Event Comment: Rich's Company. The date of the premiere is not known, but Dryden, writing on 14 Dec. 1699, indicates that this play had had its first performance by that date. The Dedication is dated 10 Jan. 1699@1700, and the play was advertised in the Post Boy, 20-23 Jan. 1699@1700. Preface, Edition of 1700: Another difficulty this Play labour'd under, was its being acted at a time when the whole Town was so much, and so justly diverted by the Trip to the Jubilee. When the play was revised and reprinted in 1714, the new edition--The Victim; or Achilles and Iphigenia in Aulis--indicates that The Invocation to Diana in the last act was set by Gottfreid Finger, the first verse being sung by Freeman, the second verse by Mrs Erwin, and the third verse by W. Pate. Advertisement, Edition of 1714: The following Tragedy...having been translated into English [from Racine], with considerable Additions, by Mr Boyer, and pass'd the Correction and Approbation of the late famous Mr Dryden, and several other Persons distinguish'd as well by their Wit and Learning, as by their Taste and Discernment, was acted with general Applause, towards the End of the Year 1699, and Beginning of 1700. The Reasons why this Excellent Play stopt, on a sudden, in a full Career, are, in some Measure, accounted for in Mr Boyer's Preface: To which he might have added, That the Dutchess of Marlborough, who at that Time bore an irresistable Sway, bespoke the Comedy then in Vogue [The Constant Couple], during the Ruin of Iphigenia in Aulis; And that this Tragedy receiv'd no small Prejudice, from the Person that acted Eriphyle [Mrs Wilkins], who sunk under the Weight of so great a Part. A Comparison Between the Two Stages (1702), pp. 24-25: Sullen: Then comes the second Iphigenia in all her Charms, and like a superious Mistress was resolv'd to eclipse her Rival: No cast was spar'd by the Masters, nor toil by the Actors; the Town was bespoke in its favour, and all the Friends of this new Fletcher and Beaumont were ingaged to clap it. She appear'd, but what pity 'twas (as the Prefacer says) that a Play which had such a glorious run shou'd in four Days disappear, never to rise again. Oh! says Mr D@@, mine was acted six Days; and I'll hold you a hundred Pound--just what I got by't--How's that?, says Boyer--I say, Sir, that I'll hold you, or any Man, a hundred Pound, 'twill be acted again ten times this Winter. With that B@@ fell a laughing, and replies, Sir, says he, I'll stake my French Dictionary against your Criticisms on Blackmore, and that I think is odds enough--I say,"I'll hold you that Bet, that you did not get fifty Shillings by't, and that the House lost a hundred Pound. This had like to ha' made sad work; but all was well, for neither of 'em have been acted since, for they both sleep in everlasting Tranquillity. [See also pp. 23-25 for other remarks about the two Iphigenia plays.

Event Comment: FFog's, 24 March: Colley Cibber, Esq</a>; one of the Patentees of [dl], being now possessed of a more commodious Post, has sold his entire Share of the Cloaths, Scenes, and Patent, to John Highmore, Esq</a>; and at the End of this Season he is, we hear, to quit the Stage

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Event Comment: Yesterday George Frederick Handel, Esq</a>; was couch'd by William Bromfield, Esq</a>; Surgeon to her Royal Highness the Princess of Wales, when it was thought there was all imaginable hopes of success by the Operation, which must give the greatest pleasure to all lovers of Music

Event Comment: JJohn Rich Esq</a>, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq</a> Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq</a> Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)