SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Lowndes"/1) | (@(roleclean,performerclean) "C Lowndes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1329 matches on Event Comments, 808 matches on Performance Comments, 110 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Wanton Jesuit or Innocence Seduced

Dance: HHornpipe-Jones' Scholar

Performances

Mainpiece Title: The Beggars Opera

Dance: With proper Dances-

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Tragedy of Tragedies

Dance: Mechel, Mlle Mechel

Song: CCantata-Lowe

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: The Tempest

Afterpiece Title: High Life Below Stairs

Song: The Mimic Comic Opera Song-Mrs Clive By Particular Desire, and for the last time this season

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Polly Honeycomb

Dance: II: The Provancalle, as17631014

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Village Romps, as17661008

Entertainment: OOccasional Prologue-Ross; The London Cries-Shuter

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: No Song No Supper

Dance: III: Hornpipe-Bourk

Event Comment: With proper scenes, Machines, &c. [This is the Dryden-Davenant version.] Paid G. Garrick balance of his bill #6 13s.; Christmas Box to ye Beadle 3s. 6d.; Mr Norton 5 chorus #1 5s.; Xmas Jury #1 1s.; Mr Madden for an Embroidered Coat and a velvet suit of Cloaths #12 (Treasurer's Book). [This month was published A Dissertation on Comedy (by John Hippisley, Jr) in which the Rise and Progress of that Species of the Drama is particularly considered and deduced from the earliest to the present age. By a Student of Oxford. Printed for T. Lowndes (Gentleman's Magazine, Register of Books). The "Student of Oxford" seems to have been a Garrick apologist in the extreme: "But whatever reason there may have been formerly for this complaint [the immorality of the stage] since Mr Garrick's management the Stage is become the school of manners and morality: Ribaldry and Profaneness are no longer tolerated, Sense and Nature exert their influence; Pantomime daily declines, Dancers are but little encouraged; the Burletta performs to empty benches, and the British can now vie with the Athenian Drama when in its severest state of purity" (p. 15). Also, from the same source, Reflections on that Species of Dramatic Writing which it improperly call'd Serious Comedy: from the French of M Maillet du Boulley.] Receipts: #120 (Cross); #126 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest Or The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: [The BM Burney Collection (937. c. 10) contains a receipted bill from T. Lowndes for printing throughout this week: playbills nightly #1 12s. 6d.; 100 half price cards 2s.; 200 half-sheet office accts. 8s., totalling #10 5d.] Receipts: #272 4s. (226.8; 44.12; 1.4)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The She Gallant

Performance Comment: Principal Characters-Massey, Munden, Howard, Whitby, Middleton, Fildew, Lucas, Barrett, Mrs Winchelsea, Mrs Lefevre, A Gentlewoman (1st appearance [unidentified]). [Edition of 1767 (T. Lowndes and J. Williams) lists the parts: Sir Anthony Woodville, Sir Geofry Gingle, Delamour, Young Woodville, Thady MacBrogue Constable, Watchman, Florimel, Emily, Betty].unidentified]). [Edition of 1767 (T. Lowndes and J. Williams) lists the parts: Sir Anthony Woodville, Sir Geofry Gingle, Delamour, Young Woodville, Thady MacBrogue Constable, Watchman, Florimel, Emily, Betty].

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Lewis (1st appearance in that character); Manly-Clarke; Squire Richard-Quick; John Moody-Dunstall; Count Basset-Lee Lewes; Sir Francis Wronghead-Macklin; Lady Grace-Mrs Lessingham; Lady Wronghead-Miss Macklin (1st appearance in that character); Miss Jenny-Mrs Mattocks; Lady Townly-Mrs Barry; Edition of 1776 (T. Lowndes) adds: Mrs Motherly-Mrs Poussin; Myrtilla-Mrs Whitefield; Mrs Trusty-Mrs Willems.

Afterpiece Title: The Padlock

Dance: End: The Merry Sailors, as17761106

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Election

Performance Comment: Principal Characters by Vernon, Gaudry, Bannister, Mrs Love, Miss Collett. Cast from text (T. Lowndes, 1780: Richard-Vernon; Trusty-Gaudry; John-Bannister; Wife-Mrs Love; Sally-Miss Collett.

Afterpiece Title: Hamlet

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: a Mock@minuet-Palmer, Miss Pope. [This was included, as here assigned, in both subsequent performances.