SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9752 matches on Event Comments, 4880 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Event Comment: Benefit for Mrs Pope. Public Advertiser, 22 Mar.: Tickets to be had of Mrs Pope at her house in Half Moon-street, Piccadilly. Receipts: #306 12s. (190.13.6; 10.0.6; tickets: 105.18.0)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: High Life below Stairs

Performance Comment: Duke's Servant (for that night only)-Lewis; Lovell-Munden; Sir Harry's Servant (with a Mock Minuet)-Blanchard; Philip-Wilson; Freeman-Macready; Tom-Cubitt; Robert-Thompson; Coachman-[C.] Powell; Kingston-Cross; Lady Charlotte-Miss Stuart; Cook-Mrs Davenett; Lady Bab-Mrs Rock; Kitty (with a song and mock Minuet, for that night only)-Mrs Pope.

Dance: As17901204

Event Comment: Comedy not performed in 2 years (Winston MS 8). [See 4 May 1751. No Public Advertiser this day.] Receipts: #200 [Cross)

Performances

Mainpiece Title: The Busy Body

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Genii

Performance Comment: As17530101 [No Public Advertiser this day.]
Event Comment: [No Public Advertiser this day.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Apollo and Daphne

Event Comment: [No Public Advertiser this day.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Skeleton

Event Comment: As frequenters of the Theatre have often complained of the interruptions in the performances occasioned by a crowded stage at the Benefits-the Performers will have no building on the stage, nor take any money behind the scenes being willing to forego that advantage, for the sake of renderin the representations more agreeable to the Publick [a front-page notice for Drury Lane Theatre in the Public Advertiser this day]

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Witches

Event Comment: [The words of The Pastoral Dialogue as sung by Beard and Miss Hallam are printed in the Public Advertiser this day.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: [The Public Advertiser this day contains a long letter from G. F. Theatricus extolling the virtues of Powell, Holland, Yates and Mrs Yates as actors capable of filling the shoes of Garrick and Mrs Cibber, especially with reference to their performance in the Clandestine Marriage, but calling attention also to their excellencies in other parts.

Performances

Mainpiece Title: The Clandestine Marriage

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

Event Comment: The Tragedy of Tamerlane intended for this day and Saturday cannot be acted, on account of the Indisposition of a principal performer. Receipts: #157 12s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: King Henry-Smith; Canterbury-Gardner; Exeter-Hull; Gower-DuBellamy; MacMorris-Barrington; Bardolph-Morgan; Boy-Miss Valois; French Soldier-Holtom; Westmorland-Lewis; Gloucester-Lewes; Bedford-R. Smith; Fluellin-Shuter; Pistol-Hamilton[, 1st appearance that stage]; Williams-Morris; Jamy-Dunstall; King of France-Gibson; Dauphin-Davis; Constable-Clarke; Burgundy-Perry; Isabel-Mrs Vincent [Mrs Stephens, Public Advertiser]; Hostess-Mrs Pitt; Catherine-Mrs Mattocks.

Afterpiece Title: The Coronation

Event Comment: [Before the performance this evening Macklin came to the audience in person with a sheaf of newsclippings in his hand and belabored his detractors, falsely accusing Reddish and Sparks from Drury Lane as leading a planned coalition against him. The play went on with applause, but affidavits sworn under oath by both Sparks and Reddish the following day, brought the dispute to such a head in the newspaper that a riot occured the night of 18 Nov., when Macklin did Shylock (since Colman would not risk Macbeth after 13 Nov.) and announcement was made by Colman that Macklin had been dismissed. See 23 Oct.] Receipts: #152 11s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Upholsterer

Performance Comment: As17731001, but Harriet-Miss Valois (playbill); Harriet-$Mrs Baker (Public Advertiser).
Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Performance Comment: As17750123, but Thessalus-Whitefield; Perdicas-_ (playbil); Public Advertiser lists Thessalus-$Thompson; Perdiccas-$Whitefield.

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007

Event Comment: Mainpiece: Never performed here. [Afterpiece in place of Tom Thumb, announced on playbill of 28 Nov. Address, probably written by Mrs Abington, printed in Public Advertiser, 9 Dec] Receipts: #274 19s. 6d. (271/5/0; 3/14/6)

Performances

Mainpiece Title: The Discovery

Performance Comment: Sir Anthony Branville-Henderson; Lord Medway-Aickin; Colonel Medway-Wroughton; Servants-Helme, Ledger; Sir Harry Flutter-Lewis; Mrs Richley [in subsequent bills called Mrs Knightly]-Mrs Mattocks; Lady Medway-Mrs Hopkins (of DL); Miss Richley-Miss Satchell; Louisa-Miss Morris; Lady Flutter-Mrs Abington (1st appearance at this Theatre). End of Act I an Occasional Address spoken by Mrs Abington .

Afterpiece Title: St

Performance Comment: Patrick's Day. As17821025.

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Performance Comment: Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy .
Event Comment: At the Little Theatre in James Street near the Haymarket. Doors to be opened at 5:00. To begin exactly at 6:00. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. to the public. After several of our Lords and Masters, the Men, have with various success made wry faces for the amusement of the town; permit a woman to attempt the arduous task of laughing the men out of their follies; declaring, however, that while she attempts the ridicule of vices peculiar to the other sex, she will by no means spare the slightest foible of her own (Public Advertiser). The Theatre is fitted up in an elegant manner, and constant fires are kept to make the house agreeably warm (Gazetteer & New Daily Advertiser). [This Lecture continued to 6 March.

Performances

Mainpiece Title: Lecture On Heads

Performance Comment: Delivered by a Young Lady who never appeared in Public.
Event Comment: MMrs Bellamy thinks it her duty to inform the Public, that, as her name is in the Bills, (Though the Managers have sent her word she was not to play) she should think herself wanting of that Gratitude she owes the Public, if she did not let them know, she is ready to perform Cordelia. [Pasted in playbills of dl 1766-67 at 19 Jan. See Mrs Bellamy's Apology (1785) IV, 145-47, where she notes that although Miss Wilford made her entrance the audience forced her to withdraw and Mrs Bellamy acted the entire part.] Receipts: #221 3s. 6d. (Account Book)

Performances

Mainpiece Title: King Lear

Performance Comment: As17661119, but Cordelia-Mrs Bellamy; Burgundy-Bennet (playbill). [Public Advertiser assigns Cordelia to Miss Wilford.]Public Advertiser assigns Cordelia to Miss Wilford.]

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece by Command. Mrs Jefferson made her first appearance upon this Stage in Miss Grantham a Small figure not Handsome no Spirit & not at all like the Character. Some applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Masque of Alfred oblig'd to be deferr'd till Saturday next. Paid Mr Nicoll for lines #10 (Treasurer's Book). Receipts: #230 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Lyar

Performance Comment: Old Wilding-Bannister; Papilion-Parsons; Sir James Eliot-J. Aickin; Young Wilding-Palmer; Miss Godfrey-Miss Platt; Kitty-Mrs Millidge; Miss Grantham-Mrs Jefferson, first appearance on this stage.

Dance: End: The Mountaineers, as17730930

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.

Dance: I: The Grand Provencalle Dance, as17750202

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.
Cast
Role: Druid Actor: Bannister

Afterpiece Title: The Lyar

Event Comment: Mainpiece: By Particular Desire. Paid Dunstall the Balance due of the Benefit for Theatrical Fund, the 20th Inst. #101 17s. 6d. (Account Book). Receipts: #198 17s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17681017, but Witches-Quick, _Dunstall; +Dance of the Furies-Arnauld (playbill); -Fischar (Public Advertiser).

Afterpiece Title: The Upholsterer

Event Comment: Mainpiece: By Desire. Paid one year's Assurance on #5000 in the Royal Exchange Assurance Office to 31 March 1773, #12 10s. (Account Book). Receipts: #116 5s. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mother Shipton

Performance Comment: As17720316 Lewes confirmed by Public Advertiser.
Event Comment: Benefit for Mrs Smith, Mainpiece: By Particular Desire. [The change in benefit piece from Cymbeline and the Wish remains unexplained. (See 22 and 27 April.) Larpent MS 387 is the Wish, scene a Sultan's Gardenv. Parts: Ammath; Nourjahad; Mandana; Zelia and Sanbeg. It seems never to have been performed.] Paid licenses for Bob Ton & Inflexible Captive, & Book #4 5s. 6d. Receipts: #119 1s. Charges: #67 12s. Profits to Mrs Smith: #51 9s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Hawthorne Actor: Bannister

Afterpiece Title: The Deserter

Performance Comment: As17750418 but Simkin-Dibdin (playbill); Soldiers-Griffiths; +Simkin-$Fawcett (Public Advertiser).
Cast
Role: John Actor: Bannister
Role: Parts Actor:
Role: Prompter Actor: Ackman
Role: Russett Actor: Bannister

Dance: II: The Pirates, as17750422

Event Comment: Mrs Yates imperfect in Violante . House (Hopkins Diary). Paid half yrs. poor's rate #2 13s. 4d. Receipts: #260 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Performance Comment: As17760510, but Robin-Dodd; the Original Song-_ (playbill). [The Public Advertiser lists Robin -Fawcett.]
Event Comment: Afterpiece: The Scenery designed by De Loutherbourg, and executed under his direction. Paid Properties #6 1s. 5d. Receipts: #177 11s. 6d. (133/14/0; 43/17/6; 0/0)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Performance Comment: Principal Characters by Wright, Suett, R. Palmer, Phillimore, Holcroft, Grimaldi; Miss Collett. [Partial cast from Public Advertiser, 31 Jan. 1781: Harlequin-Wright; Colombine-Miss Collett. For complete list of parts sec DL, 26 Dec. 1796.] hathi. hathi.

Dance: Afterpiece: To conclude with a Dance by Henry, Miss Armstrong, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.] hathi.