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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Aaron Hill Esq"/1) | (@(roleclean,performerclean) "Aaron Hill Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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855 results for: Keyword - Aaron Hill, Esq.
We found 404 matches on Event Comments, 247 matches on Author, 216 matches on Performance Comments, 47 matches on Performance Title, and 0 matches on Roles/Actors.

526
13 November 1725 @ Drury Lane Theatre

Event Comment: Written by Mr Rowe, Esq</a>; late Poet-Laureat

Performances

Mainpiece Title: The Fair Penitent

527
11 December 1725 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Written by N. Rowe, Esq. late Poet Laureat

Performances

Mainpiece Title: The Fair Penitent

Song: As17251208

528
19 January 1726 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Written by N. Rowe, Esq</a>; late Poet-Laureat

Performances

Mainpiece Title: The Fair Penitent

529
08 September 1726 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Qualiy&ty. Written by N. Rowe, Esq. late Poet-Laureat

Performances

Mainpiece Title: The Fair Penitent

530
11 July 1729 @ Drury Lane Theatre

Event Comment: Mainpiece: Not Acted these Six Years. At the Desire of several Persons of Quality. Written by the late N. Tate, Esq</a>; Poet Laureat, Author of the Tragedy of King Lear. With Scenes, Habits, Machines, and other proper Decorations

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Phebe

Dance:

531
21 January 1730 @ Haymarket Theatre

Event Comment: Written by $Osborne Sidney Wandesford, Esq.

Performances

Mainpiece Title: Fatal Love; Or, The Degenerate Brother

532
27 June 1730 @ Goodman's Fields

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

533
15 June 1731 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late N. Tate, Esq</a>; Poet Laureat, Author of the Tragedy of King Lear

Performances

Mainpiece Title: A Duke And No Duke

Afterpiece Title: The Amours of Billingsgate

534
03 June 1732 @ King's Theatre

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

535
27 September 1732 @ Drury Lane Theatre

Event Comment: DDaily Post, 28 Sept.: Yesterday Morning [27 Sept.] between Nine and Ten o'Clock, Robert Wilks, Esq., one of the Patentees and Managers of his Majesty's Company of Comedians, died, at his House in Bow-street, Covent-Garden

Performances

536
31 October 1732 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. St. James's Evening Post, 31 Oct.: We are informed, that John Ellys Esq</a>: the eminent painter, succeeds Mr Wilks in the management of Drurylane Play-House; and that Mr Cibber Jr succeeds his father, who has resign'd to him

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: Mrs Booth

537
04 April 1733 @ Covent Garden

Performances

Mainpiece Title: The Fatal Secret

Performance Comment: Parts-Ryan, Quin, Walker, Milward, Chapman, Hall, Aston, Paget, Mrs Hallam, Mrs Kilby, Miss Binks; but edition of 1735 lists: Ferdinand-Ryan; +Cardinal of Arragon-Walker; +Young Duke of Malfy-Miss Binckes; +Antonio-Milward; +Delio-Hale; +Marquise of Pescara-Chapman; +Bosola-Quin; +Flavio-Paget; +Urbino-Aston; +Dutchess of Malfy-Mrs Hallam; +Cariola-Mrs Kilby. Prologue by Philip Frowde, Esq</i>-; Epilogue for $the Dutchess-.
Cast
Role: Cariola Actor: Mrs Kilby. Prologue by Philip Frowde, Esq-
Role: Esq</a> Actor:

538
23 June 1733 @ Drury Lane Theatre

Event Comment: See Daily Advertiser, 23 June, for a poem: On the Death of Barton Booth, Esq.

Performances

539
05 October 1733 @ Haymarket Theatre

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet Laureat

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Devil to Pay

Dance: As17331003, but Watteau omitted

540
20 October 1733 @ Haymarket Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Written by Colley Cibber Esq; Poet Laureat

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

541
06 November 1733 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031

542
28 November 1733 @ Haymarket Theatre

Event Comment: Benefit Harper. Mainpiece: Written by the late J. Addison, Esq. [For further discussion of Harper's appearance in Court, see Universal Spectator, 1 Dec; London Evening Post, 29 Nov.; Grub St. Journal, 6 Dec]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Devil to Pay

Dance: Tambourine by Miss Robinson. La Bagatell by Essex and Miss La Tour. La Folette S'cest ravizee by Nivelon and Miss Mann

543
12 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Ladies of Quality. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne. The Scenes, Machines and Habits all new

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

544
19 January 1734 @ Covent Garden

Event Comment: Written by the late J. Addison, Esq

Performances

Mainpiece Title: Cato

Dance: Pigmalion, as17340114

545
19 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Alter'd from Shakespeare by the late Mr Betterton. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

546
02 February 1734 @ Inner Temple

Event Comment: Daily Courant, 2 Feb.: We are credibly informed, that Charles Fleetwood, Esq; of Bromley-Hall, in the county of Stefford . . . hath purchased all the shares of the Patentees of the Theatre in Drury-Lane

Performances

Mainpiece Title: Love For Love

547
16 February 1734 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340129

548
30 March 1734 @ Drury Lane Theatre

Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Taken from the French by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Country House

Music: A Comic Medley Overture composed by Charke

Dance: I: A new Maggot by Le Brun. In II: Polonese, as17340325 V: Pierrots by Poitier and Nivelon. End I of Afterpiece: English Maggot by Lally and Mrs Walter. End Afterpiece: Grand Dance in Momus, as17340316

Song: III: Was ever Nymph like Rosamond by Miss Arne. IV: Bella Sorge L'Esperanza (from Ariadne) by Miss Arne

549
19 April 1734 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Cupid and Psyche

550
21 August 1734 @ Haymarket Theatre

Event Comment: Benefit John Roberts, in lieu of one last Season at DL. Afterpiece: Written by Henry Fielding, Esq. 6:30 P.M. N.B. The Play and Entertainment will be conducted with the utmost Decorum: And whereas several Irregularities have been committed, as to Hours of beginning, &c. this is to assure all Gentlemen and Ladies that please to favour us with their Presence, that the Play will certainly begin at the time propos'd; and particular Care is taken that the whole Performance will endeavour at universal Satisfaction. Tickets for Sir Walter Raleigh taken at this Play

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones