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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "What We Must All Come To"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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49 results for: Title - What We Must All Come To

1
18 February 1746 @ Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Virgin Unmasked

Song: Between the Acts: (By particular Desire) Behold the sweet Flowers-; Come Rosalind O Come and See-; Blow ye Bleak Winds around-; Musick by Arne-Miss Medina

2
12 April 1746 @ Covent Garden

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Phebe

Song: II: Come Rosaline O come and see-Roberts; IV: a New Cantata-Roberts

Dance: III: The Peasants, as17460405 V: Drunken Tyrolese, as17460405

3
09 January 1764 @ Covent Garden

Performances

Mainpiece Title: No One's Enemy But His Own

Afterpiece Title: What We Must all Come To

4
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

5
21 May 1787 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

6
11 April 1788 @ Covent Garden

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winter's Tale

Afterpiece Title: Tom Thumb

Song: End: The new Four@and@Twenty Fidlers-Edwin; In II 2nd piece: Come come my good Shepherds-Mrs Martyr

Entertainment: Monologue. End 2nd piece: A Description of the Curiosities in the Tower-Edwin

7
03 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winter's Tale

Afterpiece Title: Love in a Camp

Song: Come come my good Shepherds, as17880411

8
11 February 1790 @ Covent Garden

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

9
03 November 1702 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Performers lately come from Rome and Venice

10
02 January 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Dance: Monsieur Du'ru'el , lately come from the Opera at Paris, being a Scholar of the Famous Monsieur Pettour

11
05 March 1703 @ York Buildings

Performances

Mainpiece Title: Concert

Music: New Musick, with several Songs-the Famous Seniora Anna, lately come from Rome, who never Sung on the Stage, nor ever accompany'd any other Voice publickly in England

12
23 August 1703 @ Bartholomew Fair

Performances

Mainpiece Title: Entertainments

Dance: Dancing on the Ropes , after the French and Italian Fashion-a Company of the finest Performers that ever yet have been seen in the whole World; For in the same Booth will be seen the two Famous French Maidens , so much admir'd in all Places and Countries where ever they come, (especially in May-Fair last) where they gain'd the highest Applause from all the Nobility and Gentry, for their wonderful Performance on the Rope, both with and without a Pole....To which is added; Vaulting on the High/Rope-; Tumbling on the Stage-; As also Vaulting on two Horses, on the great Stage, at once-

13
29 November 1703 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Double Dealer

Music: Seignior Olsii, lately come from Italy

14
01 June 1704 @ Chelsea College

Performances

Mainpiece Title: Concert

Music: several Entertainments on the Hautboys Flutes and Hunting/Horns , to great Admiration-The best Masters, together with the seven young Hautboys lately come over from Germany

15
26 November 1713 @ Tennis Court

Performances

Mainpiece Title: Rope Dancing

Entertainment: Mr Gibbons's Company of French Rope Dancers; where you will see stiff Rope-little Child (about two Years and a half old) perform such wonderful things, as is surprising to all that behold him; extraordinary Dancing on the stiff Rope-A Young Maiden who dances to Admiration; Dancing on the Rope, Playing on the Violin-the famous Scaramouch lately come from France, who turns himself as if he was going on the Ground; Walking on the Slack Rope after the Italian manner-A Young Man; Lastly Tumbles-The Famous Gibbon who has had the honour to perform before most of the Courts in Europe, for Lightness, and Agility, far beyond what has ever yet been seen; You will likewise be entertained with good Musick-

16
22 September 1722 @ Southwark Fair

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Song: As17220905; Mrs Willis, Miss Francis, Sandham's Son, Sandham's Daughter

Dance: Mrs Willis, Miss Francis, Sandham's Son and Daughter

Entertainment: For the Diversion of Gentlemen and Ladies, several excellent Entertainments of Dancing on the Ropes and Tumbling-a Company lately arrived from Holland, which never perform'd on Mr Penkethman's Stage before; besides Dancing on the Rope without a Pole-a Youth lately come from France

17
30 July 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: It Should Have Come Sooner: Being The Historick, Tragic Comic Humours Of Exchange Alley

Afterpiece Title: The Walking Statue

Afterpiece Title: Acis and Galatea

Dance: Saraband-Miss Tenoe; Drunken Man-Harper

Music: As17230625

18
02 August 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: It Should Have Come Sooner

Afterpiece Title: The Walking Statue

Afterpiece Title: The Tricks of Harlequin

Dance: Two Farmers and Their Wives-Boval, Miss Tenoe, others

Song: Smug Upon Tuesday-Mrs Willis; A Dialogue between a Rake and a Country Maid-Miss Tenoe, Miss Lindar

19
09 August 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: It Should Have Come Sooner

Afterpiece Title: The Strollers

Afterpiece Title: The Tricks of Harlequin

Afterpiece Title: Acis and Galatea

Song: A Dialogue between a Rake and a Country Maid-Miss Tenoe, Miss Lindar; A Satyr on All Trades-Harper, Mrs Willis

Dance: Scotch Dance-Mrs Willis; Passacaille-Mrs Brett

20
02 September 1723 @ Richmond

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

21
01 July 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Mock Doctor

Music: Select Pieces. II: A Concerto for two Hautboys performed by Woodbridge and Neale

Dance: I:Jenny come tie me; or, The Neu, Way of Wooing by Davenport and Miss Brett. III: Drunken Peasant by Le Brun. V: Pierot by Davenport and Cox. End Afterpiece: A new Comic Dance by Le Brun and Mrs Anderson

Song: IV: As17350603

22
04 May 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Mock Doctor

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

23
04 August 1736 @ Tottenham Court

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France By The English: [in It] A Ballad Opera, Call'd The Amorous Old Widow; Or, I Must Have A Comforter: With The Comical Humours Of The Rival Cowards; Or, The Whimsical Lovers

Music: By a Band of Musick just arriv'd from Naples [9 Aug. and afterwards.]

24
07 May 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Virgin Unmask'd

Song: The Songs in Masonry, as usual: Brother Berry, Brother OatesI: Come let us prepare-Brother Berry, Brother Oates; III: On on my dear Brethren-Brother Berry, Brother Oates; V: Let Masonry be now my Theme-Brother Berry, Brother Oates

Dance: II: English Maggot-Villeneuve, Mrs Walter; IV: Wooden Shoe Dance-Livier, Villeneuve

25
01 May 1738 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Song: nd the added Songs in Masonry as usual,% I: Come let us prepare-Mr Oates; III: On on my dear Brethren-Mr Oates; IV: Let Masonry be now my Theme-Mr Oates; V: Ye Brethren of the Ancient Craft-Mr Oates

Dance: I: Serious Dance-Villeneuve, Miss Oates; III: Peasant Dance-Master and Miss Oates; IV: Je ne scai quoi-Tench, Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Music: II: Solo on the Violin-Master Oates