SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Newton, box-keeper. As Newton superintends the whole Performance of the Play, Farce and Interlude, the greatest care will be taken to gratify the taste of a most generous Public. Tickets to be had of Mrs Newton at the Seven Houses

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-A Young Gentleman (Pupil to Newton; 1st appearance on any stage [unidentified]); Gonzalez-Lloyd; Garcia-Garland (of Deptford); Selim-Johnson; Perez-Kenny; Alonzo-Dancer; Heli-Smith; King-Comerford; Zara-A Young Lady [unidentified]; Leonora-Miss C. Newton; Almeria (the Mourning Bride)-Miss Reynolds.
Cast
Role: Garcia Actor: Garland

Afterpiece Title: The Life and Death of Harlequin

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Ware (of Deptford); Young Wilding-Sparks; Old Wilding-Taylor (of Deptford); Dapper-Dancer; Quildrive-Smith; Beaufort-Johnson; Young Philpot-Garland; Maria (with Theatrical Imitations)-Miss Reynolds.
Cast
Role: Young Philpot Actor: Garland

Song: As17760925

Entertainment: Monologue.End 3rd piece: Bucks have at ye all-Master Russell

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but occasional Prologue-_[and thereafter].and thereafter].
Cast
Role: Scandal Actor: Bensley
Role: Trapland Actor: Waldron

Afterpiece Title: Selima and Azor

Performance Comment: Principal Characters by Vernon, Bannister, Dodd, Miss Jarratt, Mrs Scott, Miss Collett, Mrs Baddeley. Cast from Songs (J. Wilkie, 1776): Azor-Vernon; Scander-Bannister; Ali-Dodd; Fairy-Miss Jarratt; Lesbia-Mrs Scott; Fatima-Miss Collett; Selima-Mrs Baddeley.
Cast
Role: Scander Actor: Bannister
Event Comment: Afterpiece [1st time; P 2(?), by James Messink and Carlo Antonio Delpini. Not in Larpent MS; synopsis of action in London Chronicle, 26 Nov.]: The Scenery, Machinery, &c. painted new by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed new by Fisher. Nothing under Full Price will be taken. Books of the Songs to be had at the Theatre. Account-Book, 3 Feb. 1778: Paid Fisher for composing songs, &c. in The Tempest [see 27 Dec. 1776], and other pieces, as per bill, #131 11s. Receipts: #190 16s. (182.18; 7.18)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing-Aldridge, Dagueville, Miss Besford, Miss Valois

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Event Comment: Mainpiece: As originally written by Shakespeare. Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #170 8s. (121/10/0; 48/15/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: THE CAMP

Event Comment: Paid Land, Windows, Paving and Light [taxes] #15 6s. 6d. Receipts: #232 16s. (176/5/0; 55/18/6; 0/12/6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Joseph Surface-Palmer; Sir Benjamin Backbite-Dodd; Crabtrce-Parsons; Rowley-Aickin; Moses-Baddeley; Snake-Packer; Careless-Farren; Trip-Lamash; Charles-Smith; Mrs Candour-Miss Pope; Maria-Mrs Brereton; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington (1st appearance this season) .
Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: Comus

Song: In Act III of mainpiece song [Here's to the maiden of bashful fifteen] by Vernon. [This was sung again by Vernon on 9 Oct., but in all subsequent performances by Williams (or Williames; see17811020).]

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Performances

Mainpiece Title: Duplicity

Performance Comment: Principal Characters by Henderson, Lewis, Wilson, Lee Lewes, Edwin, Wewitzer, Stevens; Mrs Wilson, Mrs Inchbald, Mrs Pitt, Miss Youngc. [Cast from text(G. Robinson, 1781): Mr Osborne-Henderson; Sir Harry Portland-Lewis; Sir Hornet Armstrong-Wilson; Squire Turnbull-Lee Lewes; Timid-Edwin; Mr Vandervelt-Wewitzer; Scrip-Stevens; Servants-J. Wilson, Newton, Joules; Miss Turnbull-Mrs Wilson; Melissa-Mrs Inchbald; Mrs Trip-Mrs Pitt; Clara-Miss Younge.] Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the first 3 performances only (see17811030).] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the first 3 performances only (see17811030).] hathi.
Cast
Role: Sir Harry Portland Actor: Lewis
Role: Mr Vandervelt Actor: Wewitzer

Afterpiece Title: The Flitch of Bacon

Event Comment: Afterpiece: The Overture and the rest of the Music composed by Fisher. Receipts: #124 19s. 6d. (122/6/0; 2/13/6)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece by Harris, Langrish, Miss Matthews, Miss Besford. [This was the same, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: Luns Ghost

Dance: In mainpiece by Lemercier, Miss M. Stageldoir, &c; In afterpiece by Miss Armstrong, the Miss Stageldoirs, &c

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Comus

Song: End of Act IV of mainpiece the song of Arionelli from The Son-in-Law, as17820419; In afterpiece The Huntsman's sweet Halloo, as17820226

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Receipts: #294 l8s. (41/10; tickets: 253/8) (charge: #105)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Strickland Actor: Clarke
Role: Mrs Strickland Actor: Mrs Inchbald

Afterpiece Title: Comus

Dance: As17811211

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Evandcr Actor: Bensley

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Triumph of Mirth

Event Comment: The Clandestine Marriage [announced on playbill of 4 Mar.] is obliged to be deferred on account of the Indisposition of Parsons. Afterpiece: To conclude with a perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #145 4s. (99/7/0; 45/4/6; 0/0/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Camp

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

Event Comment: Benefit for Lewis. Public Advertiser, 25 Mar.: Tickets to be had of Lewis at his house in Broad-court, Bow-street. Afterpiece [1st time in London; co 2. MS: Larpent 620; not published]: Written by the Author of The Castle of Andalusia, The Agreeable Surprise, Son-in-Law, &c &c. [John O'KeefFe, 1st acted at the Crow Street Theatre, Dublin, 15 Apr. 1777, and altered in the CG season of 1783-84 as The Poor Soldier]. The Airs Select [ed by the author from] Irish [airs]. With a New Overture and Accompaniments by Shield, who composed the music of Rosina. The Words of the Songs to be had at the Theatre. Receipts: #256 9s. (201/10; tickets: 54/19) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Shamrock or The Anniversary of St

Dance: As17830221

Performances

Mainpiece Title: The Winters Tale

Performance Comment: Leontes (King of Sicily)-Henderson; Polixenes (King of Bithynia)-Aickin (Their 1st appearance in those characters); Camillo-Hull; Old Shepherd-Booth; Clown-Quick; Cleomenes-Fearon; Autolicus (with songs)-Edwin; Florizel (Prince of Bithynia)-Lewis; Perdita (Daughter to Leontes and Hermione; with Come, come, my good shepherds)-Miss Satchell; Paulina-Mrs Hunter; Mopsa-Mrs Martyr; Dorcas-Mrs Morton; Hermione (Queen of Bithynia)-Mrs Yates (Their 1st appearance in any of those characters) .

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.
Event Comment: 3rd piece: Ballet Tragi-Comique, composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino

Performances

Mainpiece Title: The Son in law

Performance Comment: Characters by Parsons, Edwin, Wewitzer, Wood, Egan, Barrett, Stevens, Kenny, Bannister; Mrs Lefevre, Mrs Bannister. [Cast adjusted from Public Advertiser, 17 Aug. 1779, and playbill of 29 June 1786: Cranky-Parsons; Bowkitt-Edwin; Vinegar-Wewitzer; Bouquet-Wood; Idle-Egan; Orator Mum-Barrett; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Mrs Bannister. Kenny is unassigned.] Prologue as17830531 . Prologue as17830531 .

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-R. Palmer; Brothers-Wood, Riley; Principal Bacchanals-Bannis-ter, Brett; The Lady (with Sweet Echo, accompanied on the hautboy by Foster)-Mrs Bannister; Sabrina and Pastoral Nymph-Miss Morris; Bacchants-Miss Hooke, &c; Euphrosyne and 1st Bacchant-Miss George .

Song: As17830613

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Principal Characters by Palmer, Edwin, Riley, Gaudrey, Bannister Jun., Williamson, Wewitzer, Barrett, Ledger, Wilson, Parsons; Mrs Webb, Miss Morris, Mrs Lloyd, Mrs Love, Miss Hale, Miss Frodsham. [Cast from European Magazine, Aug. 1783, p. 148; Larpent MS 627; playbill of 19 July 1785: Young Sadboy-Palmer; Clod-Edwin; Lounge-Riley; Twig-Gaudrey; Spatterdash-Bannister Jun.; Capt. Ambush-Williamson; Shadrach-Wewitzer; Waiter-Barrett; Coachman-Ledger; Old Sadboy-Wilson; Chronicle-Parsons; Goliah-Miss Painter; Lady Rounceval-Mrs Webb; Araminta-Miss Morris; Pink-Mrs Lloyd; Mrs Mellefleur-Mrs Love; Judith-Miss Hale; Dinah Primrose-Miss Frodsham.] New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] . New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Lawyer

Performance Comment: Principal Characters by Palmer, Williamson, Wewitzer, R. Palmer, Egan; Mrs Inchbald, Mrs Lloyd, Miss Langrish, Mrs Bulkley. [Cast from European Magazine, Aug. 1783, p. 151: Hammond-Palmer; Charles Powys-Williamson; Carbon-Wewitzer; Simon-R. Palmer; Patrick-Egan; Emily-Mrs Inchbald; Fidget-Mrs Lloyd; Honoria-Miss Langrish; Belinda-Mrs Bulkley (misprinted Mrs Wrighten).] New Prologue [spoken by Williamson] and Epilogue [spoken by Mrs Bulkley] . New Prologue [spoken by Williamson] and Epilogue [spoken by Mrs Bulkley] .
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Brereton; Myrtle (1st time)-Farren; Cimberton-Suett; Mr Sealand-Aickin; Sir John Bevil-Packer; Humphrey-Wrighten; Daniel-Burton; Tom-Palmer; Phillis-Mrs Wilson (1st appearance in London); Luanda-Miss Wheeler; Isabella-Mrs Hedges; Mrs Sealand-Mrs Love; Indiana-Miss Farren .
Cast
Role: Mr Sealand Actor: Aickin
Role: Luanda Actor: Miss Wheeler
Role: Mrs Sealand Actor: Mrs Love

Afterpiece Title: Comus

Song: In Act II of mainpiece song by Miss Field

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett