SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A New Comic Opera in 2 acts; The Music by Sacchini. [Opera in place of I Viaggiatori Felici, announced in Public Advertiser, 1 Mar. Nonini, who is unidentified, was from the Opera, Lisbon.] Public Advertiser, 6 Apr.: To the credit of Sacchini, it is the best Burletta extant. It is in all parts excellent . . . while it amuses, it does not fail equally to interest

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: The Temple Beau; Or, The Intriguing Sisters

Performance Comment: Young Wilding-Benson; Sir Avarice Pedant-Barrett; Veromil-Sparks; Valentine-Booth; Pincet-Fellowes; Thomas-Roberts; Taylor-Middleton; Snob-Norris; Young Pedant-Clinch; Sir Harry Wilding-Swords; Lady Lucy Pedant-Miss Fitzherbert; Bellaria-Miss Patterson; Clarissa-Miss Ambross; Milliner-Mrs Fisher; Lady Gravely-Miss Saunders. With a new Prologue [spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .

Afterpiece Title: The Citizen

Dance: End of mainpiece a Hornpipe by Middleton

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Rambler; or, The Convent in an Uproar

Performances

Mainpiece Title: Macbeth

Performance Comment: As17831006, but Lenox-Mahon; Malcolm-Davies; 3rd Witch-Jones [Public Advertiser: Stevens] .Public Advertiser: Stevens] .

Afterpiece Title: Harlequin Rambler

Song: As17831218, but omitted: Mrs Bannister, Mrs Johnstone

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Rambler

Performance Comment: As17840920, but omitted: The other Characters. [Public Advertiser assigns Harlequin-Kennedy.] hathi. hathi.

Song: In mainpiece To thee, O gentle sleep! by Brett

Event Comment: Benefit for Pope. Tickets delivered for March 15 and 31 will be taken. Public Advertiser, 14 Apr.: Tickets to be had of Pope at Mrs Sledge's, Henrietta-street, Covent Garden. "In the prominent display of Iago's jealousy, a material question of the play--slightly handled by the poet, and almost untouched by every preceding player--in this, Henderson's claim to praise is quite unrivalled" {Public Advertiser, 25 Apr.)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Event Comment: Benefit for Mrs Siddons. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. "The mournful tone, the pathetic countenance, and the long-drawn expression pervaded the sprightly scenes of Rosalind as effectually as if the play had been Isabella" (Public Advertiser, 2 May). Receipts: #327 8s. 6d. (150/1/9; 9/11/6; 0/6/0; tickets: 167/10/0) (charge: #106/15/10)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: End of Act I of mainpiece, as17850307athi

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham. Larpent MS 772; not published; synopsis of plot in Public Advertiser, 3 May. Prologue by George Monck Berkeley (European Magazine, June 1787, p. 411)]. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Receipts: #257 3s. 6d. (160.4.6; 5.7.0; tickets: 91.12.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bonds without Judgement; or, The Loves of Bengal

Dance: As17870217

Event Comment: [Herrington, who was from the Royalty, and Mrs Farmer are both identified in Public Advertiser, 30 Aug. As afterpiece the playbill announces Peeping Tom, but "The fatigues Edwin had undergone at his benefit the preceding evening rendered him incapable of performing last night. Peeping Tom was therefore obliged to be changed to The Golden Pippin" (Public Advertiser, 30 Aug.)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Lord Hastings-A Gentleman (1st appearance on this stage [Herrington]); Gloster-Williamson; Belmour-Davies; Catesby-Gardner; Ratcliff-Johnson; Derby-Swords; Porter-Painter; Servant-Ledger; Shore-Bensley; Alicia-A Lady (1st appearance on any stage [Mrs Farmer]); Jane Shore-Miss Woollery.

Afterpiece Title: The Golden Pippin

Event Comment: Benefit for Pope. "Desdemona was happily pourtrayed by Mrs Pope, particularly...her manner of receiving the blow from Othello, by shewing she felt it as for the loss of her husband's affection rather than the indignity offered her sex" (Public Advertiser, 21 Apr.). Public Advertiser, 31 Mar.: Tickets to be had of Pope at his house in Half-Moon Street, Piccadilly. Receipts: #184 9s. 6d. (125.10.0; 3.13.6; tickets: 55.6.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Dance: As17880301

Event Comment: Benefit for Staunton and Lamash. 2nd piece [1st time; INT I, by Charles Stuart. "A speaking Pantomime of ten minutes" (Public Advertiser, 15 May). 3rd piece: Not acted these 4 years. Public Advertiser, 12 May: Tickets to be had of Staunton, Gloucester-street, Queen-square; of Lamash, Queen-court, Great Queen-street, Lincoln's Inn Fields. Receipts: #271 11s. (37.0; 15.17; 0.14; tickets: 218.0) (charge: #108 7s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Stone Eater

Afterpiece Title: Duke and No Duke

Event Comment: Benefit for Mrs Kemble. "Kemble? Sen. performed the Miller...Here and there we could perceive the liberty of the country performer, by saying more than was set down by the author" (Public Advertiser, 27 Aug.). [Address by John Taylor (European Magazine, Sept. 1788, p. 217).] Public Advertiser, 21 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-buildings, Strand

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Election

Afterpiece Title: The Miller of Mansfield

Performance Comment: The Miller-Kemble Sen. (1st and only time that he ever will appear in London); Richard-R. Palmer; Joe (with a song)-Chapman; Lord Lurewell-Phillimore; King-Kemble; Margery-Mrs Love; Peggy-Miss Palmer; Kate-Miss Brangin.

Entertainment: Monologue End 3rd piece: Address (written on the Occasion)-Mrs Kemble

Performances

Mainpiece Title: The Confederacy

Performance Comment: Gripe-Suett; Moneytrap-Parsons; Dick-Barrymore; Brass-Bannister Jun.; Clip-Maddocks; Jessamin-Burton; Clarissa-Mrs Goodall; Araminta-Miss Heard; Corinna-Mrs Gibbs; F of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6). F of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6).
Event Comment: This night [see Public Advertiser 13 Jan.] about the middle of the play at Covent Garden, a Gentleman who sat in one of the gallery boxes, ask'd another who sat next him if he could lend him a knife; on being told he could not, the former pull'd out a small pen-knife and stabb'd himself; which occasioned some commotion in that part of the house; he was immediately carried to the Shakespeare's Head, and Mr Baker the surgeon dress'd the wound, which the gentleman suffer'd with great constraint; He would not tell who he was, nor what was the cause of this rash action

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Skeleton

Event Comment: Full Prices. Afterpiece with a New Scene of a Fountain introduc'd. [See Cross's note for dl 14 Dec. 1752.] [Harlequin Sorcerer] With the loves of Pluto and Proserpine. The scenes painted by Mr Lambert. As any obstruction in the movements of the Machinery will greatly prejudice the performance, it is hoped no persons will be displeased at their not being admitted behind the scenes (Public Advertiser). [Nonadmittance note repeated.

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Harlequin Sorcerer with Alterations

Event Comment: On Tuesday next a New Tragedy called Philoclea. On Monday 28 January will be a Benefit for Sga Nicolina Giordani, A comic Opera with dances. Tickets and places for the Boxes may be had at Sg Giordani's Lodging, at Mr Milbourn's Grocer, in James St. Covent Garden. To the Young Gentlewoman who has performed Hermione [see 19 Jan.]: @Great was th' Applause you met, great your desert,@You charm'd the Eye, the Ear, the Head, the Heart.@Amaz'd we saw you at the first appear,@Ev'n in the hardest part, a perfect play'r.@Your person, your deportment set to view,@The youthful princess that the poet drew.@All was propriety, and all was grace,@We read the author's meaning in your face.@Your elocution was both just and strong,@Mix'd with due ease, and not an accent wrong,@Such varied Musick in your voice we heard,@That in the Tones both Taste and Sense appear'd.@Love, Jealousy, and Rage so well expres't@Engag'd our souls, nor knew we which was best,@'Twas Nature all-she form'd you for the stage,@Follow her steps, and glad th' Admiring Age.-Public Advertiser@

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Skeleton

Event Comment: Afterpiece: By Particular Desire and for the last time this season (Public Advertiser). For Miss Macklin's benefit. Ye farce of ye two Knights was to have done, but Mr Yates not being perfect it was chang'd (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Englishman in Paris

Dance: HHornpipe-the Little Swiss

Event Comment: [The Public Advertiser for 15 Feb. noted the following concerning this night's performance: Whereas several complaints, by letter and otherwise, have been lately made to the Managers of Drury Lane Theatre, of the ill Behavior of some persons in the Upper Gallery, who throw down Apples, Potatoes, and other things into the Pit.: This is therefore to assure the Ladies and Gentlemen that the Managers will take all imaginable care to discover and prosecute any person or persons, who shall, disturb, or insult them for the future. If any person will discover who it was that flung a hard piece of cheese, of near half a Pound Weight, from one of the Galleries last Tuesday Night [11 Feb.] and greatly hurt a young Lady in the Pit, shall receive Ten Guineas from Mr Pritchard, the Treasurer of the Theatre."] Receipts: #190 (Cross)

Performances

Mainpiece Title: Barbarossa

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Dance: III: New Comic Dance-Three Sabatinis, as17550203

Song: B$Beard particularly at the End: Rule Britannia, as17550402 Britons Strike Home in character and accompanied with a Chorus, as17550402 Concluding with: a Hornpipe-Mathews

Event Comment: [M+Mercury Harlequin seems to have been the afterpiece. The Public Advertiser carried the following notice under news from London: "Mr Garrick was prevented from appearing in the character of Chamont last night, by a sudden and violent Indisposition, but we hear that he is better, tho' not quite free from pain."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: [Lilliput, ]Mercury Harlequin

Event Comment: TThe Knights, publish'd 4 April, at 1s. A Comedy in Two Acts as it is perform'd at Drury Lane. By Mr Foote (Public Advertiser). Passion Week (Cross)

Performances

Mainpiece Title: None

Event Comment: [Benefit] for a Gentlewoman under Misfortunes (Cross). Tickets to be had fo Mrs Powell, at the Golden Leg in Fleet St.; at the Turk's Head Coffee-House in New Bond St.; and of Mr Varney at the theatre, where places in the Boxes may be taken (Public Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Author

Dance: III: The Market, as17571126

Event Comment: Benefit for Smith. Mainpiece: not acted these 4 years. No building on stage. Receipts: #60 12s. 6d. plus tickets #222 5s. (boxes 458; pit 605; gallery 170). Charges #63. Mr Robt. Lewis came in for 1 share (Account Book). [Smith advertised, and it appeared his house at his benefit was too full & [there was] confusion in getting to places (Winston MS 8). See Smith's note in Public Advertiser, 16 March.

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217