SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bononcini"/1) | (@(roleclean,performerclean) "Bononcini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 48 matches on Author, 14 matches on Event Comments, 5 matches on Performance Title, 0 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): Giovanni Bononcini

Dance: I: The Coopers, as17650215; II: New Tambourine, as17640929; A Comic Dance, as17650215 (Public Advertiser)

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): Giovanni Bononcini

Dance: I: The Coopers, as17650215; II: New Tambourine, as17640929

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): Giovanni Bononcini

Dance: I: The Coopers, as17650215; II: New Tambourine, as17640929

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Event Comment: [Music by G. Bononcini? Librettist unknown.] By Subscription. The Boxes to be open'd to the Pit, and no Person to be admitted but by the Subscribers Tickets

Performances

Mainpiece Title: Almahide

Event Comment: At the Desire of several Persons of Quality. Afterpiece: With the Comical Interlude of Floro and Blesa set to Musick by the famous Signior Bononcini. [In Daily Courant, 15 March, the premiere of Hydaspes had been announced for this day.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Floro and Blesa

Dance: Between acts: Thurmond Jr, Mrs Bicknell

Event Comment: Being a choice Collection of Musick composed by Scarlatti, Bononcini, Albinoni, Caesarini, Gasperini, and several other the most celebrated Italian Masters. Boxes 8s. Pit 5s. Gallery 2s. 6d. Boxes on the Stage half a guinea. At 6 p.m

Performances

Mainpiece Title: The Triumph Of Love

Event Comment: [Text by P. A. Rolli. Music by G. Bononcini.] A New Opera. Four Hundred Tickets (for Pit and Boxes) will be deliver'd out, and after they are disposed of, no Person whatsoever will be admitted for Money. Neither Director nor Subscribers will be admitted on the Stage. A proper Officer will attend at each Door, to deliver Every Subscriber his Ticket, without which he will not be admitted. Pit and Boxes at a half guinea. Gallery 5s. The Doors to be open'd at Five a Clock. To Begin exactly at Six. [The Royal Family present.

Performances

Mainpiece Title: Astartus

Event Comment: [Text by P. A. Rolli. Music by Bononcini.] A new Opera. Admission as 9 Dec. 1721

Performances

Mainpiece Title: Crispus

Event Comment: [Text by Rolli. Music by Bononcini.] A new Opera. Admission as 9 Dec. 1721

Performances

Mainpiece Title: Griselda

Event Comment: Compos'd by Signior Bononcini

Performances

Mainpiece Title: Astartus

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi