SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "British and French Fleets"/1) | (@(roleclean,performerclean) "British and French Fleets")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 679 matches on Performance Title, 629 matches on Event Comments, 381 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Devil to Pay

Dance: Two Pierrots by Nivelon and Lalauze. French Peasant by Tench and Miss Rogers. Scot's Dance, as17360226

Performance Comment: French Peasant by Tench and Miss Rogers. Scot's Dance, as17360226.

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: A City Ramble; or, The Humours of the Compter

Performance Comment: In which will be introduced the Song ofJoan and her Maid to the Compter were sent. Hardhead-Hippisley; Sir Humphrey-Mullart; Ezekiel Prim-Bridgwater; Abraham-Paget; Gentlemen-Ridout, A. Ryan; Constables-M. Stoppelaer, Boaman; Mordecai-James; Watchmen-Houghton, Littleton; Rachel-Mrs Mullart; Women-Bencraft, Smith, Mrs Browne; Newswoman-W. Hallam; Toby Twang-Chapman; Strip-Clarke; Skin'em-Todd; Bounce-Jones .

Music: Handel's Water Musick

Dance: Clown by Nivelon. French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302

Performance Comment: French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302.

Song: A Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Nobles and Officers Actor: Dyke, Lee, Curties
Role: British Officer Actor: Incledon
Role: French and English Officers and Choristers Actor: Linton, Street, Gray
Role: Grand Historical Pageant Actor: .

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

Performance Comment: 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus.

Performances

Mainpiece Title: The Rival Queens

Cast
Role: Thessalus Actor: Anderson
Role: Alexander Actor: Delane
Role: Cassander Actor: Johnson

Afterpiece Title: The Rape of Proserpine

Cast
Role: 1st Sylvan Actor: Mlle Anne Roland

Dance: MMuzette-French Girl; Tambourine-French Girl; Wooden Shoe Dance-French Boy; French Peasants-French Girl and Boy

Performances

Mainpiece Title: L'etourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

Performances

Mainpiece Title: Othello, Moor Of Venice

Cast
Role: Duke Actor: Anderson

Dance: I: Grand Ballet-Desse, Miss Oates; II: French Peasant-French Boy and Girl; III: Miller and His Wife-French Boy and Girl; IV: Comic Ballet-Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Parting Lovers

Dance: I: French Peasant-French Boy and Girl; III: Miller and His Wife-French Boy and Girl; IV: Scots Dance-Glover, Mlle Roland

Song: II: Leveridge, Salway

Performances

Mainpiece Title: The Relapse

Cast
Role: Amanda Actor: Mrs Hallam.

Afterpiece Title: The Mock Doctor

Performance Comment: As17400414 but Harry-Mullart; James-Anderson.
Cast
Role: James Actor: Anderson.
Role: Leander Actor: Salway

Dance: I: Comic Ballet-Villeneuve, Miss Oates; II: Peasant-French Boy; Serious Dance-French Girl; IV: Miller and Wife-French Boy and Girl; V: Grand Ballet-Glover, Mlle Roland Ynger

Song: III: Roberts

Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: Edition of 1691: King Arthur-Betterton; Oswald, King of Kent-Williams; Conon-Hodgson; Merlin-Kynaston; Osmond-Sandford; Aurelius-Alexander [Verbruggen]; Albanact-Bowen; Guillamar-Harris; Emmeline-Mrs Bracegirdle; Matilda-Mrs Richardson; Philidel-Mrs Butler; Grimbald-Bowman; Prologue to the Opera-Mr Betterton; The Epilogue-Mrs Bracegirdle.
Cast
Role: Osmond Actor: Sandford
Role: Aurelius Actor: Alexander
Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Performance Comment: Edition of 1696: Prologue-Mr Powel; Suetonius-Verbruggen; Petilius-Harland; Junius-Hill; Decius-Eldred; Macer-Mic. Lee; Caratach-Powel Jr; Venutius-Horden; Hengo-Miss Allison; Nennius-Mills; Macquaire-Simpson; Bonduca-Mrs Knight; Claudia-Mrs Rogers; Bonvica-Miss Cross; Epilogue-Miss Dennychock (But Six Years Old).
Cast
Role: Petilius Actor: Harland
Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and two in the Box at King Arthur 18s. [In The Female Wits--see September 1696--in Act I is a reference to the enlivening of King Arthur created by the Pudding and Dumbling Song.

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performances

Mainpiece Title: Bonduca; Or, The British Heroine

Music: All the Original Musick by the late Mr Henry Purcell-

Dance: As17051201

Performances

Mainpiece Title: The British Enchanters; Or, No Magick Like Love

Performance Comment: Edition of 1706: Caelius-Betterton; Constantius-Booth; Amadis-Verbruggen; Florestan-Husbands; Arcalaus-Bowman; Arcabon-Mrs Barry; Oriana-Mrs Bracegirdle; Corisanda-Mrs Porter; Urganda-Mrs Bowman; Delia-Mrs Baker; Prologue-; Epilogue-.
Cast
Role: Florestan Actor: Husbands
Role: Corisanda Actor: Mrs Porter
Role: Urganda Actor: Mrs Bowman

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Music: With all the Original Musick by the late Mr Henry Purcel-Leveridge, Hughs, Ramondon, Mrs Lindsey, the Boy

Dance: As17060110

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Performances

Mainpiece Title: The British Enchanters

Event Comment: By Command. For the Entertainment of his Excellency Hamet Ben Hamet Cardenas, Ambassador from the Emperor of Fez and Morocco

Performances

Mainpiece Title: The British Enchanters