SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Buckingham"/1) | (@(roleclean,performerclean) "Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 685 matches on Roles/Actors, 293 matches on Author, 251 matches on Performance Comments, 119 matches on Event Comments, and 1 matches on Performance Title.
Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: On this day a quarrel occurred at lif between Henry Killigrew and George Villiers, Duke of Buckingham, but the play is not named in the various accounts of the affair. For details, see HMC, 12th Report, Part VII, p. 51; and Carl Niemeyer, "Henry Killigrew and the Duke of Buckingham", Review of English Studies, XII (1936), 326-28. Pepys, Diary: 22 July: Creed tells me of the fray between the Duke of Buckingham at the Duke's playhouse the last Saturday (and it is the first day I have heard that they have acted at either the King's or Duke's house this month or six weeks) and Henry Killigrew, whom the Duke of Buckingham did soundly beat and take away his sword, and make a fool of, till the fellow prayed him to spare his life; and I am glad of it; for it seems in this business the Duke of Buckingham did carry nimself very innocently and well

Performances

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17351119, but Raleigh-Ray. With the Ceremony of his [Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .

Performances

Mainpiece Title: Love And Folly

Afterpiece Title: Serenata

Performance Comment: consisting of the choruses in the tragedy Julius Caesar-; by the late Duke of Buckingham. by the late Duke of Buckingham.

Music: New concerto grosso-; 24 Bassoons-; accompanied- violincello-Caporale

Event Comment: The Countess of Derby to the Duchess de la Tremoille, 25 Feb. 1660@1: Plays are often acted at court, and the King and their Royal Highnesses have been present at two this evening, at the Duchess of Buckingham's (Madame Guizot de Witt, The Lady of Latham [London, 1869], p. 268)

Performances

Event Comment: Pepys, Diary: I to White Hall; and there got into the theater-room, and there heard both the vocall and instrumentall musick, where the little fellow [Pelham Humphrey] stood keeping time; but for my part, I see no great matter, but quite the contrary in both sorts of musique. The composition I believe is very good, but no more of delightfulness to the eare or understanding but what is very ordinary. Here was the King and Queen, and some of the ladies; among whom none more jolly than my Lady Buckingham, her Lord being once more a great man

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: Add. Mss. 36916, folio 128, 2 March 1668@9: The occasion of this [a challenge of the Duke of Buckingham to a duel by Lord Halifax or another friend of Sir William Coventry] there was a new play to be acted on Saturday last called the Country Gentleman, said to be made by the Duke & Sr Robt Howard, wherein tis said that the Earle of Clarendon, Sr Wm Coventry and some other Courtiers are plainly personated, but especially Sr William in the midst of his table of Writings; this he (or some of his relations) would not brooke, but whether he or the Ld Halifax was to fight the Duke is not knowne, but the King hath prevented all; and the play is not acted. [See also Pepys, 4 and 6 March]

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Event Comment: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham
Event Comment: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham
Event Comment: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham
Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Stage Coach

Event Comment: Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Stage Coach

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham. Afterpiece: Revis'd with Alterations

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Country Wake

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Country Wake

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Country Wake

Event Comment: Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Stage Coach

Event Comment: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham
Event Comment: Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Hob

Event Comment: Benefit Author of afterpiece. Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The What D'ye Call It

Event Comment: Benefit Mrs Wantlow; By Their Royal Highness's Command. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The School Boy; or, The Comical Rivals

Dance: Wade, Mrs Santlow

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The School Boy; or, The Comical Rivals

Dance: As17151014

Event Comment: Not Acted these Eight Years. Written by Shakespear. Containing, the Death of the Duke of Buckingham. The Fall of Cardinal Wolsey. The Divorce, and Death of Queen Catherine. The Coronation of Queen Anne Bullen, and the Christning of Queen Elizabeth. With Decorations proper to the Play. [The Prince of Wales present.

Performances

Mainpiece Title: King Henry The Eighth

Event Comment: Mainpiece: As it was Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The School Boy; or, The Comical Rivals