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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12591 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

2201
22 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860310but added: Pious orgies [by Miss George (Public Advertiser, 31 Mar.)]; March (Judas Maccabaeus) .

Music: End of Part II concerto, as17860308athi

2202
23 March 1786 @ King's Theatre

Event Comment: Benefit for Vestris. Tickets, 10s. 6d. each, to be had of Vestris, No. 8, Great Suffolk-street, Charing-cross. 2nd ballet: With a great Variety of magnificent Scenery and Decorations executed by Gaetano Marinari. [Synopsis of action in Morning Post, 23 Mar.] "Vestris and Baccelli, tho' incomparable in some parts of the art, are far inferior as actors to Lepicq and Rossi... One evident amendment of the Ballet may be compression and curtailment. As it was, the curtain did not drop till twelve o'clock" (Public Advertiser, 25 Mar.)

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

Performance Comment: , and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi .

2203
28 March 1786 @ King's Theatre

Event Comment: On account of Babbini's Indisposition the Serious Opera [Perseo, announced in Public Advertiser, 27 Mar.] is postponed till Saturday

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: As17860311hroughout

2204
04 April 1786 @ Covent Garden

Event Comment: Benefit for Wroughton. Mainpiece: Not acted these 7 years [not acted since 17 Feb. 1772]. Afterpiece: Not acted these 7 years. [Miss Brunton's 1st appearance as Palmira was at Bath, 24 May 1785.] "By the inattention of those behind the scenes, the interest of the play was three or four times injured and interrupted by persons crossing the stage in sight of the audience" (Public Advertiser, 5 Apr.). Receipts: #228 12s. (164/2; 6/8; tickets: 58/2) (charge: #105)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Two Misers

Dance: AS 12 Nov. I785

2205
19 April 1786 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 8 Apr.: Tickets to be had of Miss Pope, Great Queenstreet, Lincoln's Inn Fields. Receipts: #254 11s. (82/17/0; 18/7/6; 1/2/6; tickets: 152/4/0) (charge: #114 12s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Arthur and Emmeline

2206
22 April 1786 @ King's Theatre

Event Comment: [Opera in place of Didone Abbandonata, announced in Public Advertiser, 21 Apr.]

Performances

Mainpiece Title: Perseo

Dance: As17860406 throughout

2207
03 May 1786 @ Covent Garden

Event Comment: Benefit for Farren. Mainpiece: Not acted these 2 years. Public Advertiser, 14 Apr.: Tickets to be had of Farren at his house, Great Queen-street, Lincoln's Inn Fields. Receipts: #303 14s. 6d. (75/19/0; 7/1/6; tickets: 220/14/0) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Nunnery

Dance: As17860502

2208
04 May 1786 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 2, librettist unknown; a pasticcio]; the Music by Tarchi [who wrote Rubinelli's part, and by Anfossi, Cherubini, Piccinni]. "Rubinelli is a musician of the first class . . . His voice and his science, though both pre-eminent, are never forced forward beyond their proper rank, which, in a musician, is the rank of subserviency to the feelings. The musician that is not felt is no musician" (Public Advertiser, 6 May)

Performances

Mainpiece Title: Virginia

Dance: As17860427 throughout

2209
11 May 1786 @ Covent Garden

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

2210
13 May 1786 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Tom Thumb

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

2211
15 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 1 May: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "In the apparent assumption of madness [and] the express'd weakness and melancholy of the character Kemble is not equalled by any of his predecessors . . . Till [Mrs Siddons] there never was, in sensible discrimination, as there ought to be, the real madness of Ophelia from the feigned distraction of Hamlet. Till then the dignity, the love, even the pathos of the part [were] but poorly, if at all administered" (Public Advertiser, 17 May). Receipts: #326 14s. 6d. (137/3/0; 7/3/6; 0/4/0; tickets: 182/4/0)(charge: #109 16s.)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17851117, but Ophelia (for this night only)-Mrs Siddons .

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Bannister, Williames; Spirit-Barrymore; Brothers-Bannister Jun., R. Palmer; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Mrs Crouch; Sabrina-Mrs Forster; Principal Bacchant-Miss George; The Lady (for this night only)-Mrs Siddons .

2212
16 May 1786 @ King's Theatre

Event Comment: [Opera in place of Virginia, announced in Public Advertiser, 15 May.]

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: As17860429 throughout. [The playbill includes the Sequidilla, as17860427]

2213
18 May 1786 @ King's Theatre

Event Comment: [Opera in place of L'Inglese in Italia, announced in Public Advertiser, 17 May.]

Performances

Mainpiece Title: Virginia

Dance: As17860516 throughout

2214
25 May 1786 @ King's Theatre

Event Comment: Benefit for Babbini. A Serious Opera [1st time; ser 3, by Giovanni de Gamerra]; the Music entirely new by Michele Mortellari. Public Advertiser, 23 May: Tickets to be had of Babbini, No. 17, Great Pulteney-street, Goldensquare

Performances

Mainpiece Title: Armida

Dance: As17860523 throughout

2215
13 June 1786 @ King's Theatre

Event Comment: On account of Mme Mara and Bartolini being taken ill, Virginia [announced in Public Advertiser, 12 June] is unavoidably postponed

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Fete Marine, as17860516; End of Opera Ninette d la Cour, as17860601

2216
24 June 1786 @ King's Theatre

Event Comment: [Opera in place of Armida, announced in Public Advertiser, 23 June.]

Performances

Mainpiece Title: Virginia

Dance: End of Act I Les Amans Surpris, as17860620 End of Opera La Fete Marine, as17860427

2217
25 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil In The Wine-cellar

Afterpiece Title: I'll Tell You What

Afterpiece Title: The Minor

Song: In 1st piece a favourite glee [singers not listed]. imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun

Performance Comment: imitations. In the course of 3rd piece various Imitations [of Edwin, Quick, Macklin, Smith, Lewis, Wroughton, Wood, Davies, Robson, Waldron (Public Advertiser, 26 July)] by Bannister Jun .

2218
12 August 1786 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. MS: Larpent 743; not published; synopsis of plot in Public Advertiser, 14 Aug. The following season reduced to an afterpiece of 2 acts]: With new Scenes, Dresses and Decorations. The Overture, new Airs and Accompaniments by Dr Arnold. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Siege Of Curzola

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Dance: In mainpiece, by Byrn, the two Miss Simonets, Giorgi's Scholars, Master Degville, Miss De Camp. [Included, as here assigned, in all subsequent performances.]

2219
03 October 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Palmer; Grumio-Baddeley; Baptista-Wright; Biondello-R. Palmer; Taylor-Jones; Music@master-Fawcett; Pedro-Phillimore; Hortensio-Wilson; Bianca-Mrs A. Palmer [Public Advertiser: Miss Simson]; Curtis-Mrs Love; Catherine-Mrs Wrighten.

2220
27 October 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron [Public Advertiser: Parsons]; Peter-Burton; Antony-Waldron; Francisco-Wright [but probably Phillimore (see17870608)]; Surgeon-Wrighten; Frederick-Barrymore; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

2221
07 December 1786 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Lewis, but he "having...received a blast in the eye, was rendered incapable of playing Capt. Crevelt last night, and his part was read by Davies" (Public Advertiser, 8 Dec.). Receipts: #215 18s. (210.16.6; 5.1.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: The Girl in Style

Dance: As17861116

2222
18 December 1786 @ Covent Garden

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Barataria

2223
26 January 1787 @ Covent Garden

Event Comment: "Mrs Abington's reconciliation scene was particularly fine-no declamation-no attempt at tragedizing-it...carried the full proof of conviction and repentance" (Public Advertiser, 27 Jan.). Receipts: #238 5s. 6d. (235.4.0; 3.1.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Pope; Manly-Farren; Sir Francis Wronghead-Fearon; Squire Richard-Quick; John Moody-Edwin; Count Basset-Macready; Lady Grace-Mrs Mattocks; Lady Wronghead-Mrs Webb; Miss Jenny-Mrs Brown; Myrtilla-Mrs Lewis; Mrs Motherly-Miss Platt; Trusty-Miss Stuart; Lady Townly-Mrs Abington (1st appearance this season).

Afterpiece Title: Hob in the Well

2224
27 January 1787 @ Covent Garden

Event Comment: Afterpiece [1st time; F 2, By John O'Keeffe. Prologue by George Colman elder (Colman, Prose, III, 276)]. The curtain was obliged to be dropt before the piece was finished, amidst the disapprobation of a very splendid and numerous audience" (Public Advertiser, 29 Jan.). Receipts: #219 6s. 6d. (216.5.0; 3.1.6)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Man Milliner

2225
29 January 1787 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Imogen was at Bath, 15 Apr. 1779]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 13 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "The exact receipts of Mrs Siddons's house on Monday were #332 [actually #335 5s., excluding the 2nd account and after-money], which, with bank notes for side-boxes, and gold tickets through all the boxes, raise the total to about #650 or #700. This benefit is clear of the nightly charges of the house" (Morning Chronicle, 1 Feb.). Receipts. #344 17s. 6d. (161.10.0; 9.11.6; 0.1.0; tickets: 173.15.0) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]