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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8924 results for: Keyword - C. Cibber, Esq
We found 3627 matches on Author, 2807 matches on Performance Comments, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.

4226
03 October 1787 @ Drury Lane Theatre

Event Comment: Afterpiece: Written by the late Henry Fielding, Esq. Receipts: #98 4s. 6d. (79.10.0; 18.2.0; 0.12.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Virgin Unmaskd

Dance: End: As17870920

4227
26 March 1788 @ Covent Garden

Event Comment: Benefit for Edwin. Mainpiece: By Permission of George Colman, Esq. [the holder of the copyright]. Public Advertiser, 24 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent-garden. Receipts: #386 7s., as follows: money taken at the doors was #256.0.6, on which he paid charge of #100.11.6, leaving a balance due him of #155.9.0, which he was paid on 7 Apr.; after money, #4.8.6, was retained by the theatre; he sold 411 box tickets, 83 pit tickets, 107 gallery tickets for #125.18.0, free of charge; his total profit therefore was #281.7.0

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Apprentice

Song: II: a new comic song (1st time), Four@and@twenty Periwigs all on a Row-Edwin

Entertainment: Monologue. End: The Kensington Stage; or, The Fatigues of a Long Journey (a Comical, Poetical Description)-Edwin

4228
21 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

4229
07 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer. 1st, 2nd and 3rd pieces: Never performed there. By Permission of G. Colman, Esq. [owner of the copyrights]. Public Advertiser, 30 Apr.: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #144 17s. (43.5; 18.13; 0.14; tickets: 82.5) (charge: #105 9s. 8d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Tit for Tat

Afterpiece Title: Nature Will Prevail

Afterpiece Title: The Lyar

4230
18 August 1788 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

4231
16 February 1789 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe or AEsop in the Shades

4232
05 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: End of Act II Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

4233
18 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Taste or Frolicks of Fancy

Performance Comment: Prologue [to Barbarossa] (as a Country Boy, from D. Garrick, Esq.)-Bannister Jun.; The Lark at Heaven's Gate-Dignum, Williames, Danby, Miss Romanzini; A Dance-the young D'Egvilles, Miss Blanchet, Miss DeCamp.

Afterpiece Title: Arthur and Emmeline

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

4234
24 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Deserter of Naples

Entertainment: Monologue. A Lecture on Oratory: The Pulpit the Senate the Bar and the Stage with a Specimen of Scotch Elocution, written by the late Samuel Foote, Esq.-Palmer

Performance Comment: A Lecture on Oratory: The Pulpit the Senate the Bar and the Stage with a Specimen of Scotch Elocution, written by the late Samuel Foote, Esq.-Palmer.

4235
01 June 1791 @ Covent Garden

Event Comment: Benefit for Harley. Mainpiece: As altered from Beaumont and Fletcher by the Duke of Buckingham and D. Garrick, Esq. Not acted these 7 years. Morning Chronicle, 20 May: Tickets to be had of Harley, No. 22, Great Queen-street, Lincoln's-inn-fields. Receipts: #242 1s. 6d. (84.10.6; 7.5.0; tickets: 150.6.0)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Love in a Camp

Dance: As17901204

Song: End I: The Group of Lovers-Munden; End II: a favourite Sea Song-Incledon

4236
24 October 1791 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Taste or Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

4237
29 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of George Colman Jun., Esq. [Prologue by George Colman Jun. (Kemble Mem.), printed in Henry Angelo,@Reminiscences, 1828, I, 331-32.] Morning Herald, 29 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #538 18s. 6d. (251.19.6; 32.18.0; 3.0.0; tickets: 251.1.0) (charge: #163 9s. 2d.)

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

4238
22 June 1792 @ Haymarket Theatre

Event Comment: Afterpiece: Written by Samuel Foote, Esq

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Liar

4239
15 October 1792 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Whos the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

4240
18 March 1793 @ Covent Garden

Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Irishman in London

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

4241
08 April 1793 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Afterpiece: By permission of G. Colman@Jun. Esq. [i.e. the holder of the copyright]. Morning Herald, 3 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #486 17s. (227.2.6; 43.2.0; 2.2.0; tickets: 214.10.6) (charge: #126 0s. 6d.)

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: The Agreeable Surprise

Dance: As17921121, but The Dances-Miss _Prevot

Song: In the course of the Evening The Little Farthing Rushlight-Bannister Jun

4242
11 April 1793 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Performance Comment: Lieutenant (with Blow high, Blow low; The Mid Watch, written by R. Sheridan, Esq.; Rule Britannia)-Incledon; True Blue-Davies; Careful-Darley; Nancy-Miss Broadhurst.

Afterpiece Title: Comus

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

4243
01 May 1793 @ Covent Garden

Performances

Mainpiece Title: May Day Or The Little Gipsey

Performance Comment: William-Incledon; Clod-Blanchard; Furrow-Powel; Cryer-Rees; Dozey-Munden; Dolly-Mrs Martyr; The Little Gipsey (with a new Gipsey Ballad [The Wandering Gipsey], the Words written and the melody composed by Peter Pindar, Esq. [pseud. for John Wolcot], the Accompaniments by Shield)-Mrs Clendining.

Afterpiece Title: Fashionable Levities

Afterpiece Title: The Soldiers Festival

Afterpiece Title: Hartford Bridge

Dance: As17921116

4244
16 May 1793 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. The Poetry of the additional Songs [in 1st piece] by Peter Pindar, Esq. [pseud. for John Wolcot]. Morning Herald, 27 Apr.: Tickets to be had of Mrs Clendining, No. 19, Martlett-court, Bow-street, Covent-garden. "Mrs Clendining's endeavours to entertain were successful, and Fitzroy by Incledon gave a rich feast to the musical amateur. The air beginning, 'Dear Tom, this brown jug,' had a fine effect by the music being omitted" (Diary, 18 May). Receipts: #273 17s

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Soldiers Festival

Afterpiece Title: The Poor Soldier

Music: End: a concerto of his own composition, on the Grand Piano Forte-King (1st appearance in public)

4245
10 May 1794 @ Covent Garden

Event Comment: Benefit for Pope. At the particular Desire of his Excellency the Ambassador [see 7 May] from the Sublime Porte:. 3rd piece: At End of Act I of the DIVERTISEMENT. Written by Edward Jerningham, Esq., with Alterations and Additions, interspersed with Music, after the manner of Rousseau's PYGMALION. Morning Chronicle, 19 Apr.: Tickets to be had of Pope, Half-Moon-street, Piccadilly. Receipts: #231 17s. (138/14; 3/3; tickets: 90/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Afterpiece Title: MARGARET OF ANJOU

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

4246
20 May 1794 @ Covent Garden

Event Comment: Benefit for Miss Chapman. [In 1st piece the Young Lady is identified in Morning Herald, 20 May, only as "Niece to the late Alexander Fordyce, Esq., and a pupil of the veteran Macklin."] Morning Herald, 10 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #199 8s. 6d. (62/4/0; 10/12/6; tickets: 126/12/0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILORS FESTIVAL

Cast
Role: Grotesque Actor: Follett

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

4247
28 August 1794 @ Haymarket Theatre

Event Comment: Benefit for Johnstone. 1st piece: with Grand Naval Review, as 20 Aug. 3rd piece: By the permission of Thomas Harris, Esq.; never acted at this Theatre. [Mrs Fawcett was from CG.] Morning Chronicle, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Britains Glory

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: THE IRISHMAN IN LONDON

4248
17 September 1794 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Lord Chamberlain. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 54 , Drury-lane. 3rd piece: By permission of George Colman, Esq

Performances

Mainpiece Title: The Sultan Or A Peep Into The Seraglio

Afterpiece Title: A BOLD STROKE FOR A WIFE

Afterpiece Title: THE PURSE

Song: In the course of the Evening Dibdin's Lucky Escape; or, the Ploughboy's Return from Sea, in character, by Mrs Harlowe

4249
14 May 1795 @ Covent Garden

Event Comment: Benefit for Fawcett. 1st piece: Never [previously] acted here (by Permission of George Colman, Esq., for that night only). 2nd piece [1st time; M. INT 1]. Morning Chronicle, 30 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-court-road. Receipts: #447 14s. (158.4.6; 10.10.0; tickets: 278.19.6)

Performances

Mainpiece Title: The Battle Of Hexham Or Days Of Old

Afterpiece Title: A Gallimaufry

Afterpiece Title: Crotchet Lodge

Entertainment: Monologue.End: Monsieur Tonson (founded on fact, and recited at Freemason's Hall)-Fawcett

4250
05 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequins Invasion

Afterpiece Title: The Virgin Unmaskd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429