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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13706 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9643 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

8876
08 December 1784 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: St

Performance Comment: Patrick's Day. As17841022.

Dance: As17841201

8877
11 January 1785 @ Drury Lane Theatre

Event Comment: The Confederacy and Arthur and Emmeline [the latter announced on playbill of 10 Jan.] are obliged to be deferred a few Days. Receipts: #146 11s. 6d. (108/16/0; 37/10/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Dance: Afterpiece: With the Minuet de la Cour by Hamoir and Miss M. Stageldoir

8878
03 February 1785 @ Covent Garden

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Follies of a Day; afterpiece of The Poor Soldier, both announced on playbill of 2 Feb.]

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Maid of the Oaks

Dance: As17850114

8879
12 February 1785 @ Covent Garden

Event Comment: Beaumarchais' New Comedy [The Follies of a Day announced on playbill of 10 Feb.] is unavoidably postponed, on Account of Mrs Bates's Indisposition. [Afterpiece in place of The Poor Soldier, similarly announced.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: Afterpiece to be concluded as17841027

8880
09 March 1786 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

8881
16 March 1786 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: St

Performance Comment: Patrick's Day. As17850919 .

Dance: As17860213

8882
20 June 1786 @ Haymarket Theatre

Event Comment: [Home, who was from the Bristol theatre, is identified in Morning Herald, 21 June.] Afterpiece [1st time; F 2, by Elizabeth Inchbald, based on L'Heureuse Erreur, by Joseph Patrat. Prologue by Thomas Holcroft (see text)]. Morning Chronicle, 15 Aug. 1786: This Day is published The Widow's Vow (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widows Vow

Performance Comment: Principal Characters by Parsons, Bannister Jun., R. Palmer, Lyons, Edwin; Mrs Bates, Mrs Riley, Mrs Edwin, Miss Brangin, Mrs Wells. [Cast from text (G. G. J. and J. Robinson, 1786): Don Antonio-Parsons; Marquis-Bannister Jun.; Carlos-R. Palmer; Servant-Lyons; Jerome-Edwin; Countess-Mrs Bates; Donna Isabella-Mrs Riley; Ursula-Mrs Edwin; Inis-Miss Brangin; Flora-Mrs Wells.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.

8883
06 September 1786 @ Haymarket Theatre

Event Comment: [A detailed account of all three pieces appears in Sophie v. la Roche, Sophie in London, 1933, pp. 93-95. The theatre is described as seeming "exceptionally small, but it is very prettily painted in blue and white; the boxes, as in Paris, are open and everything is well lit." In 3rd piece "A twelve-year-old girl dressed as a poor boy who walks around with a bundle of rushes, straw and reeds to patch up old chairs, then really sits down to work on one, sang and played unusually well; indeed, was obliged to give two encores; the third time, however, announced with dignity and candour that it would not be possible, and that she feared she might be unable to take her part the next day; which would grieve her excessively, as she liked having her modest talents appreciated and applauded. Everyone clapped and praised her aloud. She is beuatiful, and deserves to be the nation's darling, and will certainly become a great actress, competent to keep her voice, gesture and features in complete control, never using her talents wrongly or producing exaggerated effects."]

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

8884
24 October 1786 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Performance Comment: [This was danced, as here assigned, in all subsequent performances.]

8885
08 December 1787 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill lists Mrs Brereton as Louisa Dudley, but she had been married to J. P. Kemble on the morning of this day at St. Giles in the Fields.] Receipts: #80 9s. (60.13; 19.1; 0.15)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Whos the Dupe

8886
12 February 1788 @ Covent Garden

Event Comment: [As mainpiece the playbill announces Love in a Village, but "Mrs Billington was taken ill & Rule a Wife was substituted" (MS annotation on BM playbill: cg, Vol. VI); as afterpiece St. Patrick's Day, but in the Account-Book (which also notes the change of mainpiece) it is deleted, and Three Weeks after Marriage substituted.] Receipts: #141 16s. (135.15.6; 6.0.6)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

8887
23 September 1788 @ Drury Lane Theatre

Event Comment: Afterpiece: With entire new Dresses and Decorations. The Music by the celebrated Gretry. The Paintings by Greenwood. Kemble Mem.: This day I undertook the Management of dl Theatre. Receipts: #232 15s. 6d. (175.18.0; 56.13.6; 0.4.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: dance-the young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Performance Comment: [This was danced, as here assigned, in all subsequent performances.]

8888
29 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Feast of Anacreon

Performance Comment: As17890505, but President-Davies; the Anacreontic Song-Darley; Poor Thomas Day-Darley, _Bannister; Principal Parts-_Bannister, _Johnstone; +When Bibo went down to the Regions below-_; Jack thou'rt a Toper-_.
Cast
Role: Poor Thomas Day Actor: Darley, _Bannister

Afterpiece Title: The Cheats of Scapin

Afterpiece Title: Tom Thumb

8889
05 August 1789 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. 1st piece [1st time; M. PREL 1; at its 2nd performance, 10 Aug., acted under its 2nd title, and published as such]: Written by Thomas? Bellamy. [The Address by--Codrington, of Exeter (European Magazine, Sept. 1789, p. 218).] World, 1 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-Buildings. Diary, 1 Sept. 1789: This Day is published The Benevolent Planters (1s.)

Performances

Mainpiece Title: The Friends Or The Benevolent Planters

Afterpiece Title: The Prisoner at Large

Afterpiece Title: The Devil to Pay

Dance: In: a new dance, Liberty or We Slaves Rejoice-

Entertainment: Monologues End 2nd piece: As17890617 Preceding: An Address to the Humane Society on the Abolition of the Slave Trade in the character of a Negro , by-Kemble; End 3rd piece: Belles have at Ye All-Mrs Kemble

8890
07 December 1789 @ Covent Garden

Event Comment: [Mainpiece in place of The Highland Reel and The Follies of a Day, advertised on playbill of 5 Dec.] Receipts: #167 6s. (163.0; 4.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Death of Captain Cook

Song: As17891109

8891
26 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Wave from Wave-Sale; He rebuked the Red Sea He led them through the deep-Chorus (Israel in Egypt); Justly these Evils Why does the God of Israel sleep?-Harrison (Samson); Cease thy Anguish-Miss Mahon, Saville (Athalia); O God! who in thy heavenly Hand-Chorus (Joseph); The smiling Dawn of happy Days-Miss Cantelo (Jephtha); How excellent thy Name-Chorus (Saul).
Cast
Role: The smiling Dawn of happy Days Actor: Miss Cantelo

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

8892
24 May 1790 @ Covent Garden

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Marc Antony (Emperor of Rome)-Holman; Ventidius (the Roman General)-Harley (Their 1st appearance in those characters); Dollabella-Farren; Alexas-Davies; Serapion (Priest of Isis)-Hull; Cleopatra (Queen of Egypt)-Miss Brunton; Octavia (for that night only)-Mrs Pope (Their 1st appearance in those characters).

Afterpiece Title: An Harmonic Festival

Performance Comment: In which the Performers of the Concert of Ancient Music have obligingly offered their Assistance. The Wooden Walls of Old England (composed by Reeve)-Darley; As I saw fair Clora-Johnstone, Bannister; September 13th; or, The Siege of Gibraltar-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; How stands the glass around-Johnstone; Bless the true Church and save the King- (composed by Handel).
Cast
Role: Poor Thomas Day Actor: Edwin, Blanchard, Bannister

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

8893
16 July 1790 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; CO 3, by John Scawen]: The Music, with a new Overture, by Dr Arnold. The Scenery designed and painted by Rooker. The Dances by Byrn. Books of the Songs [T. Cadell, 1790] to be had at the Theatre. Diary, 27 Aug. 1790: This Day is published New Spain (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain or Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-

8894
27 November 1790 @ Covent Garden

Event Comment: The Follies of a Day. As 29 Oct. 1st piece: Altered from The Winter's Tale of Shakespeare [2nd piece in place of Love a-la-Mode, advertised on playbill of 26 Nov.] Receipts: #171 2s. 6d. (160.5.6; 10.17.0)

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: A Divertisement

Dance: As17901123

8895
05 April 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Robert Merry. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. Oracle, 7 May 1791: This Day is published Lorenzo (1s. 6d.). Receipts: #187 3s. (182.19.6; 4.3.6)

Performances

Mainpiece Title: Lorenzo

Afterpiece Title: Two Strings to Your Bow

8896
03 June 1791 @ Pantheon, Oxford Street

Event Comment: The Nobility and Gentry are respectfully acquainted that in consquence of his Majesty's Birth-day, the Opera intended for tomorrow will be performed this Evening

Performances

Mainpiece Title: La Bella Pescatrice

Dance: As17910602

8897
16 January 1792 @ Covent Garden

Event Comment: Masquerade Scene as 26 Sept. 1791. [Mainpiece in place of A Day in Turkey, advertised on playbill of 14 Jan.] Receipts: #197 13s. (195.7; 2.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Blue Beard

Dance: As17920111

Song: Juliet's Funeral Procession, as17910926; Solemn Dirge, as17910926; Vocal Parts, as17920926, but _Lee, Rowson, Mrs _Davenett

8898
30 January 1792 @ Haymarket Theatre

Event Comment: The Nobility and Gentry are most respectfully informed that, in consequence of the calamity that has befallen the Pantheon [see 14 Jan.], the Italian Operas are necessarily removed for the remainder of the present season to this Theatre, where preparations are now making to accomodate the Subscribers; and of the first Representation notice will be given in a few days [see 14 Feb.]

Performances

Mainpiece Title: None

8899
02 March 1792 @ Covent Garden

Performances

Mainpiece Title: The First Grand Selection 0 Of Sacred Music From The Works Of handel Lallegro Ed Il Pensieroso 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; In sweetest harmony-Mrs Billington; O fatal day-Chorus (Saul); The smiling dawn-Mrs Second (Jephtha); Fallen is the foe-Chorus (Judas Maccabaeus); Gentle airs-Harrison (Athalia); Then round about the starry throne-Chorus (Samson); O worse than death, Angels ever bright and fair-Mrs Billington (Theodora); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: O fatal day Actor: Chorus

Afterpiece Title: Grand Selection 3

8900
23 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto bassoon-Parkinson; Ye men of Gaza-Miss Barclay (Samson); And in that air behold! God is my salvation, Therefore with joy-Reinhold; And in that day, Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Ah chi sa-Kelly, Morelli, Mrs Crouch [Il Barbiere di Siviglia, Paisiello]; With ravish'd ear-Miss Hagley (Alexander's Feast); But bright Cecilia, As from the power-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3