Event Comment: Written by Dryden and Lee. Receipts: #45 3s. 6d

Event Comment: At Common Prices. Written by Dryden and Lee. Receipts: #41 14s. [For a discussion of the recent revival of The Rival SLueens, see Prompter, 11 Nov.]

Event Comment: Written by Dryden and Lee. Receipts: #33 0s. 6d

Event Comment: Not Acted [there] these Twenty-Five Years. Written by Mr Lee. All the Principal Characters New Dress'd. And proper Musick, Scenes, and Decorations. Admission: 5s., 3s., 2s., 1s. [For a discussion of theatrical affairs, see Daily Journal, 22 Nov.

Event Comment: Mainpiece: Written by Mr Lee

Event Comment: Mainpiece: Written by Mr Lee

Event Comment: Mainpiece: Written by Mr Lee

Event Comment: By particular Desire. Mainpiece: Written by Mr Lee

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Mr Lee

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Nat. Lee

Event Comment: Written by Dryden and Lee. [With new machinery.

Event Comment: Not acted in 12 Years. [See the Dryden-Lee text, and 15 Jan. 1740.

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Event Comment: Mainpiece [1st time; C 5, by Sophia Lee, based partly on Le Pere De Famille, by Denis Diderot. Prologue by George Colman elder (see text)]. Public Advertiser, 14 Sept. 1780: This Day is published The Chapter of Accidents (1s. 6d.)

Event Comment: Mainpiece [1st time; C 5, by Harriet Lee. Prologue by Richard Cumberland (see text). Epilogue by the author (World, 28 Nov.)]: With new Dresses, Decorations, &c. Public Advertiser, 26 Nov. 1787: This Day is published The New Peerage (1s. 6d.). Receipts: #209 4s. (188.1.0; 19.14.6; 1.8.6)

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Event Comment: Benefit for Lee Lewes. Doors open half past 5. To begin at half past 6 o'clock. Afterpiece: Never performed there

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Event Comment: The United Company. The date of the first performance is not known, but it had been acted by the time the January 1692@3 issue of the Gentleman's Journal appeared in March (on page 1 of that issue, the editor states that We are now in March): Mr Southerne's New Comedy, call'd, The Maid's last Prayer, or Any rather than fail, was acted the 3d time this evening, and is to be acted again to morrow. It discovers much knowledge of the Town in its Author; and its Wit and purity of Diction are particularly commended (p. 28). The first song in the play, Tho you make no return to my passion, composed by Henry Purcell, was sung, according to the printed play, by Mrs Hodgson; by Mrs Dyer, according to Thesaurus Musicus, First Book, 1693. The second song, composed by Samuel? Akeroyd, was sung by Mrs Ayliff (Thesaurus Musicus, The First Book, 1693). Another song, No, no, no, no, resistance is but vain, written by Anthony Henley, composed by Henry Purcell, and sung by Mrs Ayliff and Mrs Hodgson, Act IV, is in Purcell's Works, Purcell Society, XX (1916), xiv-xv. A song, Tell me no more I am deceiv'd, written by William Congreve, set by Henry Purcell, and sung by Mrs Ayliff, is in Works, XX (1916), xv-xvi. According to the London Gazette, No. 2852, 9-13 March 1692@3, the play was published "this day" (13 March 1692@3)

Event Comment: Luttrell, A Brief Relation, II, 647: Anthony Lee, the famous comedian, died on Wednesday last

Event Comment: At Mr Penkethman's and Mr Miller's Booth, at the Horns-Inn at Pye Corner, entering into Smithfield. A Celebrated Droll, Shewing the Pomp and Grandeur she lived in King Edward the IVth's Time, and the Misery she fell into upon Richard Duke of Gloucester's being made Protector. How she was oblig'd to do Penance in a white Sheet, carrying a lighted Torch bare Foot thro' the City, and then turn'd out to Starve; as also how she wandering met with her Husband, and the Tragick End of them Both. With the comical and diverting Humours of Sir Anthony Noodle, a foolish Courtier, and his Man Weezel