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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "A H Scouten"/1) | (@(roleclean,performerclean) "A H Scouten")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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365 results for: Keyword - A. H. Scouten

We found 293 matches on Performance Comments, 83 matches on Event Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

301
29 September 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin's Invasion

302
19 March 1773 @ Covent Garden

Performances

Mainpiece Title: A Pasticio With Concertos

Music: I: Concerto on violin-Barthelmon; II: a Serenata Beauty and Virtue-; translated from Metastasio and composed by Dr Arne; II: Concerto on Organ-Mr Arne; III: (Never Performed) The Thunder Ode written on the Hurricanes of the West Indies, by Mr Arne, Principal singers-Miss Catley, Mrs Mattocks, Miss Venables, Sg Ristorini, Mrs Barthelemon, Mr Reinhold; The concertos-Barthelemon, Spandau, Mr Arne

303
08 October 1773 @ Covent Garden

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Cross Purposes

304
04 November 1774 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Cross Purposes

Dance: End Opera: The Merry Sailors, as17741026

305
27 September 1776 @ Covent Garden

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: III: Hornpipe-Miss Besford; To conclude with: Country Dance-the characters. [Both these were danced, as here assigned, at all subsequent performances.

306
20 October 1777 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

307
26 February 1778 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Mother Shipton

308
12 May 1778 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Mother Shipton

Dance: As17770926

309
02 October 1778 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Busy Body

Afterpiece Title: Cross Purposes

310
22 September 1779 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Cross Purposes

Dance: End: new dance, The Dockyard-Dagueville, Langrish, Holland, Miss Matthews, Miss Valois. With a new scene painted by Carver

311
11 December 1781 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertisement Dance, as17811117, but added: Pas Seal, as17811120; End of Act II a new Ballet Anacreontique (composed by Noverre), Les Petits Riens, by Gardel, Mmc Simonet, Nivelon, Mlle Baccelli, Slingsby, Mlle Theodore, Henry, Sga Crespi, &c. The Music entirely new by Barthelemon

312
09 April 1782 @ King's Theatre

Performances

Mainpiece Title: Il Bacio

Dance: As17820402 throughout

313
25 May 1782 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act I Divertisement Dana, as17811117, but omitted: Gardel, Mlle Baccelli; End of Opera Mirsa, as17820516

314
02 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

315
02 November 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

316
07 January 1783 @ King's Theatre

Performances

Mainpiece Title: Cimene

Dance: As17821212 throughout

317
18 February 1783 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

318
27 February 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: As17830218 throughout

319
27 March 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby, Mlle Theodore; End of Act II Le Tuteur Trompe, as17830128

320
29 April 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I La Begucule, as17830320End of Act II Le Tuteur Trompe, as17830426

321
14 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Dance: End of Act I La Begueule, as17830531; End of Act II Le Tuteur Trompe, as17830111, but omitted: Slingsby, Mlle Theodore

322
10 October 1783 @ Covent Garden

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Rival Knights

Afterpiece Title: Cross Purposes

323
29 November 1783 @ King's Theatre

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

324
16 December 1783 @ King's Theatre

Performances

Mainpiece Title: L'albergatrice Vivace

Dance: End of Act I The Pastimes of Terpsycore, as17831206; End of Opera a New Divertisement, in which a Pas de Deux by Vestris [fun.] and Mme Theodore, and a Pas de Trots by Lepicq, Slingsby, Mme Rossi

325
06 January 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840103 throughout