SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 4 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso 0 Grand Selection 0

Afterpiece Title: LAllegro ed il Pensieroso 1

Afterpiece Title: LAllegro ed il Pensieroso 2

Afterpiece Title: Grand Miscellaneous Act

Event Comment: [In afterpiece the playbill retains Courtney, but "Oscar and Malvina, May 31, went off remarkably well, though Courtney, the piper, was not present. Weippert, with his harp, undertook the whole piece by himself, with wonderful execution and taste" (Morning Herald, 2 June).] Receipts: #238 11s. (235.11.6; 2.19.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Music: The Harp and Pipes, as17920125, but _Courtney

Event Comment: In consequence of the sudden Indisposition of Mrs Kemble, Inkle and Yarico [in place of Cross Partners, advertised on playbill of 31 Aug.] is obliged to be postponed. [In mainpiece the playbill retains Palmer Jun. as the Officer, but "An apology was made by Palmer for his Son who (as he said), not knowing of the sudden change [of play], was gone to the country, but the son thought proper to give his father the lie, by appearing in the boxes, a few minutes after, with a girl. Farley performed his part, and the audience seemed rejoiced at the change" (Thespian Magazine, Oct. 1792, p.102). Afterpiece in place of Katharine and Petruchio, advertised on playbill of 31 Aug.

Performances

Mainpiece Title: The Surrender Of Calais

Cast
Role: Project Actor: Bannister Jun.
Role: Man in the Pit Actor:

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Music: As17930220

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: Entirely selected from L'Allegro ed il Penseroso; First Grand Concerto-; Come thou goddess-Incledon; Come and trip it as you go-Miss Sharp, Chorus; Haste thee nymph-Incledon, Chorus; First and chief, Sweet bird-Mrs Crouch; accompanied on the violin-G. Ashley; Mirth admit me of thy crew-Bartleman; with corno obligato-Leander; Oft on a plat-Incledon; If I give thee honour due-Kelly; Let me wander not unseen, Let the merry bells-Mrs Crouch; And young and old-Chorus.

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Relief of Williamstadt

Performance Comment: See17930410.

Afterpiece Title: The Lying Valet

Dance: End: The Bouquet-Byrn, Mme Rossi

Song: III: a song in character-Mrs Clendining

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Cast
Role: Vocal Parts Actor: Incledon, Darley, Gray, Linton, Mrs Clendining
Role: Mariners Actor: Gray, Linton, Street
Role: Guide Actor: Linton

Afterpiece Title: A Divertisement

Music: End I 3rd piece: a sonata from Op. 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old

Entertainment: Monologue. As17930410

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Sailors Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining

Event Comment: Powell: In Consequence of Palmer not coming in time to the Theatre, the Audience were kept in waiting and the Play, which was ordered by Mr Sheridan to begin 5 minutes before the usual time [6:30], could not be begun till within Ten minutes of Seven o'Clock. Benson being lame Fisher went on as Casimir and Caulfield doubled the Part with his own. Roman Actor read at 10 [this Play not acted this season; see Powell, 18 Oct.]; Douglas rehearsed at 12 (for Mrs Siddons and Palmer). Receipts: #412 16s. (325.17.6; 80.18.6; 6.0.0)

Performances

Mainpiece Title: The Jew

Cast
Role: Sheva Actor: Bannister Jun.

Afterpiece Title: Lodoiska

Performance Comment: As17940927, but Casimir [omitted in playbill, but see below]-Fisher; Stanislaus-_.
Cast
Role: see below] Actor: Fisher
Role: Kera Khan Actor: Barrymore
Role: Japhis Actor: Bannister

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Dance: In afterpiece: a Ballet-Byrn, Mlle St.Amand, Mme Rossi

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Sailors Festival or All Alive at Portsmouth

Performance Comment: I. Deck Deck of a Man of War. The Mid Watch-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton; Jack at the Windlass-Fawcett; Oh bring me Wine-Bowden; The Good Subjects of England-Incledon, Richardson, Townsend; SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone (in character)-Mrs Martyr; The Storm-Incledon; SCENE III. Irish Song-Johnstone; Treble Hornpipe-Byrn, Holland, Mme Rossi; Rule Britannia-Incledon.

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Dance: In afterpiece: Ballet-Byrn, Mlle St.Amand

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Cast
Role: Solyman Actor: Barrymore

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Event Comment: Benefit for the Widow and Three Orphan Children of the late Mr Benson. [Address by John Taylor, Poems, I, 62.] "Benson [who committed suicide on 19 May] was remarkable for a very retentive memory, which enabled him on the slightest notice to become a substitute for almost any performer who might be suddenly disabled from appearing" (European Magazine, June 1796, p. 397). The house was a very good one, but it has been said that Sheridan went to the Treasury and carried off the money, so that Benson's widow and children never got a sixpence" (Genest, VII, 245). Receipts: #678 10s. 6d. (319.8.0; 66.3.6; 2.19.0; tickets: 276.6.0; odd money: 13.14.0) (charge: #212 15s.)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Sultan

Cast
Role: Solyman Actor: Barrymore

Song: End I: Whither my Love, Ah! Whither art thou fled? (from The Haunted Tower)-Sga Storace; From Shades of Night-Braham; This fond Sorrow-Braham, Sga Storace (both from Mahmoud); End II: the celebrated Harp Song Ah che nel petto io sento, from Idalide,-Mme Mara; In IV: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh

Entertainment: MonologueEnd: a new Occasional Address-Mrs Jordan

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performance Comment: [Not listed on playbill, but in Songs (see below).]

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Song: As17970816

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Murray; King Henry-Hull; Buckingham-Clarke; Stanley-Thompson; Tressel-Wheatley (2nd appearance [see17970925]); Prince Edward-Miss Standen; Duke of York-Master Standen; Lieutenant-Waddy; Catesby-Claremont; Ratcliffe-Abbot; Lord Mayor-Powel; Oxford-Farley; Norfolk-Davenport; Richmond-Pope; Lady Anne-Mrs Litchfield; Duchess of York-Mrs Platt; Queen-Miss Chapman.

Afterpiece Title: A Divertisement

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Maid of the Mill

Afterpiece Title: Englands Glory

Dance: As17971018

Event Comment: 1st piece: Compressed into One short act. Receipts: #165 8s. 6d. (158.3.0; 7.5.6)

Performances

Mainpiece Title: A Divertisement

Performance Comment: As17990327but Let Bards elate-_; Of the ancients its speaking-_; I went to Sea-_; Abergavenny is fine-_; The moment Aurora-_; Dear Mary adieu-_; The Midnight Watch-_; Poor Orra come from distant shore-_; A sailor's life's a life of woe-_; Sure an't the World a Masquerade-_.

Afterpiece Title: The Birth Day

Event Comment: "At a little before nine went to the Opera. Sat in Duchess of Gordon's box. My motive in going having been to join her in hissing a dance, if it had been such as it was before" (Windham, 421)

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: A New Divertisement, as18000204; End Opera: Hyppomene et Atalante, as18000304

Event Comment: "The bombardment of the fortv, at the conclusion of the Opera, went off better than on the preceding night. Of course, the thunder of guns and mortars, with the suffocating smoke, stench and vapour which pervaded every part of the house rouzed the audience from a state of lethargy and torpor...and the curtain dropped with less opposition and reprobation than on the preceding night" (Dramatic Censor, I, 350). Receipts: #342 11s. (267.17.6; 74.4.6; 0.9.0)

Performances

Mainpiece Title: The Egyptian Festival

Cast
Role: Longbow Actor: Bannister Jun.

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Performance Comment: Parts by King, Vernon, Dodd, Love, Aickin, J. Palmer, Johnston, Hartry, Fox, Packer, Moody, Bannister, Parsons, Kear, Strange, Mrs Bradshaw, Mrs Arne, Mrs Love, Miss Pope, Mrs Clive; With a Prologue-; Address to the Town by the way of Epilogue-; Glib-King; Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Wilson-J. Palmer; Mervin-Aickin; Patent-Packer; Hopkins the Prompter-Bannister; Saunders the Carpenter-Moody; Johnston the housekeeper-Johnston; Lady Fuz-Mrs Clive; Miss Fuz-Miss Pope; Sweepers-Mrs Bradshaw, Mrs Love; Characters in the Burletta: Orpheus-Vernon; Old Shepherd-Dodd; Shepherd Chorus-Parsons, Hartry; Rhodope-Mrs Arne (Genest, V, 158).

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Sowdon; Don Juan-Gardner; Sancho-Davis; Cacafogo-Bannister; Alonzo-Casey; Duke-J. Aickin; Copper Captain-Lee (being his first appearance in that character); Old Woman-Mrs Pitt; Clara-Mrs White; Lady-Mrs Jackson; Estifania-Mrs Gardner (1st appearance).
Cast
Role: Cacafogo Actor: Bannister
Role: Old Woman Actor: Mrs Pitt

Afterpiece Title: The Statesman Foild

Performance Comment: Characters-Sowdon, Mahoon, Bannister, Miss Grace, Miss Edwards. Lord Crafty-Sowdon; Meanwell-Mahoon; Worthy-Bannister; Amilia-Miss Edwards; Sally-Miss Groce (Edition of 1768).

Dance: As17680530

Performances

Mainpiece Title: The Orators

Performance Comment: Parts-Foote, Casey, Jacobs, Jackson, Loveman, Davis, Bannister, Castle, Keen, Walker, Pearce, Gardner, Weston.

Afterpiece Title: The Judgment of Paris

Performance Comment: Parts by Mahoon, Bannister, Vandermere, Mrs Barthelemon, Mrs Saunders, Miss Ogilvie, Miss Edwards. Paris-Mahoon; Mercury-Bannister; Palaemon-Vandermere; Oenone-Mrs Barthelemon; Venus-Miss Edwards; Pallas, Discord-Mrs Saunders; Juno-Miss Ogilvie (Edition of 1768).
Cast
Role: Mercury Actor: Bannister
Related Works
Related Work: The Judgment of Paris; or, The Triumph of Beauty Author(s): Seedo

Dance: As17680530

Performances

Mainpiece Title: The Doctor Last In His Chariot

Performance Comment: Parts-Foote, Arthur, Bannister, Sharpless, Weston, Sparks, Davis, Lings, Sowdon, Mrs Jeffries, Miss Ogilvie, Miss Rose, Mrs Gardner. Ailwou'd-Foote; Dr Last-Weston; Friendly-Sowdon; Hargrave-Davis; Wag-Bannister; Mrs Ailwou'd-Mrs Jefferies; Nancy-Miss Ogilvie; Polly-Miss Rose; Prudence-Mrs Gardiner; Prologue written by Garrick-Foote; Epilogue by the author-a five year old girl (Edition of 1769).

Afterpiece Title: The Captive

Performance Comment: Parts by Bannister, DuBellamy, Arthur, Mrs Jewell. Prologue-Foote; Epilogue-Miss Rose, her first appearance on any stage; The Cadi-Bannister; Ferdinand-DuBellamy; Fatima-Mrs Arthur; Zorayda-Mrs Jewel (Edition of 1769).
Cast
Role: The Cadi Actor: Bannister

Dance: As17690515