SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ambrose Philips"/1) | (@(roleclean,performerclean) "Ambrose Philips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1001 matches on Author, 702 matches on Performance Comments, 89 matches on Event Comments, 80 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Midnight Hour

Performance Comment: As17901214, but Matthias-_; Ambrose-_.

Afterpiece Title: The Comedy of Errors

Dance: As17910507

Song: End: Black Eyed Susan-Incledon

Monologue: After Dancing: a Selection of Poetry and Music descriptive of a day. Part I: Morning. Tantivy the welkin resounds (composed by Hook)-Mrs Martyr; PART II: Noon. Thou soft flowing Avon (from Garrick's Ode to Shakespeare)-Incledon; PART III: Evening. Pastoral Duet-Williamson, Mrs Mountain; PART IV: Night. The Soldier's Festival, as 16 May How sleep the brave (composed by Dr Cooke)-Incledon, Williamson, Davies, a Young Gentleman; introductory Chorus-Hull; How stands the Glass around-Incledon; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees

Performances

Mainpiece Title: The Beggar's

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose

Performance Comment: Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose .
Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Performances

Mainpiece Title: Catiline

Performances

Mainpiece Title: The Spanish Rogue

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: [By Edward Philips.] A Comedy (of one Act), Intermix'd with Songs made to old Ballad Tunes. Benefit the Author

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Chambermaid

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Event Comment: Benefit for the Poor by Mr Philips Company of Comedians. At the Playhouse by the Hand. Deferr'd from the 30th (Daily Advertiser)

Performances

Mainpiece Title: The Beaux Stratagem

Event Comment: At the Old Playhouse, Bowling Green, Southwark. By Particular Desire. By Mr Philips and his Company, a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. After the concert will be given, gratis,...To begin at 7 p.m. [Repeated in the bills.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: [The Young Gentlewoman possibly Miss Pond. See 19 Dec., but she was listed as for her second appearance on stage. Possibly Miss Philips. See 5 Feb. 1756.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Lying Valet

Dance: As17551114

Event Comment: PPrince of Wales & 4 (Cross). By Command of Prince of Wales. This day is publish'd Belisarius: A Tragedy, written by Mr Philips, to which is prefixed some account of the life of Belasarius. Printed for J. Staples, opposite Stationer's Hall. Neatly printed. Price 1s. (Public Advertiser). Receipts: #200. (Cross)

Performances

Mainpiece Title: Zara

Ballet: TThe Prussian Camp. As17571223

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: Miss in Her Teens

Song: Song in Praise of the King of Prussia-Kear

Dance: RRural Courtship, The Wooden Shoes-Master Settree, Miss Twist

Event Comment: Benefit for J. Philips and Master Tariot. By particular Desire of several Persons of Distinction

Performances

Mainpiece Title: A Concert

Afterpiece Title: Harlequin Hussar

Dance: Several new dances-Master Tariot, Miss Polly Capitaniboth from the Opera House, Tariot, Balthazar, Petre, Hussey, Mrs Garman, Mrs Tariot, the Misses Twist

Entertainment: By particular desire (this night only) Saunders will exhibit a great variety of new equilibres on the wire in full swing-Saunders never attempted before. The last time of his performing in the metropolis

Event Comment: Benefit for Bransby and Philips. No Building on Stage, &c

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Beggar's Wedding

Event Comment: Benefit for the Middlesex Hospital. House Charges #84. [Profit to Hospital #10 11s. The Treasurer's Book does not break down charges as minutely as does the Covent Garden Account Book. They are lump sum affairs. Nor does Victor include ticket receipt analysis.] Paid George Garrick for use of the managers #169; B. Johnson's Head Bill #1 11s. 9d. Philips for men's cloaths #10 10s.; Costain for old point lace #1 15s. (Treasurer's Book). Receipts: #94 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Old Maid

Dance: II: The Vintage, as17661011

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Comus

Monologue: Before: By Particular Desire, the eleventh night, New Occasional Prelude. Characters first listed: Manager-Dyer; Author-Kniveton; Young Actress-Miss Basanti; See 21 Sept.

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Performances

Mainpiece Title: Tancred And Sigismunda

Cast
Role: Laura Actor: Miss Ambrose

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp