SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Abraham Cowley"/1) | (@(roleclean,performerclean) "Abraham Cowley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 442 matches on Author, 46 matches on Event Comments, 18 matches on Performance Comments, 2 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Two Strings to Your Bow

Dance: In IV: a Grand Masquerade-; Minuet-the LateMiss Betterton, Platt

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Whos the Dupe

Related Works
Related Work: Who's the Dupe? Author(s): Hannah Cowley

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Shipwreck

Song: In afterpiece: Crazy Jane-Mrs Bland

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Performances

Mainpiece Title: The Country Innocence Or The Chamber maid Turnd Quaker

Performance Comment: Edition of 1677: Prologue-Mr Clark; Sir Oliver Bellingham-Lydell; Sir Robert Malory-Coysh; Captain Mullineux-Goodman; Plush-Wiltshire; Rash-Griffin; Gregory Dwindle-Haynes; Mr William-Powell; Old Thrashard-Watson; Abraham-Styles; Lady Lovely-Mrs Marshal; Lady Malory-Mrs Rutter; Margaret-Mrs Baker; Gillian-Sarah Cook; Barbara-Mrs Knep; Old Gentlewoman-Perrin; Epilogue-.
Cast
Role: Abraham Actor: Styles

Performances

Mainpiece Title: The City Ramble Or The Humours Of The Comptors

Performance Comment: Edition of 1715 lists: Sir Humphrey Halfwit-Schoolding; Justice Hardhead-Hall; Ezekiel Prim-Griffin; Abraham-Pack; Mordecai-Knap; Rachel-Mrs Hunt; 1st Whore-Leigh; 2d Whore-Churchman; 3d Whore-Walker; 4th Whore-Mrs Stockdale; Twang-Bullock; Prologue, Epilogue-Bullock.
Cast
Role: Abraham Actor: Pack

Afterpiece Title: The Country House

Afterpiece Title: Hob

Dance: As17150512

Performances

Mainpiece Title: Abra Mule Or Love And Empire

Afterpiece Title: A City Ramble or The Humours of the Compter

Performance Comment: In which will be introduced the Song ofJoan and her Maid to the Compter were sent. Hardhead-Hippisley; Sir Humphrey-Mullart; Ezekiel Prim-Bridgwater; Abraham-Paget; Gentlemen-Ridout, A. Ryan; Constables-M. Stoppelaer, Boaman; Mordecai-James; Watchmen-Houghton, Littleton; Rachel-Mrs Mullart; Women-Bencraft, Smith, Mrs Browne; Newswoman-W. Hallam; Toby Twang-Chapman; Strip-Clarke; Skin'em-Todd; Bounce-Jones .
Cast
Role: Abraham Actor: Paget

Music: Handel's Water Musick

Dance: Clown by Nivelon. French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302

Song: A Mock Italian Song by E. Roberts

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Winstone; Capulet-Berry; Paris-Lee; Benvolio-Usher; Tybalt-Blakes; Friar Lawrence-Havard; Old Capulet-Wright; Friar John-Champness; Gregory-Taswell; Sampson-James; Balthasar-Bransby; Abraham-Marr; Mercutio-Woodward; Apothecary-Simpson; Peter-Vaughan; Page-Mas Cross; Guards-Raftor, Gray, Ray; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; with a new dance proper to the play-Cooke, Miss Janneton Auretti.
Cast
Role: Abraham Actor: Marr

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17481202, but Old Capulet-_; Montague-_; Gregory-_; Sampson-_; Balthasar-_; Abraham-_.
Cast
Role: Abraham Actor: Marr

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17541026, but Nurse-Mrs Macklin; [Old Capulet-Johnston; Friar John-Jefferson; Balthazar-Ackman; Gregory-W. Vaughan; Sampson-Clough; Abraham-Marr (Hogan from 1763 acting edition).]
Cast
Role: Abraham Actor: Marr

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Aickin; Montague-Murden; Benvolio-Davis; Tibalt-M'George; Mercutio-Shuter; Escalus-Palmer; Paris-Keen; Balthazar-Lewis; Fryar Lawrence-Hurst; Peter-Weston; Fryar John-Nelson; Old Capulet-Pierce; Apothecary-Castle; Gregory-Hamilton; Abraham-Quick; Lady Capulet-Mrs Burden; Nurse-Mrs Worley; Juliet-Mrs Dancer.
Cast
Role: Abraham Actor: Quick

Performances

Mainpiece Title: Abimelech

Performance Comment: Parts were: Abraham-; King Abimelech-; Phocal-; Sarah-; Hagar-; Queen of Gerar-; Officers-; Soldiers-; attendants-.
Cast
Role: Abraham Actor:

Music: End Part I: Solo on Violincello, as17720311 End II: New Concerto on Violin by Cirri, as17720320(Theatrical Review, p. 219)

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Royer. A new Prologue by Royer. And Cowley's Country-Mouse, by Way of Epilogue, by Royer .
Event Comment: Adapted for the stage, as alter'd from Milton's Masque at Ludlow Castle (General Advertiser). Benefit for Beard. Ready Money #94 15s., plus #102 9s. from tickets. Charges #60. Paid Mrs Lane for Rent of Cowley in full to Michaelmas last #41. (Account Books, Egerton 2268) [Cowley was Rich's estate at Uxbridge. Notice about Amphitheatre (see 23 March) repeated.] Tickets of Beard at his house in Red Lyon Square

Performances

Mainpiece Title: Comus

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth With The Humours Of Sir John Falstaff

Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: Receipts: #124 7s. 6d. Barry's 1!3 of surplus came to #14 15s. 10d. [Three new Renters came in: James Partridge, Abraham Langford, William Williams at 1 share each] (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Cheats of Scapin

Dance: SSicilian Peasants, as17571217

Event Comment: This Play is alter'd by Mr Lenox from Eastward hoe! it was well perform'd and had Applause--some hisses at the End it won't do much (Hopkins Diary). Characters new dress'd in Habits of the Time. (MacMillan's note from Kemble differs slightly.] Paid Mr Abrahams by Mr D. G. #40; Mr Caesar for Trimmings #6 16s. 6d. (Treasurer's Book). [Long review of the play and its merits and demerits as an adaptation appeared in the Westminster Magazine for Nov. It was approved of in general.] Receipts: #189 8s. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: May Day

Dance: The Merry Peasants, as17751018

Event Comment: Paid Mr Abrahams by order #20. Receipts: #240 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Jubilee

Event Comment: Paid salary list #624 6s. 6d.; Abrahams (Jew) #30. Receipts: #163 7s. (Treasurer's Book)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: Bon Ton

Dance: II: The Savage Hunters, as17751118, but _Blurton

Event Comment: By Desire. Benefit for Miss Abrams (who perform'd the Little Gipsey). Tickets deliver'd for The Maid of the Mill, and by Mr Norris and Mrs Veal will be taken. Rec'd Stopages #11 9s. 6d. Paid salary list #621 16s. 6d.; Mr Gardner (By Order) one night #5 5s. Receipts: #78 16s. Charges: #70 5s. 6d. Profits to Miss Abrahams: #8 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: Benefit for Bransby and Burton. Paid Miss Abrahams #50; Ditto to Mr Bate for the Music of the Blackamoor #50; Paid for convicting a pickpocket 10s. Receipts: #54 17s. Charges: #64 16s. 6d. Deficit to Bransby and Burton: #9 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Irish Widow

Dance: V: A Comic Dance, as17760415