Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
14707 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. Bannister
We found 9758 matches on Event Comments, 4881 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.

10201
09 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 10 March: Last Night the Representation of the Rehearsal of Kings was disappointed by some Persons taking clandestinely Possession of the Hay-Market Playhouse, who were about Eight o'Clock committed to Bridewell for the same. On this Account several hundred Persons were turn'd away. We are assur'd that the Publick may depend on the aforesaid Play's being acted, as writ, Tomorrow

Performances

10202
10 March 1737 @ Drury Lane Theatre

Event Comment: Benefit Quin. By Command of their Royal Highnesses the Prince and Princess of Wales. Written by Shakespear. [Tickets at Quin's Lodgings, King's Street, cg. For a long account of the disturbance at dl, 5 Aarch, see Daily Advertiser, 10 March, and for a letter on theatrical affairs, see Grub St. Journal, 10 March.] Daily Gazetteer, 12 March: On Thursday Night last a Footman, who was keeping Places at [dl] upon the Stage behind the Curtain, hearing some Gentlemen who were in the Pit, call to some Footmen who were in the Boxes to take off their Hats, leapt from his Seat, and opening the Curtain, cry'd out with a loud Voice, bidding the said Footmen keep on their Hats

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Quin; Angelo-Milward; Escalus-Berry; Claudio-Mills; Lucio-Cibber; Provost-Shepard; Clown-Miller; Elbow-Harper; Bernardine-Ray; Mariana-Miss Holiday; Isabella-Mrs Cibber.
Cast
Role: Mariana Actor: Miss Holiday

Dance: II: Turkish Dance-Muilment, Villeneuve, Livier; IV: Russian Sailor-Denoyer

10203
11 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 11 March: We hear the Rehearsal of Kings, intended to have been acted as this Day...is put off, by an unforeseen Accident, 'till Monday next

Performances

10204
12 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Performance Comment: (London Daily Post and General Advertiser missing), but See17370303.

10205
15 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Performance Comment: (London Daily Post and General Advertiser missing), but See17370303.

Afterpiece Title: The Honest Yorkshireman

10206
20 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Tender Husband

Performance Comment: (London Daily Post and General Advertiser missing).

Afterpiece Title: Hymens Triumph

10207
22 April 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: (London Daily Post and General Advertiser missing), bUt see17370322.

Afterpiece Title: The Fall of Phaeton

Performance Comment: See17370412 but Daily Advertiser adds a Grand Ballet of Sailors-Mlle Roland.
Cast
Role: 7370412 but Daily Advertiser adds a Gran Actor: Mlle Roland.

Dance:

10208
22 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Busy Body

Performance Comment: (London Daily Post and General Advertiser missing), but see17361203.

Afterpiece Title: The Madhouse

10209
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

10210
10 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Dealer

Performance Comment: London Daily Post and General Advertiser missing), but see17361106.

Afterpiece Title: The What Dye Call It

10211
10 May 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 11 May: Yesterday there was a publick Rehearsal of...the Dragon of Wantley, now getting up...to a numerous and polite Company, who express'd uncommon Satisfaction at the Music and Performers

Performances

Mainpiece Title: The Dragon Of Wantley

10212
12 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Performance Comment: (London Daily Post and General Advertiser missing), but See17370219.

Afterpiece Title: The Devil to Pay

10213
12 May 1737 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Lawyer

Performance Comment: As17370310(cast from London Daily Post and General Advertiser, 11 May).

Dance: I: Serious Dance, with Minuet-Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Peasant-Lalauze, Desse, Dupre, Richardson, Baudouin, Mrs Moreau, Mrs Delorme, Miss Norman, Mrs Ogden; V: Nivelon, Misses Scott

Song: II: A Song originally Designed for the play by Sir Richard Steele, -Beard; III: Leveridge; V: Roberts

10214
17 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Performance Comment: (London Daily Post and General Advertiser missing), but See17370219.

Afterpiece Title: The Eunuch or The Darby Captain

10215
17 May 1737 @ Lincoln's Inn Fields

Event Comment: Benefit Penkethman. At the Desire of several Persons of Distinction. [This bill from London Daily Post and General Advertiser, 16 May.

Performances

Mainpiece Title: The Wifes Relief

Afterpiece Title: The Lovers Opera

Song: II: A Purcell Dialogue-Masters Hamilton; III: The Early Horn Salutes the Morn-Miss Jones

Dance: V: Clown-Vallois

10216
23 May 1737 @ Haymarket Theatre

Event Comment: Benefit Mrs Haywood the Muse, Author of Love in Excess, and many other entertaining Pieces. 6:30 p.m. Daily Advertiser, 23 May: We hear that her Grace the Dutchess Dowager of Marlborough will be at the Theatre in the Hay-Market this Night

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hissd

10217
06 June 1737 @ no theater listed

Event Comment: DDaily Advertiser, 7 June: Yesterday the Bill...for the better regulating Common Players and Players of Interludes, pass'd the House of Lords on the third Reading. [See also an essay in Daily Gazetteer, 6 June.

Performances

10218
20 September 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Dryden. Egerton 2320: Receipts: #80. [For a poem on Mrs Roberts' acting the Queen, see London Daily Post and General Advertiser, 26 Sept.

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: The Contrivances

Dance: new Grand Ballet called% The Peasants- Muilment

10219
04 October 1737 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Performance Comment: (London Daily Post and General Advertiser missing).

Afterpiece Title: Harlequin Doctor Faustus

10220
05 November 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Performance Comment: (London Daily Post and General Advertiser missing) See17371104.

Afterpiece Title: Damon and Phillida

10221
17 January 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: (London Daily Post and General Advertiser missing), but see17380114.

10222
18 January 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: (London Daily Post and General Advertiser missing) See17380114.

Afterpiece Title: The King and the Miller of Mansfield

10223
31 January 1738 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Daily Advertiser, 30 Jan.: In the...London Evening Post of last Saturday, there is a Remark, that the first Comedy and first Farce perform'd under the Act for Licensing Plays, were both damn'd by the Town on Account of the said Act.--Believe it not:--To do the Devil Justice, they were both damn'd because they Both were Most Damnable Things, and on no other Account whatsoever. Yours, Tomo Chachi

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Grand Volgi

Music: Vocal Parts-Beard, Mrs Clive

10224
10 February 1738 @ Covent Garden

Event Comment: Mainpiece: Written by Shakespear. [See London Daily Post and General Advertiser, 10 Feb., for a Prologue Occasioned by the Encouragement several Ladies of Quality have lately given to the Revival of Shakespear's Plays at Covent Garden Theatre.

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

10225
21 February 1738 @ Drury Lane Theatre

Event Comment: DDaily Advertiser, 22 Feb.: Since my distant Relation Tomo Chachi was pleas'd, through your Means, to give his Reason for the Town's Condemnation of the Two first licensed Dramatick Performances since the new Act,-I desire to have his Opinion concerning the Fate of the Third-call'd Art and Nature:-I presume he cannot assign for Cause what he did before, for that this Piece did not receive the Indulgence of being heard at all....Adomo Tomo

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Grand Ballet-Muilment, Mrs Walter; III: Drunken Peasant-Philips; V: Polonese-Haughton, Mrs Walter