Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cap Phillips"/1) | (@(roleclean,performerclean) "Cap Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
581 results for: Keyword - Cap. Phillips
We found 348 matches on Performance Comments, 138 matches on Event Comments, 137 matches on Performance Title, 80 matches on Author, and 0 matches on Roles/Actors.

526
12 September 1749 @ Southwark Fair

Event Comment: At Phillips' Booth

Performances

Mainpiece Title: The Industrious Lovers

Afterpiece Title: The Harlot's Progress

527
15 September 1749 @ Southwark Fair

Performances

Mainpiece Title: The London Merchant; Or, The True And Antient History Of George Barnwell

Entertainment: EEquilibres on the Slack Rope-Lort

528
18 September 1749 @ Southwark

Performances

Mainpiece Title: Jane Shore; Or, The Penitential Fair

Afterpiece Title: Mr Foote's Tit for Tat

Dance: HHornpipe-Atkins from Covent Garden; Equilibres on the Slack Rope-Lort

529
11 November 1749 @ Haymarket Theatre

Event Comment: Benefit for Mrs Hoper. The Second Night. Mrs Hoper's Prologue to the Town, By a Friend: @Tonight a Female author heads the stage@Warm'd by the grand productions of the age;@To shine among the modern Bards aspires,@As the Moon glisters midst the lesser fires:@Pants to be rank'd with Sapho, Phillips, Behn@And prove that women write as well as Men.@Bold in the drama's cause, attacks the fashion@Where Novelty appears the reigning passion,@With drooping spirits draws the Tragic Queen@Like your fine ladies troubled with the spleen:@Nor trusts her meaning to the strolling Elf@But represents the character herself.@ [Suggests her friends reproved her for turning player, but she thought it more honorable than going into debt.] @The Stage is innocent and brings no shame@Unless the players are themselves to blame@'Twas meant as Virtue's School;--Tis no disgrace@To act a virtuous part, in any Place.@ [Closes with appeal to audience to be charitable to "this firstling of her quill, to support her generously with applause. See Daily Advertiser.

Performances

Mainpiece Title: Queen Tragedy Restored

530
24 November 1749 @ Covent Garden

Event Comment: Paid Mr Phillips & wife for 4 days last week & at the same time discharged from the company #3 6s. 8d. Receipts: #89 3s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Perseus and Andromeda

531
25 January 1750 @ Southwark

Event Comment: At the New Theatre, Bowling Green, Southwark. Benefit for Mrs Phillips, who plays the Distrest Mother. With the Original Epilogue. Box seats 2s. (Daily Advertiser)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Virgin Unmasked

532
24 November 1752 @ Southwark

Event Comment: A concert, etc. at the Great Tiled Booth, Bowling Green. Prices 2s. 6d., 1s. 6d., 1s., 6d. Positively, The last night of performing. Tickets to be had of Mr Phillips at His House in Snow Fields. [Beginning 25 Nov. the General Advertiser becomes the Public Advertiser.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Song:

Dance:

533
18 September 1753 @ Southwark Fair

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Performances

Mainpiece Title: The Royal Slave; Or, A Wife For Ye All

Afterpiece Title: The Witch of Endor

534
24 September 1753 @ Southwark Fair

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: The Witch of Endor

535
30 March 1754 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

536
16 March 1756 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Fortunatus

Performance Comment: As17551031, but Others-Phillips, _Johnson.
Cast
Role: Others Actor: Phillips, _Johnson.

Dance: As17560213

537
26 October 1757 @ Covent Garden

Event Comment: Receipts: #55 16s. 6d. Paid Phillips for dancing in the Sorcerer #2 2s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Merlin (Harlequin Skeleton)

538
08 May 1764 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Lee and Phillips. Charges: #64 4s. (MacMillan)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Fairy Tale

Cast
Role: Fairies Actor: Miss Ford, Miss Wright, Mas. Raworth, Miss Rogers, Mas. Cape

Dance: The Irish Lilt, as17630922

539
22 April 1766 @ Drury Lane Theatre

Event Comment: Benefit for Hopkins, prompter and Mrs Hopkins. Afterpiece: A Ballad Pastoral in two acts (by Allan Ramsay) with original Scotch music. Never Performed there. Tickets deliver'd by Phillips will be taken

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Gentle Shepherd

Entertainment: RRalph Ramble, or O Rare London-King, at End of Play By Particular Desire, followed by

Dance: %New Tambourine, as17660123

540
04 August 1768 @ Mary-le-Bone Gardens

Event Comment: Benefit for Phillips. Dr Arne having granted it only on this Occasion, the comic Interlude of Two Acts which met with the highest Approbation and Applause on Master Brown's Night. Preceded by Entertainments of songs

Performances

Mainpiece Title: Capochio And Dorinna

Cast
Role: Capochio Actor: Master Brown

Entertainment: As17680728 but a Burlesque Ode-_

541
20 April 1772 @ Covent Garden

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Mother Shipton

542
14 November 1772 @ Covent Garden

Event Comment: Rec'd #59 from various actors for their deficiencies last season, and #4 6d. from Phillips for old cloaths. Paid for a Lottery Ticket No. 51,822, #13 (Account Book). Receipts: #113 7s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Comus

543
25 August 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Zingara; Or, The Gipsey

Performance Comment: Vocal parts-Dibdin (of Drury Lane), Phillips, Mrs Barthelemon.

544
26 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A Cottage, Sea at a Distance. Auld Robin Grey by Miss Phillips. Scene II. The Soldier Tir'd of War's Alarms, as17840414 Scene III. The Cave of Echo. They say there is an Echo here by Suett, Williames, Barrymore. Scene IV. As Scene III, 12 Apr. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: The Double Disguise

Cast
Role: Emily Actor: Miss Phillips.

545
21 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Performance Comment: scene I. Hornpipe, as17840517; Poor ThomasDay by Chapman, Wilson, Barry more, scene III. Thou hast gone awa' from me Mary by Miss Phillips. scene III. As scene III, 26 Apr., but added: Wilson. scene IV. An Italian Air, as17840412 To conclude with a Dance [probably The Sportsmen's Return] by Mr and Miss Hamoir .

Afterpiece Title: The Rival Candidates

Cast
Role: Narcissa Actor: Miss Phillips

546
11 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performance Comment: [In subsequent seasons this was performed under the title of Redemption]. Principal Vocal Parts by Norris, Reinhold; Miss George, Miss Phillips. 1st Violin-Richards .

547
11 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Dignum; Sir Harry Sycamore-Parsons; Fairfield-Aickin; Mervin-Williames; Ralph-Suett; Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Stageldoir; Patty-Mrs Crouch (late Miss Phillips) .

Afterpiece Title: The Caldron

Dance: As17850927

548
16 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gaspero- Suett; Guillermo- Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Parsons; Sailor-Welsh; Waiter-Bland; Lazzaroni-Banks, Trueman, Webb, Lyons, &c.; Pirates-Welsh, Maddocks, Cooke, Dorion, &c.; Vintagers-Bourk, Whitmell, Walker, Nicolini, Bidotti, Mrs Brooker, Mrs Brigg, Mrs Harris, Mrs Haskey, Mrs Barrett, Miss Bourk, &c.//Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak. General Chorus by Danby, Reynoldson, Tett, Brown, Walker, Aylmer, Dorion Jun., Willoughby, Atkins, Dixon, Fisher, Pilbrow, Bardeauleau, Annereau, Cook//Miss Arne, Miss Redhead, Miss Stageldoir, Mrs Bramwell, Miss Chatterley, Miss Gawdry, Mrs Butler, Miss Wrighten, Miss C. Wrighten, Mrs Boimaison, &c .
Cast
Role: Captain Actor: Benson
Role: Captain of the Guard Actor: Caulfield

Afterpiece Title: THE ENGLISHMAN IN PARIS

Dance: In mainpiece Dances (composed by D'Egville) by Hamoir, G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles, &c.; In Act II of afterpiece a Minuet by Hamoir and Miss De Camp .

549
27 October 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pirates

Performance Comment: Don Altador-Kelly; Don Gasparo-Suett; Guillermo-Sedgwick; Captain-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Lieutenant-Phillimore; Blazio-Bannister Jun.; Sotillo-Parsons; Sailor-Welsh; Waiter-Bland; Lazzaroni-Banks, Webb, Lyons; Pirates-Welsh, Maddocks, Cooke, Dorion; Vintagers-Whitmell, Wells, Nicolini, Keys; Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss Leak; General Chorus-Danby, Tett, Brown, Walker, Aylmer, Dorion Jun., Willoughby, Atkins, Dixon, Fisher, Pilbrow, Bardeauleau, Annereau, Cook, Miss Arne, Miss Redhead, Miss Stageldoir, Mrs Bramwell, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Mrs Maddocks.
Cast
Role: Captain Actor: Benson
Role: Captain of the Guard Actor: Caulfield

Afterpiece Title: The Sultan

Dance: In: Dances (composed by D'Egville)-G. D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles

Performance Comment: D'Egville, Master D'Egville, Miss Menage, Miss Phillips, the Miss D'Egvilles.

550
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber