SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "British and French Fleets"/1) | (@(roleclean,performerclean) "British and French Fleets")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 679 matches on Performance Title, 629 matches on Event Comments, 381 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Barthelemon. A new Entertainment by Barthelemon. Admittance 3s. N.B . Tickets sold in the Fields in Great Marybone St., and at the doors (as they were at Mrs Barthelemon's night at the low rate of three tickets for a shilling) are forged and will not be admitted

Performances

Mainpiece Title: The Noble Pedlar

Music: In the course of the concert Catches and Glees: 1st Violin and new solo concerto-Barthelemon; New Concerto on Organ-Carter (composed by Barthelemon); New French Horn and Trumpet Concerto (also Barthelemon's composition) by Mas. Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle

Performance Comment: Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle .

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo Concerto by Barthelemon; Concerto on Organ by Hook ; Fourth Concerto of Corelli with the additional parts for trumpets, French Horns, and Kettle Drums adapted to that favourite piece by the late ingenious Sg Pasquali

Event Comment: marly Benefit for Hook. Price 3s. Vocals in Concert by Mas. Cheney, Two Young Ladies who never appeared in public, and Mrs Barthelemon

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo by Fisher; Concerto on Organ by Hook ; Concerto on French Horn by the celebrated Mr Cohen, musician to the Stadtholder, being the 1st time of his performing since his arriving in England

Event Comment: Words from Holy Writ...Music so admirable designed by Handel as to Beggar all description (Theatrical Review). Mr Ponta is Musician to his Serene Highness the Elector of Mentz. Tickets and places for boxes to be taken of Mr Sarjeant at the Stage Door. Box 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin at half past Six (Account Book). [Messrs Toms and Arnold were putting on the Oratorios at Covent Garden this season.] Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

Performances

Mainpiece Title: Samson

Music: End Part I: Concerto on French Horn, as17720306 End Part II: Concerto on Violin, as17720311

Event Comment: Music composed by Mr Arnold...a very noble Piece of Composition; the airs are pleasing, and the chorusses majestically grand; upon the whole this is the most capital Performance in the Oratorio style Mr Arnold has produced (Theatrical Review, p. 218). Charges: #35 (Account Book)

Performances

Mainpiece Title: The Resurrection

Music: End Part I: Concerto on French Horn, as17720306 End Part II: A New Concerto on Violin by Cirri-Sga Sirmen (Theatrical Review, p. 218)

Performances

Mainpiece Title: A Concert

Music: Concerto on Oboe-Fischer; Concerto on Violincello-Cirri; Concerto on French Horn-Ponta; Concerto on German Flute-Tacet; Solo-Sga Sirmen

Event Comment: By Command of their Majesties. This oratorio for the last time this season

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: Concerto on French Horn-Ponta; Solo on Violincello-Janson

Event Comment: Benefit for Fischer. Pit and Boxes 6s. First Gallery 5s. Second Gallery 3s

Performances

Mainpiece Title: A Concert

Song: Savoi, Signora Grassi

Music: First Violin, Solo-Linley Jr, from Bath; Solo on Viola di Gamba-Abel; Solo on German Flute-Wendling; Concerto on French Horn-Ponta; Concerto on Violincello-Duport; Concerto on Hautboy-Fischer

Performances

Mainpiece Title: The Messiah

Music: End Part I: Concerto on French Horn, as17720311 End Part II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 221)

Event Comment: Oratorio composed by Dr Arne. Not performed these eight years. Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for the boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the Oratorio to be sold at the theatre. Doors opened at Five o'clock. To Begin at Half past Six. [Note on prices, time, and books repeated each performance this season.] Charges: #35

Performances

Mainpiece Title: Judith

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

Performances

Mainpiece Title: The Messiah; Judith

Music: I: Concerto on French Horn-Spandau; II: Concerto on Organ-Arne

Performances

Mainpiece Title: The Messiah; Judith

Music: I: Concerto on French Horn-Spandau; II: Violin solo-Barthelemon

Performances

Mainpiece Title: Artaxerxes

Song: In the Above Opera, four new airs-Sga Girelli; one of which, at the end of Act II, will be accompanied on the French Horn-the celebrated M Spandau

Dance: I: Grand Serious Ballet-; in which the favourite Entree of last season-Mlle Heinel; II: A Grand Ballet, with a new Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Ballet, New Grand Chacone-Mlle Heinel, Fierville

Performances

Mainpiece Title: The Death Of Abel; Judith

Music: I: Concerto on French Horn-Spandau; II: Violin Concerto-Barthelemon

Performances

Mainpiece Title: Il Dilletante

Music: Musical imitations of the French, Italian, and German Style of singing will be introduc'd-Reinhold

Event Comment: A sacred Oratorio selected from the works of $George Frederick Handel, Esq.

Performances

Mainpiece Title: Omnipotence; Judas Maccabaeus

Music: End Part First: A New Concerto on 3 Chromatic French Horns-(being their first performance); After Part Second: a Concerto on the Violin-Lamotte

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: First Violin, as17760223; End Part I: Concerto on 3 Chromatic French Horns, as17760223; End Part II: Violin Concerto-Lamotte

Performances

Mainpiece Title: Samson; Judas Maccabaeus

Music: End I: Concerto on 3 Chromatic French Horns, as17760228; End II: Concerto on Violin-Lamotte

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Performance Comment: ; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile .

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

Event Comment: By Command of Their Majesties

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Vocal Parts and Violin as17850211.

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France