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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3202 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This <span class=
We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

3151
31 December 1753 @ Hickford's Room

Event Comment: At Hickford's Great Room, Brewer St. (Daily Advertiser)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Entertainment: Musick- adapted to the Dramas

3152
02 February 1754 @ Haymarket Theatre

Event Comment: Benefit for Lauder. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:00 p.m. (Daily Advertiser)

Performances

Mainpiece Title: Musical Entertainment

3153
01 March 1754 @ New Wells, Lemon Street

Event Comment: [N+New Wells, Lemon St. Goodman's Fields.] As Church wardens and Overseers of the Parish of Whitechapel did lately receive Information, that several young Persons have exhibited Plays at Goodman's Fields Wells...that the said young Persons have actually met and rehearsed Plays on the Lord's Day, in Defiance of all Laws, Divine and Human; the said Churchwardens and Overseers, assisted by proper Authorities, went last Night to Goodman's Fields Wells, which they found vastly crowded, and having severly reprimanded the Performers, dismissed the Audience (Daily Advertiser, 2 March)

Performances

3154
29 May 1754 @ Haymarket Theatre

Event Comment: A new Musical Entertainment. Written by Mr Rolt, and set to Musick by Mr Arne. To begin at 6:30 p.m. Pit and Boxes 5s. Gallery 3s. Originally announced for 4 Feb.; postponed to 11 Feb. because of the illness of Mrs Arne, and again. Mr Arne is obliged to inform the Publick...his new English Opera is called Eliza and the performance stopped by a Prohibition from the Lord Chamberlain (Daily Advertiser, 21 March)

Performances

Mainpiece Title: Eliza

3155
02 July 1754 @ Drury Lane Theatre

Event Comment: By Particular Desire. Benefit for Cibber. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:30 p.m. To prevent any interruption in the Performance, there will be no Building on the Stage. Afterpiece: The Dramatick Piece of Two Acts...is taken from the inimitable comic Scenes of Shakespeare, which contain the Humours of Antient Pistol, Justice Shallow, Sir John Falstaff, Justice Silence, the Hostess Doll Tearsheet, and the Recruits, etc. (Daily Advertiser). On Tuesday the 2d of July Mr The: Cibber had a play at Drury Lane, ye Busy Body, & farce from ye 2d pt of Henry 4th. & had 140 pounds in Money & 66 in Tickss (Cross)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Humourists

Dance: Devisse, Mme Lussant

3156
07 October 1754 @ Kingston, The Playhouse by the Hand

Event Comment: Benefit for the Poor by Mr Philips Company of Comedians. At the Playhouse by the Hand. Deferr'd from the 30th (Daily Advertiser)

Performances

Mainpiece Title: The Beaux Stratagem

3157
10 October 1754 @ Haymarket Theatre

Event Comment: Benefit for Smith. It is the last time of performing (Daily Advertiser)

Performances

Mainpiece Title: The Carnival Concert

Afterpiece Title: La Pantomime du Charpentier

3158
05 November 1754 @ Covent Garden

Event Comment: PPublic Advertiser: As I saw in the papers that the tragedy of Phaedra is shortly to be acted at Covent Garden, I thought that the following lines, written upon Mrs Woffington's performance of the character in Ireland would not be unacceptable to you, or to your readers. They fell casually into my hands. If you think them worth inserting, they are at your service [a poem of 104 lines follows]: @Oft has the poet sweetly sung in vain@When tasteless actors chaunt the heavenly strain... Woffington seems reserved to play the part magnificently. The analysis, tho' fettered to the couplet, is more specific as to her gestures and expression, and tone, than most such commentaries

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin Skeleton

3159
08 November 1754 @ Haymarket Theatre

Event Comment: At Cleopatra's Cataract between the several acts of her concert, will be pour'd upon the Town a cataract of Originals and Amazing Geniusses, brought by that antient Soverign from Anamamboo, Upper Egypt, and the renown'd Kingdom of Abyssinia. These being an entire new set of performers will exhibit that evening in a new manner sever strange and surprising Feats of an Egyptian Broomstick, the Ghosts, Witches, Imps, modern Saints, Ballad Singer, Conjuror, and Elizabeth Canning. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6 p.m. [A cryptic "puff" in the Daily Advertiser suggests that Mrs Midnight has abdicated in favour of Cleopatra, who will now take over the Haymarket.

Performances

Mainpiece Title: Aethiopian Concert

3160
03 September 1755 @ Bartholomew Fair

Event Comment: By the Widow Yeates's Company of Comedians at the Large Assembly Room, Swan Inn, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. From 12 Noon to 10 p.m. (Daily Advertiser). [Repeated.

Performances

Mainpiece Title: The Virgin's Wish; With The Humours Of Squire Spoilal And Peter Shackle

Afterpiece Title: The Inchanted Island; or, Harlequin Fortune-Teller

Song: Dennis, Mrs Dennis, Mrs Bicknell

Dance: A Hornpipe-

3161
14 January 1756 @ Haymarket Theatre

Event Comment: Benefit for Cibber. To begin at 6:30 p.m. Pursuant to Act of Parliament. At the Desire of several Persons of Quality for the Benefit of Mr Cibber At the New Theatre in the Haymarket, on Wednesday next, the 14th instant, will be perform'd a Concert of Musick, the Particulars whereof will be express'd in the Bills of the Day. After which (by partiuclar Desire) will be given a Dissertation in two Parts on Patentees, on Theatres, on Acting, Publick Diversions, and address'd to the Town, by Mr Cibber (Daily Advertiser, 8 & 10 Jan.)

Performances

Mainpiece Title: A Dissertation

3162
18 March 1756 @ James Street

Event Comment: [S$Simpson, the slack wire performer, ran a sword into his leg in a performance at The Theatre, James St., near the Haymarket; he has receovered and will continue (Daily Advertiser).

Performances

3163
22 March 1756 @ Covent Garden

Event Comment: Benefit for Barry. Mainpiece [by Edward Young]: not acted these 30 years. Part of Pit will be laid into the Boxes. Servants allowed to keep places on the Stage. Tomorrow, not acted these 20 years, Ulysses for the Benefit of Mrs Woffington. A Young lady, remarkably handsome, appeared in the Pit of Covent Garden Playhouse on Monday Night last; she had on a white hat with pink ribbons; a pink colour'd Cardinal trimm'd with white fur, which she took off on account of people spitting down from the slips...She was standing near the Pit Door before the play began, but soon had room made for her at the end of one of the seats (Daily Advertiser, 22 March)

Performances

Mainpiece Title: Busiris King Of Egypt

Afterpiece Title: The Knights

Dance: FFingalian Dance, as17551126; Les Statues Animees, as17560302

3164
18 September 1756 @ Southwark Fair

Event Comment: Performing in progress at Phillips's Booth, Bowling Green, as noted in the Daily Advertiser, but no entry given for the play

Performances

3165
20 September 1756 @ Southwark Fair

Event Comment: [Performing in progress at Phillips's Booth, Bowling Green, as noted in the Daily Advertiser, but no entry given for the play.

Performances

3166
31 May 1757 @ King's Theatre

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Dance: With New dances-

3167
20 June 1757 @ Haymarket Theatre

Event Comment: ccording to the Daily Advertiser, 22 June, this was the third night of performing.

Performances

Mainpiece Title: A Medley Concert

Afterpiece Title: Harlequin's Frolic

Dance: As17570617

3168
20 September 1757 @ King's Theatre

Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

3169
01 June 1758 @ Haymarket Theatre

Event Comment: Benefit Miss Durham. [See Daily Advertiser, 15 June, for this performance.

Performances

Mainpiece Title: The Old Woman's Oratory

3170
08 June 1758 @ Mary-le-Bone Gardens

Event Comment: At Marybone Gardens. Translated into English. The Music by Pergolesi. Admittance 2s. 6d., tea and coffee included. [Daily Advertiser, 15 May, notice: Only 26 Tickets for ball room will be sold each night. Admittance one shilling; Ballroom five shillings to admit one gentleman and two ladies.

Performances

Mainpiece Title: La Serva Padrona; Or, The Servant Mistress

3171
27 June 1758 @ Mary-le-Bone Gardens

Event Comment: PPublic Advertiser: The Uncommon Applause of the new Entertainment...has excited the curiosity of a great many of the Nobility and Gentry that had never seen Marybone before. Sga Seratina and Mr Reinhold have distinguished themselves surprisingly; and though this Entertainment is performed in the English Language, clearly proves, that it is in the Power of an Englishman, to excel even the Italians in that kind of performance; Sga Seratina (though an Italian) expresses the English Dialect with all the Graces, and proper Expressions, which that kind of performance requires. [Books of the performance to be had at the Bar 6d. each.

Performances

Mainpiece Title: La Serva Padrona

3172
06 September 1758 @ Bartholomew Fair

Event Comment: At Yates@Shuter Booth. [The Daily Advertiser notes: "the pleasure Mr Shuter gives to every Audience by an unwearied Display of that masterly Genius...and notwithstanding his laboring thro' so many Drolls daily with uncommon Spirit, yet his executing the London Cries at the end of Interlude, and each time new to the hearers."

Performances

Mainpiece Title: The Woman Turn'd Bully

3173
19 May 1759 @ King's Theatre

Event Comment: [From a notice in the Daily Advertiser, 18 May, Vanneschi was still manager of the operas]

Performances

Mainpiece Title: Farnace

3174
20 February 1760 @ Drury Lane Theatre

Event Comment: PPublic Advertiser: In the afternoon died Mr Richard Cross, Prompter to the Theatre Royal in Drury Lane, whose Abilities in his Station were equal to any in the Theatre, and whose Integrity would have done credit to any Profession

Performances

3175
30 May 1760 @ Haymarket Theatre

Event Comment: By Desire. 7 p.m. (Daily Advertiser)

Performances

Mainpiece Title: Patie And Roger

Song:

Dance: