SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 4 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King & Queene & a Box for ye Maides of Honor at ye Rehearsall. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: The Rehearsal

Performance Comment: See16870103.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honor Prophetess. See also Nicoll, Restoration Drama, p. 352

Performances

Mainpiece Title: The Prophetess

Performance Comment: See June 1690.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q & a Box for ye Maids Honr Edward 3. See also Nicoll, Restoration Drama, p. 352

Performances

Mainpiece Title: King Edward The Third

Performance Comment: See November 1690.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honr Orphan, See also Nicoll, Restoration Drama, p. 352. Cibber, Apology, I, 183: There is in this Character [Chaplain] (of one Scene only) a decent Pleasantry, and Sense enough to shew an Audience whether the Actor has any himself. Here was the first Applause I ever receiv'd, which you may be sure, made my Heart leap with a higher Joy than may be necessary to describe

Performances

Mainpiece Title: The Orphan

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honr Fairy Queen. [See also Nicoll, Restoration Drama, p. 352. This play was reprinted in 1693: With Alterations, Additions, and several new Songs. See Purcell's Works, Purcell Society, XII (1903), i.

Performances

Mainpiece Title: The Fairy Queen

Performance Comment: See16920502.
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Performance Comment: See May 1693.

Performances

Mainpiece Title: Theseus

Performance Comment: See17130110.

Performances

Mainpiece Title: Theseus

Performance Comment: See17130110.

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Performances

Mainpiece Title: Arminius

Performance Comment: See17141023, but Ismena-Mrs Robinson.

Dance: As17141204

Performances

Mainpiece Title: Albumazar

Cast
Role: Supitia Actor: Mrs Woffington

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Savoyards, as17471215

Event Comment: By Ye King's Command but not (by order) in ye Bills (Cross). Present His Majesty, 2nd time this season. [The George Garrick Drury Lane MS Treasurer's Book makes its first entry Mon. 30 Oct. 1749, indicating an expenditure to date of #1,733 2s. 7d. as against an income of #3,455 6s. 6d. and that Mon. was the twenty-ninth night of performance. The Treasurer's Book carries full entries until the 165th night, Sat. 28 April 1750. First itemizing of expenditures begins Wed. 1 Nov. 1749 as follows: Paid to Pipe & Tabor to Sat., 10s. 6d.; to 2 French Horns and a Kettle Drum, 15s.; to 12 1!2 lbs. Wax Candles, #1 11s. 3d.; To Properties and King's servants, #3 2s. 5d. [N.B. The use of extra musical instruments (horns, flutes, cymbols, kettle drum) averaged 6s. per night for the 165 nights. The season extended to 174 nights; so the approximate total cost for instruments came to #52 4s. Properties expense averaged 5s. per night. The approximate total cost was #43 11s. No further itemization of these will be made.] This month was publish'd The Rosciad; a Poem, by Charles Churchill (Gentleman's Magazine, Register of Books). Receipts: #70 (Cross); #73 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Cuckolds

Dance: Entertainments-Grandchamps, Mlle Auretti, Matthews, Mrs Addison

Event Comment: Benefit for ye Author put up by the Prince's Command but he did not come--ye Author [Aron Hill] dy'd on Wed last (Cross). Tickets to be had of Mr Miller over against Catherine St. in Strand. [For a short account of Hill, his death, his work, See Genest, IV, 295.] Payment this night to Norton #1 10s. for 2 chorus last night and 4 this. (Treasurer's Book). Receipts: #170 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Merope

Ballet: SSavoyard Travellers. As17500126

Event Comment: Benefit for ye encrease of a fund for ye support of a publick Charity [Lock Hospital] (Cross(. Rec'd cash #76 17s. 6d., plus #123 16s. from tickets; Total #200 13s. 6d. Paid Moor for pair breeches for Garrick #1 5s.; Paid 1 year's subscription to H. Park Hospital #10 10s.; To Garrick by George Garrick #7 10s.; Paid King playing S. Doctor #1 1s. by order of Lacy (Treasurer's Book). Last time of performing till the Holidays. Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Cast
Role: Castalio Actor: Barry

Afterpiece Title: Miss in Her Teens

Dance: Grandchamps, Mlle Auretti

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Ranger

Song: IV: Mattocks

Event Comment: Benefit for Ross. Mr Ross did Romeo & spoke an Elogium upon Shakespear in ye form of ye Monument in the Abby (Cross). Last time of performing the mainpiece this season. Nothing under full prices. After the play an Elogium wrote by Dryden, concluding with Milton's Epitaph to the Memory of Shakespeare, spoken by Ross representing the Shade of Shakespeare as figured on his monument in Westminster Abbey. Receipts: #200 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: Both pieces by Command of The Prince of Wales. A new Scene was introduc'd of Beasts in Mr Rich's Entertainment as an Ostrich a Lyon, Dog, Monkey, 2 small Ostrichs & A Figure like Maddox upon ye Wire & writ up ye new Company of Comedians Hiss'd a good Deal (Cross). [See cg 2 Nov.] Receipts: #190 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Harlequin Ranger

Dance: II: Le Matelot Basque, as17521005; IV: L'Entree de Flore-Mad Auretti

Event Comment: A great Noise when they appear'd occasion'd, I believe, by a Paragraph in the Papers, saying, a piece of Machinery, of Fountain will soon come out at Covent Garden--so it was concluded we had stole ye design from Mr Rich--but not true, for they were design'd & made by Mr Johnson Property maker to our House--during ye Storm one Mr Bramstone, being Drunk ran cross the stage twice--fell down, & was taken off, like a dead Hero.--however the Pantomine ended quiet (Cross). Receipts: #120 (Cross). [See note to cg 13 Jan. 1753.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Ranger

Dance: I: Le Matelot Basque, as17521005

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Chaplet

Cast
Role: Pastora Actor: Mrs Clive

Dance: Mlle Auretti