SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Betterton"/1) | (@(roleclean,performerclean) "Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 537 matches on Roles/Actors, 298 matches on Performance Comments, 291 matches on Author, 179 matches on Event Comments, and 2 matches on Performance Title.
Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication is dated 20 April 1699, and the play was advertised in the Post Boy, 25-27 April 1699; hence, it is likely that the play was first given between mid-February and mid-March, certainly before Easter, which fell on 9 April 1699

Performances

Mainpiece Title: Xerxes

Performance Comment: Edition of 1699: The Prologue-Mr Batterton; The Epilogue-; Xerxes-Verbruggen; Mardonius-Hodgson; Attabanus-Betterton; Aranthes-Scudamore; Memnon-Freeman; Cleontes-Thurmond; Poet-Boin [Bowen]; Tamira-Mrs Barry.
Cast
Role: Attabanus Actor: Betterton
Event Comment: Betterton's Company. The date of the first production is not know, but the fact that the play was advertised in the Post Boy, 20-23 May 1699, suggests that the premiere was probably not later than April, possibly just after Easter

Performances

Mainpiece Title: The Princess Of Parma

Performance Comment: Edition of 1699: Prologue-; Epilogue-Mrs Bracegirdle Written by Mr Motteux; Doria-Betterton; Zinelli-Scudamore; Grimaldi-Arnold; Spinola-Thurmond; Barbarelli-Verbruggen; Durazzo-Freeman; Almira-Mrs Bracegirdle; Julia-Mrs Barry; Fidelia-Mrs Martin.
Cast
Role: Doria Actor: Betterton
Event Comment: Betterton's Company. This performance is known by a letter of John Dryden to Mrs Steward, 7 Nov. 1699: There is this day to be acted a New tragedy, made by Mr Hopkins, & as I believe in rhime. He has formerly written a play in verse calld Boadicea, which you fair Ladyes likd: & is a poet who writes good verse without knowing how, or why; I mean he writes naturally well, without art or learning, or good sence (The Letters of John Dryden, p. 124). The Dedication to the play is dated 1 Nov. 1699, but the play was not advertised until, apparently, in the Post Man, 17-20 Feb. 1699@1700

Performances

Mainpiece Title: Friendship Improved; Or, The Female Warriour

Performance Comment: Edition of 1700: Prologue-; Epilogue-; Zoilus-Betterton; Maherbal-Verbruggen; Archias-Arnold; Semanthe-Mrs Barry; Cyllene-Mrs Moore; Locris-Mrs Bracegirdle; Orythia-Mrs Porter.
Cast
Role: Zoilus Actor: Betterton
Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden, on 14 Dec. 1699, indicated that the run of the play had been completed by that day. A copy in the Folger Shakespeare Library has a notice of its publication. Downes, Roscius Anglicanus, p. 45: Iphigenia a Tragedy, wrote by Mr Dennis, a good Tragedy and well Acted; but answer'd not the Expences they were at in Cloathing it. [In The Life of Mr John Dennis (London, 1734) the author states that Colonel Codrington prevailed on all his friends to take tickets for the dramatist's third night.] Preface, Edition of 1700: And from the first representations I expected all the success that I could reasonably desire. I never in my life at any Play took notice of a more strict attention, or, a more profound silence. And there was something like what happen'd at the Representation of Pacuvius his Tragedy. For upon Orestes discovering his passion to Iphigenia in the fourth Act, there was a general murmur through the Pit, which is what I had never seen before. But after three or four representations, several people, who during that time had wholly abandon'd themselves to the Impression which Nature had made on them, began to study how to be discontented by Art; and repented heartily at having been pleas'd with what Athens and Rome and Paris had been pleas'd before. A Comparison between the Two Stages (1702), p. 23: Critick: I must needs Complement him [Dennis] with the Success of his laborious Iphigenia: Ay, here's a Tragedy with a witness--show a more tragick Poet if you can--'twas a smart Epilogue. But I marvel a Man of Mr Dennis's Penetration wou'd suffer, nay beg his Friend to Burlesque him at that unreasonable rate: But the Author was conscious the Audience might mistake it for a Comedy, and so he gets Colonel C-(he was sure his Word wou'd be taken) to tell 'em it was not a Comedy but a Tragedy: The hint was good and necessary, for o' my word very few knew what to make of it before, tho' there were many Tremendous things in't. [The dialogue continues to examine Dennis' Preface, and Dennis's assertions there concerning his play.

Performances

Mainpiece Title: Iphigenia

Performance Comment: Edition of 1700: Prologue-Mr Verbruggen as the Genius of England; Epilogue by Coll. Codrington-; Orestes-Betterton; Pilades-Williams; Queen-Mrs Barry; Iphigenia-Mrs Bracegirdle; Euphrosine-Mrs Martin.
Cast
Role: Orestes Actor: Betterton
Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden's letter (see 11 April 1700) places its expected presentation between 11 and 25 April. The fact that the play was advertised in the London Gazette, 29 April 1700, suggests a premiere early in April

Performances

Mainpiece Title: The Fate Of Capua

Performance Comment: Edition of 1700: Prologue by Charles Boyle-; Epilogue by Coll. Codrington-Mrs Barry; Pacuvius Calavius-Hodgson; Virginius-Betterton; Marius Blosius-Berry; Vibius Virius-Bayly; Decius Magius-Boman; Perolla-Scudamore; Junius-Verbruggen; Favonia-Mrs Barry.
Cast
Role: Virginius Actor: Betterton
Event Comment: The Duke's Company. If the run of The Wits occurred as it is outlined above, this would presumably be the first day of Hamlet. Pepys, Diary: To the Opera, and there saw Hamlet, Prince of Denmark, done with scenes very well, but above all, Betterton did the prince's part beyond imagination. Downes (p. 21): The Tragedy of Hamlet: Hamlet being Perform'd by Mr Betterton, Sir William (having seen Mr Taylor of the Black-Fryars Company Act it, who being Instructed by the Author Mr Shakespear) taught Mr Betterton in every Particle of it; which by his exact Performance of it, gain'd him Esteem and Reputation, Superlative to all other Plays...No succeeding Tragedy for several Years got more Reputation, or Money to the Company than this

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Downes (Roscius Anglicanus, p. 21): Hamlet-Betterton; Horatio-Harris; King-Lilliston; Ghost-Richards; Polonius-Lovel; Rosencrans-Dixon; Guilderstern-Price; 1st Gravemaker-Underhill; 2d Gravemaker-Dacres; Queen-Mrs Davenport; Ophelia-Mrs Sanderson.
Cast
Role: Hamlet Actor: Betterton
Event Comment: The Duke's Company. Pepys, Diary: Here comes Harris, and first told us how Betterton is come again upon the stage: whereupon my wife and company to the [Duke's] house to see Henry the Fifth.... Thence I to the playhouse, and saw a piece of the play, and glad to see Betterton

Performances

Mainpiece Title: Henry The Fifth

Performance Comment: Owen Tudor?-Betterton; Henry V-Harris?; Princess Katherine-Mrs Betterton?. See also 13 Aug. 1664.
Cast
Role: Owen Tudor? Actor: Betterton
Role: Princess Katherine Actor: Mrs Betterton?. See also 13 Aug. 1664.
Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Performance Comment: Edition of 1679: Prologue-; Oedipus-Betterton; Adrastus-Smith; Creon-Samford; Tiresias-Harris; Haemon-Crosby; Alcander-Williams; Diocles-Norris; Pyracmon-Boman; Phorbas-Gillo; Ghost of Lajus-Williams; Jocasta-Mrs Betterton; Eurydice-Mrs Lee; Manto-Mrs Evans; Epilogue-.
Cast
Role: Oedipus Actor: Betterton
Role: Jocasta Actor: Mrs Betterton
Event Comment: Benefit Betterton. At the Desire of several Persons of Quality. The Boxes to be open'd to the Pit, and No Person to be admitted but by printed Tickets at half a Guinea each. Note, That the Tickets deliver'd out for the Moor of Venice, and Great Mogul, will be taken at this Play. [Receipts: possibly #154 6s. 7 1!2d., according to Baggs.] For a comment on this occasion, see Tatler, 12 April. Whincop (pp. 175-76) states: But Mr Betterton being new past Seventy Years of Age, and lame with the Gout, seemed but to burlesque the Part of youthful Valentine

Performances

Mainpiece Title: Love For Love

Performance Comment: See17090312 but Valentine-Betterton; Ben-Dogget; Angelica-Mrs Bracegirdle; Mrs Frail-Mrs Barry; Prologue written by Congreve-Mrs Bracegirdle; An Epilogue written by Rowe,-Mrs Barry, having Betterton on her Right Hand, between herself, Mrs Bracegirdle.
Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Performance Comment: Cheveril-Lewis; Mr Mordent-Betterton; Donald-Munden; Lenox-Whitfield; Item-Rees; Grime-Davenport; Clement-Toms; Lady Ann Mordent-Miss Chapman; Sarsnet-Mrs Mattocks; Mrs Enfield-Mrs Davenport; Joanna-Miss Betterton.
Cast
Role: Mr Mordent Actor: Betterton
Role: Joanna Actor: Miss Betterton.

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.
Cast
Role: Officers Actor: Incledon, Townsend, Betterton

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Event Comment: The Duke's Company. Downes (p. 25) states that it was acted eight days successively, but as Pepys does not indicate whether he saw its first performance, the sequence of playing it is not known. Pepys, Diary: We [Mrs Pepys and Pepys] took coach and to the Duke's playhouse, where we saw The Duchess of Malfy well performed, but Betterton and Ianthe [Mrs Saunderson] to admiration. Downes (p. 25): This Play was so exceeding Excellently Acted in all Parts; chiefly, Duke Ferdinand and Bosola: It fill'd the House 8 Days Successively, it proving one of the Best of Stock Tragedies

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: Downes (Roscius Anglicanus, p. 25): Duke Ferdinand-Harris; Bosola-Betterton; Antonio-Smith; Cardinal-Young; Dutchess of Malfey-Mrs Betterton [Mrs Saunderson]; Julia-Mrs Gibbs; [The edition of 1678 lists other performers who could have acted on this occasion: Delio-Midburn? [Medbourne]; Castruchio-Richards?; Sylvio-Cademan?; Pescara-Norris?; Molateste-Price?; Cariolo=-Mrs Norris?.
Cast
Role: Bosola Actor: Betterton
Role: Dutchess of Malfey Actor: Mrs Betterton
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: King Actor: Betterton
Role: Queen Catherine Actor: Mrs Betterton.
Event Comment: The Duke's Company. Pepys, Diary: And seeing The Bondman upon the post, I consulted my oaths and find I may go safely this time without breaking it...There I saw it acted. It is true, for want of practice, they had many of them forgot their parts a little; but Betterton and my Poor Ianthe outdo all the world. There is nothing more taking in the world with me than that play

Performances

Mainpiece Title: The Bondman

Performance Comment: Bondman?-Betterton; Cleora?-Mrs Betterton. See also 2 April 1662.
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: The Duke's Company. Pepys, Diary: With my wife and Mercer to the Duke's house, and there saw The Rivalls, which I had seen before; but the play not good, nor anything but the good acting of Betterton and his wife and Harris

Performances

Mainpiece Title: The Rivals

Performance Comment: See16640910, but Philander?-Betterton; Theocles?-Harris; Heraclia?-Mrs Betterton.
Cast
Role: Philander? Actor: Betterton
Role: Heraclia? Actor: Mrs Betterton.
Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Solyman Actor: Betterton
Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Edition of 1690: Prologue [Sent to the Author By an Unknown Hand-Mrs Mountfort [Dressed like an Officer; Prologue-a Woman; Don Sebastian-Williams; Muley Moluch-Kynaston; Dorax-Betterton; Benducar-Sandford; Mufti-Underhill; Muley Zeydan-Powell Jr; Don Antonio-Betterton [an error; corrected in 1692 edition to Mountfort]; Don Alvarez-Bowman; Mustapha-Leigh; Almeyda-Mrs Barry; Morayma-Mrs Montfort; Johayma-Mrs Leigh; Epilogue-Antonio, Morayma.
Cast
Role: Dorax Actor: Betterton
Role: Don Antonio Actor: Betterton
Event Comment: [By Mary de la Riviere Manley.] Never Acted before. And by Reason of the Extraordinary Charge for Habits, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. Preface: Almyna was admirably Acted, and advantagiously dress'd: The first was owing to Mr Betterton's unwearied care...the second to Mr Swiny...for venturing...to make so great an Expence...both justly condemn'd for playing it at so ill-fated a Time, viz. The immediate Week before Christmas between Devotion and Camilla

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

Performance Comment: Actors' names only listed, but edition of 1707 lists: Caliph Almanzor-Betterton; Abdalla-Wilks; Grand Vizier-Keen; Alhador-Bowman; Morat-Corey; Almyna-Mrs Barry; Zoradia-Mrs Bracegirdle; Prologue-Cibber; Epilogue-Betterton.
Cast
Role: Caliph Almanzor Actor: Betterton
Role: Epilogue Actor: Betterton.
Event Comment: Benefit for Mr and Miss Betterton. 2nd piece [1st time; P 1]. Receipts: #267 1s. 6d. (139.17.6; 5.1.0; tickets: 122.3.0)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17981215, but Macbeth-Betterton; Lady Macbeth-Miss Betterton (1st appearance in that charactyr); Officer-_; Murderers-_.
Cast
Role: Macbeth Actor: Betterton
Role: Lady Macbeth Actor: Miss Betterton

Afterpiece Title: The Tars of Old England; or, Humours of Greenwich Fair

Performance Comment: Black Ey'd Susan-Incledon; The Snug Little Island-Townsend; A Hornpipe-Master Betterton (1st appearance); Rule Britannia-, as17990503.
Cast
Role: A Hornpipe Actor: Master Betterton
Role: Jack Connor Actor: Betterton

Afterpiece Title: The Adopted Child

Performance Comment: Michael-Betterton; Le Sage-Townsend; Sir Bertrand-Mansel; Spruce-Farley; Flint-Dyke; Record-Emery; Lucy-Mrs Martyr; Clara-Miss Wheatley; Boy-Miss Sims; Janette-Mrs Norton; Nell-Mrs Chapman.
Cast
Role: Michael Actor: Betterton

Dance: End 1st piece: The Highland Lovers, as17990423; Del Caro's Hornpipe-Miss Brugier

Song: 1st piece: Vocal Parts, as17981215, but Miss Waters, Mrs +Atkins, _Gray, Miss _Leserve, Miss _Gray; In 3rd piece: +The Tower Song-Mrs Atkins

Entertainment: Monologue. After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton

Performance Comment: After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton.
Event Comment: Benefit for Betterton. 1st piece: Not acted these 6 years [acted 22 May 1797]. Receipts: #206 15s. (89.10; 5.15; tickets: 111.10)

Performances

Mainpiece Title: The School For Wives

Performance Comment: Belville-Holman; General Savage-Munden; Leeson-H. Johnston; Torrington-Emery; Capt. Savage-Whitfield; Spruce-Farley; Conolly-Betterton (1st appearance in that character); Mrs Belville-Mrs Pope; Lady Rachael Mildew-Mrs Davenport; Miss Leeson-Miss Sims; Miss Walsingham-Mrs Glover, late Miss Betterton.

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Soldier's Festival

Entertainment: Vaudeville. End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend

Performance Comment: End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend.
Event Comment: The Duke's Company. The British Museum copy of the 1653 copy of this play has, in an old hand: Deflores by Betterton. Pepys, Diary: Then by water to Whitefriars to the Play-house, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly. Besides, I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich

Performances

Mainpiece Title: The Changeling

Performance Comment: Downes (Roscius Anglicanus, pp. 18-19): Deflores-Betterton; Changeling-Sheppy.
Cast
Role: Deflores Actor: Betterton
Event Comment: The Duke's Company. Pepys: I to Whitefryars, and saw The Bondman acted; an excellent play and well done. But above all that ever I saw, Betterton, do the Bondman the best

Performances

Mainpiece Title: The Bondman

Performance Comment: Pepys: Bondman-Betterton; Downes (Roscius Anglicanus, p. 19): Asotus-Sheppy.
Cast
Role: Bondman Actor: Betterton
Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Prince Alvaro Actor: Betterton
Event Comment: The Duke's Company. Pepys, Diary: I...called my wife at my brother's where I left her, and to the Opera, where we saw The Bondman, which of old we both did so doat on, and do still; though to both our thinking not so well acted here (having too great expectations), as formerly at Salisbury-court. But for Betterton he is called by us both the best actor in the world

Performances

Mainpiece Title: The Bondman

Performance Comment: Bondman-Betterton. See also 1 March 1600@1.
Event Comment: The Duke's Company. Pepys, Diary: After dinner by water to the Royall Theatre [Bridges St]; but that was so full they told us we could have no room. And so to the Duke's House; and there saw Hamlett done, giving us fresh reason never to think enough of Betterton. Who should come upon the stage but Gosnell, my wife's maid? but neither spoke, danced, nor sung; which I was sorry for. But she becomes the stage very well

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Betterton.
Cast
Role: Hamlet Actor: Betterton.