SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performance Comment: As17740214, but Other characters-_Davis, Cushing (playbill); but not so in +Public Advertiser. but not so in +Public Advertiser.
Event Comment: Benefit for Woodward. Mainpiece: In Three Acts Never Performed there. [This seems to be some adaptation of Garrick's Florizel and Perdita in three acts, but without the character Rogero.] Charges #72 16s. Profit to Woodward #129 17s. 6d., plus #57 from tickets (Box 228). Receipts: #202 14s. (Account Book)

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Smith; Polixines-Bensley; Florizel-Lewis; Camillo-Hull; Autolicus-Quick; Old Shepherd-Kniveton; Clown-Woodward; Perdita (with Sheep Shearing Ballad)-Miss Dayes; Paulina-Mrs P. Green; Hermione-Mrs Hartley; The Vocal Parts-Fox, Mrs Thompson, Mrs Baker; In Act II, a Dance-Aldridge, Miss Twist (playbill). [The Public Advertiser lists Reinhold instead of Fox as vocalist.]The Public Advertiser lists Reinhold instead of Fox as vocalist.]

Afterpiece Title: The Citizen

Afterpiece Title: The Sylphs

Event Comment: Afterp1ece: By Particular Desire. Rec'd of Condell for Fruit rent this season #20 Receipts: #174 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Performance Comment: As17740228, but New Occasional Epilogue (Never Spoken)-Miss Barsanti; Woodward restored to Public Advertiser List of Actors. Woodward restored to Public Advertiser List of Actors.

Afterpiece Title: Midas

Event Comment: New Books of the Songs, Chorusses, &c. will be sold in the theatre. [Mainpiece seems definitely to be the Henry Jones version. This cast is that printed in that Bell Edition 1776, of the Jones play.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Druids, With Additions & Alterations

Performance Comment: As17741121, but unassigned-Dunstall, _Fox; Graces-_; Dances-Mas. _Holland, Mas. _Scriver, Miss _Armstrong (playbill). [Advertised as With an Additional Scene. [The +Public Advertiser makes no mention of a change.]Advertised as With an Additional Scene. [The +Public Advertiser makes no mention of a change.]
Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Bon Ton

Performance Comment: As17751101, but Davy-Parsons (playbill); but Waldron in The Public Advertiser. but Waldron in The Public Advertiser.

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751215, but the Vocal Parts-Mrs Smith, Mrs _Scott, Mrs _Jewell; +The Last New Epilogue-Mrs Abington (playbill). [The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]

Afterpiece Title: The Jubilee

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Smith; Macduff-Reddish; Duncan-Bransby [Public Advertiser: Hurst]; Ross-Aickin; Malcolm-Davies; Banquo-Packer; Lenox-Grist; Donalbain-R. Palmer; Angus-Chaplin; Seward-Hurst [Public Advertiser: Wrighten]; Doctor-Wright; Captain-Farren; Fleance-Master Pulley; Seyton-Griffiths; Hecate (1st time)-Bannister; Witches-Parsons, Moody, Baddeley; Lady Macduff-Miss Sherry; Lady Macbeth-Mrs Melmoth (1st appearance on this stage).

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Performance Comment: [This was included in all subsequent performances.]

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: Benefit for Bannister. Public Advertiser, 21 Aug.: Tickets to be had of Bannister, at Palmer's, Bridges-street. [Public Advertiser assigns in mainpiece: Kinswoman-$Miss Platt; in afterpiece: Mrs Bundle-$Mrs Love.

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

Event Comment: Benefit for Mrs Mattocks. [As afterpiece Genest, VI, 25, lists The Romp, "1st time," with partial cast. In an advance notice of Mrs Mattocks' benefit in Public Advertiser, 20 Mar., the farce advertised for 28 Mar. is The Romp, "1st time," with full cast; this appears to have been Genest's source. But in the same newspaper for 25, 26, 27 Mar. the farce advertised is Three Weeks after Marriage. The Romp was 1st acted at the Capel Street Theatre, Dublin, 23 Jan. 1771, and in London at the hay, 12 Nov. 1781. See also dl, 21 Nov. 1785.] Public Advertiser, 17 Mar.: Tickets to be had of Mrs Mattocks at her house in Covent Garden. Receipts: #160 9s. (101.19; tickets: 58.10) (charge: #64 10s.)

Performances

Mainpiece Title: Percy

Afterpiece Title: Three Weeks after Marriage

Dance: After Epilogue: All in the Downs; or, Farewell to Deal, as17780309but _Besford, Mrs White

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

Event Comment: Mainpiece: Not acted these 4 years acted 6 Nov. 1775. Prologue by Nicholas Rowe. Afterpiece [ 1st time; f 2, by Frederick Pilon. Prologue by the author (Public Advertiser, 5 Nov.). In speaking a line in the Prologue that won applause Whitfield waved his hat so vehemently tha he "dislocated a Bone in his Arm. He went to the side of the stage, and one of the Scene-men taking him by the Wrist, and giving four or five pretty severe jerks, the Bone recovered its place" (ibid). In all subsequent performances the Prologue was spoken by Lee Lewes.]. Public Advertiser, 18 Nov. 1778: This Day at Noon is published The Invasion (1s.)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Invasion; or, A Trip to Brighthelmstone

Song: In: To thee O gentle sleep!-Mrs Farrell

Event Comment: Mainpiece [1st time; T 5]: Written by the Author of Percy [Hannah More. Prologue by the author; Epilogue by Richard Brinsley Sheridan (see text)]. Public Advertiser, 1 Dec. 1779: This Day is published The Fatal Falsehood [sic] (1s. 6d.). Afterpiece [1st time; CO 2, by Charles Dibdin]: The Overture and all the Music composed by Dibdin. With new Scenes, Dresses, and Decorations to both Pieces. Books of the Entertainment to be had at the Theatre. Public Advertiser, 6 May 1779: This Afternoon at three is published The Chelsea Pensioner (1s.). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Chelsea-Pensioner

Event Comment: Afterpiece [1st time; F 1, by Frederick Pilon. Prologue by the author (Public Advertiser, 23 Oct.)]. Public Advertiser, 25 Oct. 1780: This Morning at Ten is published The Humours of an Election (1s.). Receipts: #118 12s. 6d. (116.6.0; 2.6.6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Humours of an Election

Performance Comment: Principal Characters by Wilson, Edwin, Whitfield, L'Estrange, Egan, Booth, Robson, Thompson, Fearon, Baker, Bates, Webb, Stevens, W. Bates, Jones, Quick, Mrs Morton, Mrs Webb. [Cast from text (G. Kearsly, 1780) and London Chronicle, 20 Oct.: Parmazan-Wilson; Goose-Edwin; Belfield-Whitfield; Electors-L'Estrange, Thompson, Baker, J. Wilson; O'Shannon-Egan; Canvass-Booth; Ballad@singer-Robson; MacRhetorick-Fearon; Marrowbone-Bates; Shrimp-Webb; Bristle-Stevens; Proteus-W. Bates; Cryer-Jones; Jail@bird-Cushing; George-Quick; Letitia-Mrs Morton; Mrs Highflight-Mrs Webb; Prologue-Wilson. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: II: Masquerade Dance-; End: The Humours of Leixlip, as17801018

Event Comment: Mainpiece: Not acted these 10 years [not acted since 7 Dec. 1768]. With new Dresses and Decorations. [Miss Phillips is identified in Public Advertiser, 18 Nov. Afterpiece in place of The Lyar, announced in Public Advertiser, 10 Nov.] Receipts: #187 15s. (155.9; 32.6; 0.0)

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Miss Prudom (from the King's Theatre; 1st appearance on this stage); Artaxerxes-Mrs Baddeley; Rimenes-Du-Bellamy; Artabanes-Vernon; Semira-Miss Wright; Mandane-A Young lady (who never appeared on any stage [Miss Phillips]).Miss Phillips]).

Afterpiece Title: The Citizen

Dance: End II: a Dance-Henry, Miss Armstrong, Miss Simonet, Sga Zuchelli

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Who'd Have Thought It

Performance Comment: Characters by Wilson, Lamash, Wewitzer, R. Palmer, Webb, Kenny, Barrett, Painter, Ledger, Bannister, Mrs Wilson, Miss Hale, Mrs Webb. [Cast from Public Advertiser, 7 July: Strap-Wilson; Spangle-Lamash; Ishmael-Wewitzer; Pillage-Webb; Harry Horsfar [recte Hawser]-Bannister; Broadhem-Mrs Wilson; Miss Strap-Miss Hale [unassigned by Public Advertiser]; Mrs Strap-Mrs Webb; [Larpent MS 556 also lists: Lord George Willmore-; Clinker-; Clod-; Box-; Frank-.

Dance: End I: a Dance-Master Byrn, Miss Byrn; End I afterpiece: [another] Dance-Master and Miss Byrn

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Performance Comment: As17811211, but Blunt-J. Bates [Public Advertiser retains W. Bates] .Public Advertiser retains W. Bates] .

Afterpiece Title: The Choice of Harlequin

Event Comment: A New Comic Opera in 2 acts; The Music by Sacchini. [Opera in place of I Viaggiatori Felici, announced in Public Advertiser, 1 Mar. Nonini, who is unidentified, was from the Opera, Lisbon.] Public Advertiser, 6 Apr.: To the credit of Sacchini, it is the best Burletta extant. It is in all parts excellent . . . while it amuses, it does not fail equally to interest

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: The Temple Beau; Or, The Intriguing Sisters

Performance Comment: Young Wilding-Benson; Sir Avarice Pedant-Barrett; Veromil-Sparks; Valentine-Booth; Pincet-Fellowes; Thomas-Roberts; Taylor-Middleton; Snob-Norris; Young Pedant-Clinch; Sir Harry Wilding-Swords; Lady Lucy Pedant-Miss Fitzherbert; Bellaria-Miss Patterson; Clarissa-Miss Ambross; Milliner-Mrs Fisher; Lady Gravely-Miss Saunders. With a new Prologue [spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .

Afterpiece Title: The Citizen

Dance: End of mainpiece a Hornpipe by Middleton

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr