SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Billington. Mainpiece: 1st time at this Theatre [1st performed at Smock Alley Theatre, Dublin, 3 Jan. 1784]. The Music by Gluck [whose opera this actually was, with additions by] Handel, Bach, Sacchini, Reeve, and Mazzinghi. With an entire new Overture composed by Gyrowetz. In II Weichsel will accompany an obligato song on the violin. Dances by Byrne and Mlle St.Amand. With new Scenery, Dresses, and Decorations. Afterpiece: Not acted these 2 years [acted 27 May 1791]. Morning Herald, 9 Feb.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #371 15s. (257.18.6; 8.15.6; tickets: 105.1.0) (charge: #105)

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: Rosina

Performance Comment: Belville-Johnstone; Captain Belville-Marshall [Public Advertiser: Cubitt]; William-Blanchard; Rustic-Davies; Irish Haymaker-Rock; Phoebe-Mrs Martyr; Dorcas-Mrs Pitt; Rosina-Mrs Billington.

Song: Sweet Bird(by Handel)-Mrs Billington; accompanied on the violin-Weichsel

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 3 years [acted 13 May 1790]. Public Advertiser, 28 Apr.: Tickets to be had of Mrs Billington, No. 53, Poland-street, Oxford-road. Receipts: #320 4s. 6d. (205.14.6; 3.10.0; tickets: 111.0.0) (charge: #105)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Deserter

Song: In: an additional Obligato Bravura Song (composed by Sacchini,)-Mrs Billington; accompanied on the violin-Weichsel; the favorite Rondo, Se Ti Perdo (composed by Guglielmi)-Mrs Billington (as introduced in The Woodman)

Music: End II: a concerto on the Grand Piano Forte-Mrs Billington

Event Comment: Tickets delivered for this Evening [Account-Book: by Andrews, Calkin, Chatterley, Dangerfield, Edwards, Gardiner, Gilles, Henderson, Humphreys, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson] will be admitted. Receipts: #57 15s. 6d. (36.14.6; 17.14.0; 3.7.0; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Barrymore; Archer-Palmer; Sullen-Phillimore; Sir Charles Freeman-Benson; Foigard-Moody; Gibbet-Suett; Hounslow-Maddocks [Public Advertiser: Alfred]; Bagshot-Webb; Boniface-Aickin; Scrub-Dodd; Lady Bountiful-Mrs Booth; Dorinda-Miss Heard; Mrs Sullen-Mrs Goodall; Gipsey-Miss Tidswell; Cherry-Miss Collins.

Afterpiece Title: The Englishman in Paris

Dance: As17920613

Event Comment: Benefit for Bannister Jun. Public Advertiser, 18 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Agreeable Surprise

Event Comment: Benefit for Bannister. [Author of Address unknown.] Public Advertiser, 21 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Peeping Tom

Performance Comment: Earl of Mercia-Cubitt; Mayor of Coventry-Wilson; Harold-Davies; Count Louis-Bland; Peeping Tom-Bannister Jun. (1st appearance in this opera); new song (in character) The little farthing rushlight (Thespian Magazine, Oct. 1792, p. 101)-Bannister Jun.; Crazy-Barrett; Godina-Mrs Cuyler; Emma-Mrs Bannister; Mayoress-Mrs Edwin; Maud-Mrs Kemble.

Afterpiece Title: The Village Lawyer

Song: As17920815

Entertainment: Monologue End 2nd piece: New Occasional Address-Mrs Kemble

Event Comment: Benefit for Jewell, treasurer. Public Advertiser, 3 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing Cross

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: Fontainbleau

Performance Comment: Lackland-Lewis; Lepoche-Quick; Squire Tally@ho-Blanchard; Sir John Bull-Wilson; Lord Winlove-Incledon; Col. Epaulette-Marshall; Henry-Johnstone; Celia-Miss Broadhurst; Rosa-Mrs Blanchard; Lady Bull-Mrs Webb; Mrs Casey-Mrs Harlowe [Public Advertiser: Mrs Cross]; Nannette-Miss Stuart; Miss Dolly Bull-Mrs Mattocks.

Afterpiece Title: The Sultan

Dance: Afterpiece conclude: Dance-

Event Comment: Mainpiece: In Four Acts. The Music by Dr Arne and Giardini. Books of the Lyric Part of the Drama to be had at the Theatre. [Mrs Pollock is identified in European Magazine, Dec. 1792, p. 456. "Candour and impartiality compel us to advise this lady to desist from a pursuit that affords her not the most distant prospect of success. She is deficient in every dramatic requisite, her person alone excepted" (Morning Herald, 26 Nov.).] Receipts: #182 0s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Animal Magnetism

Performance Comment: Doctor-Quick; La Fleur-Blanchard; Marquis D'Lancy-Macready; Jeff'ry-Cross; Picard-Rock [Public Advertiser: Blurton]; Constance-Mrs Wells; Lisette-Mrs Mattocks.

Dance: End: A New Divertisement-Byrn, Holland, Mme Rossi

Song: In: the Principal Vocal Parts-Miss Broadhurst, Mrs Blanchard, Miss Barnett, Mrs Martyr

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Rosina

Performance Comment: Belville-Johnstone; Captain Belville-Marshall; William-Blanchard; Rustic-Davies; Irish Haymaker-Rees [Public Advertiser: Rock]; Phoebe-Mrs Martyr; Dorcas-Mrs Powell; Rosina (1st time)-Mrs Clendining.

Performances

Mainpiece Title: At King's Jane Shore

Performance Comment: Duke of Gloster-Aickin; Lord Hastings-Kemble; Catesby-Phillimore; Sir Richard Ratcliffe-Benson; Belmour-Packer [Public Advertiser: R. Palmer]; Dumont-Bensley; Derby-Maddocks; Alicia-Mrs Powell; Jane Shore-Mrs Siddons.

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: At Hay King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gentleman Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Burton [Public Advertiser: Hollingsworth]; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: At Hay Coriolanus

Performance Comment: Caius Marcius Coriolanus-Kemble; Attius Tullus Aufidius-Wroughton; Menenius Agrippa-Baddeley; Cominius-Aickin; Sicinius Velutus-Barrymore; Junius Brutus-Whitfield; Volusius-Benson; Young Marcius-Master Chatterley; Roman Officer-Caulfield; Volscian Officer-Phillimore [Public Advertiser: Alfred]; Citizens-Suett, Burton, Fawcett, Maddocks; Volumnia-Mrs Siddons; Virgilia-Mrs Powell; Valeria-Mrs Ward; Gentlewoman-Miss Tidswell.

Afterpiece Title: The Divorce

Related Works
Related Work: The Divorce Author(s): Isaac Jackman
Event Comment: Afterpiece [1st time; Ball. P 2(?), by James Byrn. Not in Larpent MS; not published. Synopsis of action in Public Advertiser, 11 Mar.]: The Music selected from Shield, Haydn, Dibdin, Pleyel, Reeve, and other eminent Composers. The Pantomime composed by Byrn. The Scenery entirely new, by Hodgins, Pugh, Walmsley. With new Dresses and other Decorations. Receipts: #250 12s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor; or, The Creolian Insurrection

Performances

Mainpiece Title: At King's The Confederacy

Performance Comment: Gripe-Moody; Money@trap-Waldron [Public Advertiser: Parsons]; Dick-Palmer; Brass-King; Clip-Benson; Jessamin-Burton; Clarissa-Miss Farren; Araminta-Mrs Ward; Corinna-Mrs Jordan; Flippanta-Miss Pope; Mrs Amlet-Mrs Hopkins; Mrs Clogget-Miss Tidswell.

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Event Comment: 1st piece: With Alterations; Not acted these 6 years [acted 18 May 1792]. [The playbill announces this performance as "By Command of Their Majesties," but they, "who had been expected here last night, did not arrive; the indisposition of two of the Princesses having detained them at Windsor" (Morning Herald, 16 Apr.). "After the Relief of Williamstadt [which is not listed on the playbill, but which on 13 Apr. is called '8th Time,' and on 16 Apr. '10th Time'], the Irishman in London...was attempted to be performed; but after many unsuccessful apologies, the piece was not suffered to proceed, and the farce originally intended for representation, The Lying Valet, not without considerable difficulty, many of the performers having quit the theatre, was gone through with, to the gratification of a part of the audience who appeared determined rather to exercise their power than adhere to propriety" (Public Advertiser, 16 Apr.).] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #345 5s

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Lying Valet

Dance: End: The Bouquet-Byrn, Mme Rossi

Song: III: a song in character-Mrs Clendining

Event Comment: Benefit for Mme Mara. Public Advertiser 22 Apr.: Tickets to be had of Mme Mara, No. 25, Queen Anne-street, East. Receipts: #216 4s. 6d. (114.17.6; 28.11.0; 2.18.0; tickets: 69.18.0) (charge: #163 17s. 6d.)

Performances

Mainpiece Title: At King's Artaxerxes

Afterpiece Title: The Pannel

Song: the favourite Harp Song-Mme Mara [Ah che nel petto io sento]; accompanied-Meyer Jun

Performances

Mainpiece Title: The Rivals

Performance Comment: Sir Anthony Absolute-King; Captain Absolute-Palmer; Faulkland-Kemble; Acres-Dodd; Sir Lucius O'Trigger-Moody; Fag-R. Palmer; David-Hollingsworth [Public Advertiser: Baddeley]; Coachman-Phillimore; Mrs Malaprop-Mrs Hopkins; Lydia Languish-Mrs Jordan; Julia-Miss Farren; Lucy-Mrs Williames.

Afterpiece Title: Don Juan

Dance: As17931026

Event Comment: Mainpicce: Not acted these 5 years [acted 19 May 1792). Afterpiece: Not acted these 3 years [acted 24 Apr. 1792). "When next [Miss Jones, who had acted previously at Birmingham, and who is identified in Thespian Magazine, Dec. 1793, p. 359) plays the part she should endeavour to hold her person erect. The crouching attitudes that she adopted in the breeches scenes, took from the captivating impression that her figure might otherwise have produced" (Public Advertiser, 19 Nov.). [Author of Occasional Address unknown.] Receipts: #291 11s. 6d. (287/11/6; 4/0/0)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: MARIAN

Song: In Act II of mainpiece Hark! the Lark at Heaven's Gate sings by Gray, Linton, Miss Barnett, Mrs Mountain; In afterpiece a new Hunting Song, composed by Shield, by Incledon [this song not listed on playbill, but see World, 19 Nov.]

Performance Comment: the Lark at Heaven's Gate sings by Gray, Linton, Miss Barnett, Mrs Mountain; In afterpiece a new Hunting Song, composed by Shield, by Incledon [this song not listed on playbill, but see World, 19 Nov.] .

Monologue: 1793 11 18 Before the mainpiece an Occasional Address by Middleton

Event Comment: [Mainpiece in place of THE DUENNA; afterpiece of THE IRISH MAN IN LONDON, both advertised on playbill of 13 Dec. In mainpiece "Mrs Follett was the Lucinda of the third act, in the room of Mrs Mountain, who was suddenly taken ill towards the close of the second" (Public Advertiser, 16 Dec.).) Receipts: #230 6s. (225/9/6; 4/16/6)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17931121, but Hawthorn (1st time)-Townsend//Lucinda (for 3rd act only)-Mrs Follett .

Afterpiece Title: THE PRISONER AT LARGE

Dance: As17931102

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Event Comment: [As 1st piece Public Advertiser announces ALL IN GOOD HUMOUR.]

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: NO SONG NO SUPPER

Event Comment: Benefit Boman and Rogers. [Barton Booth died on this day.

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-W. Mills; Pierre-Mills; Priuli-Boman; Belvidera-Mrs Horton; Renault-Roberts (Daily Advertiser, 3 May; Daily Post missing). Daily Post missing).

Afterpiece Title: The Devil to Pay

Event Comment: No paper for this day. But all advance notices listed this play and commented that it would be the last time of acting this season

Performances

Mainpiece Title: Don Sebastian

Performance Comment: As17440312(General Advertiser, 29 May).
Event Comment: PPhillips and Hussey's Company. 2s. 6d., 1s. 6d., 6d. [Concert formula used.] To begin at 12 and end at 10 p.m. Mainpiece: [first announced on 26th and 29th as The Careful Father; or, The Extravagant Son. Notice of performance repeated 2,3,6 (but Cushing as Drunken Peasant), 6,7 (but Phillips as Drunken Peasant), 12, 13, 14, and 15 May. Probably acted every day of May Fair.

Performances

Mainpiece Title: The Prodigal Son; With The Comical Humours Of Sir John Oldcastle And A Pert Chambermaid

Performance Comment: Lettice-Mrs Phillips; Drunken Colonel-Phillips (Daily Advertiser, 3 May).

Afterpiece Title: The Harlot's Progress

Dance: NNew Hornpipe, Drunken Peasant-Phillips; Sailor's Dance called the Jovial Crew-Phillips

Song: Grand Chorus in Honor of his Royal Highness the Duke on his brave Defeat of the Rebels-

Event Comment: Benefit Reinhold and Mrs Furnival (General Advertiser). This day agreement was signed between Lacy and Garrick as new partners in the patent for Drury Lane theatre. The total present liabilities of the theatre, including the mortgage to Green and Amber, the mortgage to Hutchinson Meure, with the arrears due to actors and tradesmen, were calculated at about #12,000. It was besides burdened with an annuity to Calthorpe of #300, and another of #500 to Fleetwood. Of this #12,000 Garrick, helped by his friends found eight. Each party was to draw #500 a year as manager, and Garrick was to received besides #500 a year salary for his acting; but was restrained from playing at any other house, except on terms of dividing profits with his fellow manager.--Fitzgerald, Life of Garrick, p. 112

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Dragon of Wantley

Dance: Muilment, the Mechels