets: 172/14)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Retaliation

Dance: End of mainpiece The Waterman by Jackson, Prosser, Eves, Miss Rowson

Event Comment: Tickets delivered by Jackson, Prosser, Helme, Lloyd, Real, Rowson, R. Ledger, Mrs Hamilton, Mrs Lampe, and the Performers in the Orchestra will be admitted this Evening. Receipts: #276 12s. 6d. (83/7/0; 2/7/6; tickets: 190/18/0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Waterman

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford; End of mainpiece Hornpipe by Prosser

Event Comment: Tickets delivered by Jackson, Doyle, Prosser, Rowson, Rd. Ledger, Real, Mrs Lampe, Mrs Hamilton, Eves will be admitted. Receipts: #262 9s. 6d. (135/13/0; 3/8/6; tickets: 123/8/0)

Performances

Mainpiece Title: Robin Hood

Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): Edward Lysaught

Afterpiece Title: The Commissary

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford, to conclude with a Caledonian Reel by Eves and Mr and Mrs Ratchford

Event Comment: Tickets delivered by Wilson, Darley, Thompson, Helme, Mrs Hamilton, and the Orchestra will be admitted (Account-Book). [Afterpiece in place of The Positive Man, announced on playbill of 22 May.] Receipts: #254 7s. 6d. (89/16/6; 1/2/0; tickets: 163/9/0)

Performances

Mainpiece Title: Robin Hood

Related Works
Related Work: Robin Hood; or, Sherwood Forest Author(s): Edward Lysaught

Afterpiece Title: The Rival Knights

Afterpiece Title: Barnaby Brittle

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performance Comment: Speaking Characters: St. Alban-Holman; Captain O'Leary-Johnstone; Patrick-Rock; Catherine-Mrs Webb; Louisa-Miss Brunton; Vocal Characters-Bannister, Incledon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntley, Miss Barnet (Their 1st appearance), Miss Stuart, Miss Francis, Miss Williams, Mrs Mountain; Pantomimical Characters: Harlequin-Boyce; Petit Maitre-Farley; Marquis-W. Powel; Pioneer-Cranfield; Dusty Gentleman-Bernard; Poet-Marshall; Shoe@Black-Rees; Jacobine-Cross; Lemonadier-C. Powell; Poissards-Blurton, Rayner; Gardener-Milburne; Grotesque-Follett; Dancing Nymphs-Mrs Goodwin, Mrs Watts, Mrs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd; Colombine-Mrs Harlowe; New Prologue-Holman.
Cast
Role: Captain O'Leary Actor: Johnstone
Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performance Comment: Speaking Characters: St. Alban-Holman; Captain O'Leary-Johnstone; Patrick-Rock; Catherine-Mrs Webb; Louisa-Miss Brunton; Vocal Characters-Bannister, Incledon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntley, Miss Barnet (Their 1st appearance), Miss Stuart, Miss Francis, Miss Williams, Mrs Mountain; Pantomimical Characters: Harlequin-Boyce; Petit Maitre-Farley; Marquis-W. Powel; Pioneer-Cranfield; Dusty Gentleman-Bernard; Poet-Marshall; Shoe@Black-Rees; Jacobine-Cross; Lemonadier-C. Powell; Poissards-Blurton, Rayner; Gardener-Milburne; Grotesque-Follett; Dancing Nymphs-Mrs Goodwin, Mrs Watts, Mrs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd; Colombine-Mrs Harlowe; New Prologue-Holman.
Cast
Role: Captain O'Leary Actor: Johnstone
Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950228

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: Hotson (Commonwealth and Restoration Stage, pp. 178-79) believes that this was Jolly's organization. See also the list of Sir Edward Browne's attendance at plays in the introduction to this season. An edition of this play appeared in 1663, but the title page does not state at what theatre the play was given. Pepys, Diary: Thence to taken my wife to the redd bull, where we saw Doctor Faustus, but so wretchedly and poorly done, that we were sick of it, and the worse because by a former resolution it is to be the last play we are to see till Michaelmas

Performances

Mainpiece Title: Doctor Faustus

Event Comment: This play is in Herbert, Dramatic Records p. 118: Cornelia a New Play, sir W. Bartleys. The date in Herbert is 1 June, a Sunday in 1662, with another play in the same group falling on Sunday. Nevertheless, the verse comment (see below) written, apparently, before the summer of 1662 points toward 2 June 1662 rather than 1 June 1663. Edward Browne also lists it as one of the plays he attended. The play was not printed. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For Cornelia they all doe say@There was abundance of witt in the play@Indeed t'had soe much t' was the worse for 't@For t' was to witty for the vulgar sort@And they who'd have poetts their Benefactors@Say witt without mony's naught for the Actors.

Performances

Mainpiece Title: Cornelia

Event Comment: The Duke's Company. Pepys, Diary: My wife and I by coach to The Duke's house, where we say The Unfortunate Lovers; but I know not whether I am grown more curious than I was or no, but I was not much pleased with it, though I know not where to lay the fault, unless it was that the house was very empty, by reason of a new play at the other house. Yet here was my Lady Castlemaine in a box. In An Elegy on the Death of Edward Angel, 1673, two lines suggest that Angel acted Friskin: @Adieu, dear Friskin: Unfort'nate Lover weep,@Your mirth is fled, and now i' th' Grave must sleep.

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Event Comment: Newsletter: Lacy, the famous comedian, is at length, by great intercession, released from his durance under the groom porter, where he stood committed by His Majesty's order for having 'on his own head' added several indecent expressions in the part he acted in a late play called The Change of Crowns, written by Mr Edward Howard (HMC, Fleming MSS, 12th Report, Part VII [1890], p. 47)

Performances