Event Comment: Mainpiece: The authorship is uncertain, with both Joseph Mitchell and Aaron Hill connected with the play.] Benefit the Author. Receipts: money #33 14s.; tickets #76 12s

Event Comment: Benefit a Gentleman in Misfortunes. Written by Aaron Hill, Esq. All the Characters being entirely new Dress'd. N.B. The putting off the Play so long was occasion'd by the Indisposition of one of the principal Performers, and the Tickets deliver'd out for 4th, the 11th, and the 17th Instant will be taken this Day

Event Comment: First Piece; [Author unknown. Apparently not published.] A New Farce of Two Acts. Second Piece: Written by Aaron Hill, Esq. Third Piece: The Words by Mr Motteux, and set to Musick by Mr Eccles

Event Comment: Second Piece: Written by $Aaron Hill, Esq.

Event Comment: [By Aaron Hill.] Never Acted before

Event Comment: Afterpiece: [by Aaron Hill.] Never performed before

Event Comment: [Probably by Aaron Hill. Apparently not published.] Never Acted before. Written by the Author of the Walking Statue

Event Comment: [By Aaron Hill.] Never Acted before. All the Cloaths, Scenes, and Decorations to the Play being entirely New. Receipts: #78 1s. 6d

Event Comment: [By Aaron Hill.] On Shakespear's Foundation. With several Sets of Scenes entirely new and properWto the Play. [In an advance notice in Daily Journal, 6 Nov., the scenes are reported to be designed by Signior Angelo, an Italian.

Event Comment: Never Acted before. [By Aaron Hill.] With new Habits, Scenes, and other Decorations, proper to the Play. Admission: 5s., 3s., 2s., 1s. [See Pope, Correspondence, III, 253-54.

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Event Comment: Mainpiece: Taken from the French of Mons Voltaire [By Aaron Hill]. The Characters New Dress'd

Event Comment: By the Company of Comedians from Goodman's Fields. Taken from the French of Mons Voltaire. [By Aaron Hill.] Admission: 4s., 2s. 6d., 1s. 6d., 1s. 7 P.M

Event Comment: 1st piece [1st time; INT 1 by Francis Godolphin Waldron): Altered from THE FATAL EXTRAVAGANCE of [Joseph] Mitchell and Aaron Hill. "I went on Monday evening with Mrs Darner to the Little Haymarket, to see The Children in the Wood, having heard so much of my favourite, young Bannister, in that new piece; which, by the way, is well arranged, and near being fine. He more than answered my expectation, and all I had heard of him. It was one of the most admirable performances I ever saw: his transports of despair and joy are incomparable, and his various countenances would be adequate to the pencil of Salvator Rosa. He made me shed as many tears as I suppose the original old ballad did when I was six years old. Bannister's merit was the more striking, as, before The Children in the Wood, he had been playing the sailor in No Song No Supper, with equal nature" (Walpole [4 Dec. 1793], XV, 266-67)