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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C S Favart"/1) | (@(roleclean,performerclean) "C S Favart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3645 results for: Keyword - C. S. Favart

We found 1330 matches on Event Comments, 797 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

101
11 December 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates

102
01 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Lodoiska

103
14 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

104
17 June 1800 @ Haymarket Theatre

Performances

Mainpiece Title: Zorinski

Afterpiece Title: Tis All a Farce

105
02 December 1672 @ Dorset Garden Theatre

Performances

Mainpiece Title: Epsom Wells

106
29 April 1736 @ Covent Garden

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

107
20 April 1742 @ King's Theatre

Performances

Mainpiece Title: Meraspe O Lolimpiade

108
17 November 1781 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

109
17 January 1783 @ Covent Garden

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: Rosina

Dance: As17820927

110
28 January 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Cross Purposes

Dance: As17820927

111
12 May 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Imitation Or The Female Fortune hunters

Afterpiece Title: The Ladies Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

112
23 February 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal or The Tars of Old England

113
02 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

114
22 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Gentle Shepherd

115
29 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Dance: As17860706

116
26 January 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Impostors

Afterpiece Title: Robinson Crusoe

117
23 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Cross Partners

118
08 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE QUAKER

119
04 June 1794 @ Covent Garden

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

120
07 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chimney Corner

Song: In V: song-Mrs Bland

121
23 November 1797 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Farmer

122
16 March 1737 @ Devil Tavern

Performances

Mainpiece Title: Concert

Music: Solo on the Violin-M. C. Festing; a Solo on the German Flute-Weideman

123
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

124
06 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker Or The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

125
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]