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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bells British Theatre"/1) | (@(roleclean,performerclean) "Bells British Theatre")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3165 results for: Keyword - Bell's British Theatre
We found 2604 matches on Event Comments, 540 matches on Performance Comments, 181 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2326
24 March 1778 @ Covent Garden

Event Comment: Benefit for Macklin. Daily Advertiser, 24 Mar.: Tickets to be had of Macklin, Tavistock-Row, Covent-Garden. [Mrs Bulkley's 1st appearance as Portia was at this theatre, 1 Jan. 1768.] Receipts: #212 8s. (132.1; tickets: 80.7) (charge: #64 10s.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: La Soiree a@la@Mode, as17771103; End IV: As17780309

2327
28 March 1778 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

2328
30 March 1778 @ Drury Lane Theatre

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

2329
30 March 1778 @ Covent Garden

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron (1st time)-Lewis; Count Baldwin-Clarke; Carlos-Whitfield; Belford-L'Estrange; Sampson-Dunstall; Friend-Smith; Pedro-Bates; Child-Miss Francis; Villeroy (1st time)-Wroughton; Nurse-Mrs Poussin; Isabella-Mrs Barry (1st appearance in that character at this theatre).

Afterpiece Title: True-Blue

Afterpiece Title: The Apprentice

Dance: 2nd piece: Aldridge. [This was danced, as here assigned, in all subsequent performances.

Song: III: Epithalamium-; the vocal parts-Robson, Miss Dayes

2330
10 April 1778 @ Covent Garden

Event Comment: [The Account-Book notes that the theatre received #25 on each of the 11 Oratorio nights.

Performances

Mainpiece Title: The Prodigal Son; Acis And Galatea

Music: As17780313

2331
30 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Robinson. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Robinson, at Parviso's, No. 114, Long acre. Afterpiece [1st time; CO 2, by Mary Robinson. Larpent MS 447; not published]: The Music chiefly compiled. Tickets delivered for King Lear will be taken. Books of the Performances to be had at the Theatre. Receipts: #153 17s. 6d. (57.8.0; 21.3.6; 0.10.0: tickets: 74.16.0) (charge: #78 11s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lucky Escape

Song: As17780331

2332
11 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: End II: Minuet de la Cour, as17780508

2333
27 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Davies, bookseller, and Mrs Davies, who formerly belonged to this Theatre, and who have sustained misfortunes in trade. Public Advertiser, 20 May: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #198 9s. 6d. (69.14.0; 17.10.0; 0.13.6; tickets: 110.12.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

Dance: End III: Minuet de la Cour, as17780508

2334
01 June 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Performance Comment: Cross-Parsons; Kitchen-Massey; Colonel Frankly-Lamash; Buck-Davis; Snarl-Egan; Luke-R. Palmer; Passengers-Gardner, Kenny; Marcourt-Palmer; Charlotte-Mrs Jewell; Lettice-Mrs Hitchcock; Landlady-Mrs Love; Sally-Miss Hitchcock; Women Passengers-Miss Platt, Mrs Poussin; Mrs Cross-Mrs Webb (from the Theatre Royal, Edinburgh [1st appearance in London]).1st appearance in London]).

Dance: End II: The Merry Lasses, as17780529; End II afterpiece: Provencalle Dance, as17780518

2335
10 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-West; Mercutio-Russell; Tibalt-Cooke; Capulet-Newton; Benvolio-Glassington; Prince-Massey; Peter-Bailey; Paris-Everard; Friar Laurence-Burnett (from the Theatre Royal, Edinburgh); Lady Capulet-Mrs Newby; Nurse-Mrs Russell; Juliet-Miss Glassington.

Afterpiece Title: The Lying Valet

Dance: As17780601

Song: Between Acts: Master Nelson; End IV: Solemn Dirge and the Funeral Procession of Juliet to the Monument of the Capulets. Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler

2336
11 June 1778 @ Haymarket Theatre

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

2337
25 June 1778 @ Haymarket Theatre

Event Comment: Afterpiece (1st time; BURL I, by Thomas Willet. For music see 31 July]: Books of the Burletta to be had at the Theatre. Public Advertiser, 1 July 1778: This Day is published Buxom Joan (6d.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Buxom Joan

2338
02 July 1778 @ Haymarket Theatre

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17780623

2339
30 July 1778 @ China Hall, Lower Road, Rotherhithe

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid

2340
03 August 1778 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin, based on La Bohemienne, by Charles Simon Favart. Music by Samuel Arnold]. Books of both Pieces to be had at the Theatre. Public Advertiser, 10 Aug. 1778: This Day is published The Gipsies (price not listed)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Gipsies

2341
17 August 1778 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

2342
21 August 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Quaker

Performance Comment: The Quaker-Bannister; Lubin-Brett; Easy-Painter; Solomon-Parsons; Floretta-Mrs Brett; Cicely-Mrs Love; Gillian (for that night only)-Miss Sharpe (from the Theatre Royal, Richmond).

Song: End: Hunting@song-Griffin

2343
17 September 1778 @ Drury Lane Theatre

Event Comment: "This may be called the Coalition Season, the Actors of both Theatres playing at either house indiscriminately" (MS annotation by J. P. Kemble on Kemble playbill). Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Oct.]. Receipts: #226 8s. 6d. (193.9.0; 32.12.0; 0.7.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)

2344
18 September 1778 @ Covent Garden

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

2345
28 September 1778 @ Covent Garden

Event Comment: Books of the Burletta to be had at the Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

2346
02 October 1778 @ Covent Garden

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Annette et Lubin, by Charles Simon Favart and Jean Baptiste Lourdet de Santerre. Music by the author]. Books of the new Musical Piece to be had at the Theatre. Public Advertiser, 2 Oct.: This Afternoon at Four is published Annette and Lubin (6d.)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Busy Body

Afterpiece Title: Cross Purposes

2347
22 October 1778 @ Covent Garden

Event Comment: Afterpiece: The Scenery, Machinery, &c. painted by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed by Fisher. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dagueville, Langrish, Miss Lings, Miss Valois. [These were the same in all subsequent performances.

2348
03 November 1778 @ Covent Garden

Event Comment: [As mainpiece the playbill announces Caractacus, but it "was not performed last night at Covent Garden theatre, on account of Leoni's sudden illness. The Busy Body was substituted in its stead" (Morning Chronicle, 4 Nov.).

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Norwood Gypsies

2349
18 November 1778 @ Drury Lane Theatre

Event Comment: [The playbill announces this as "By Command of Their Majesties," but "His Majesty intended going to Drury-lane Theatre last night, but was prevented by the multiplicity of business at St James's" (Morning Post, 19 Nov.).] Mainpiece: Not acted these 3 years [acted 2 May 1776]. Receipts: #212 11s. 6d. (184.8.0; 27.6.6; 0.17.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Camp

2350
23 November 1778 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]