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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Power Of Harmony"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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20 results for: Title - The Power Of Harmony

1
31 January 1754 @ Haymarket Theatre

Performances

Mainpiece Title: The Power Of Harmony

2
28 March 1754 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: The Power Of Harmony

3
25 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

4
22 November 1697 @ Stationer's Hall

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Musique

5
14 June 1703 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Villain

Song: Henry Purcell's celebrated Trumpet Song, The Fife and Harmony of War-; The Mad Song in Don Quixote-Boman, by request

Dance: Chacone-Mrs Elford; a new Entry-Fairbank; Venetian, a new Whim-Godwin

Music: New Italian Trumpet Sonatas-

6
16 July 1711 @ York Buildings

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (by Harrison), If Wine and Music have the Power (by Prior), The Feast of Alexander (by Dryden)-ThomasClayton

7
14 May 1712 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, in the Opera of Dioclesian, with several Additions composed by the Immortal Henry Purcel, which, for the Beauty of Expression, Excellency of Harmony, and Grandeur of Contrivance, gives a first Place to no Musical Opera in Europe-; Several Entertainments on the Irish Harp-the famous Mr Morphy

8
05 April 1734 @ York Buildings

Performances

Mainpiece Title: Concert

Music: An Essay of different Kinds of Harmony, intermix'd with some Pieces on the new Viol D'Venere of 22 Strings, and the Viol D'Amore

9
31 March 1748 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Song: I: Who'll Buy a Heart a Cantata by Stanley-Beard; II: Cupid's Power I Despise, Liberty-Miss Faulkner; III: a Song in the Anacreontic style- of Leveridge; IV: O Peace, Shepherd what art thou pursuing-Mrs Storer; V: Mirth Gives Courage-Leveridge; Epilogue of Thanks in Music-Leveridge

Dance: Master Granier, Miss Granier

10
30 May 1748 @ James Street

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Spanish Fryar, Comic Scenes

Song: Corbet; V: The Power of Gold- a song from the Fool in the Gazetteer, set by a Gentleman, and never performed before

11
20 February 1749 @ Southwark

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Bottle Conjurer Outdone; or, The Power of Magick, and the Escape of Harlequin into a Quart Bottle

12
26 December 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: A Duke and no Duke; or, The Power of Magick

Dance: Sailor's Hornpipe-Mathews; Comic Dance-Mathews, Mrs Addison

13
12 March 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: The Discovery

Afterpiece Title: Polly Honeycomb

Entertainment: After: By particular Desire Sheridan will recite Dryden's Ode on the Power of Music-

14
08 October 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Queen Mab

Dance: End II: The Power of Love The Force of Love, as17781003

15
11 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Distress'd Baronet

Dance: End II: As17870113; I: a Country Dance (incident to the [main]piece)-

Song: [Kelly introduced a song, Love thou maddening power, and a duet, Each joy in thee possessing, neither one listed on playbill. Both were composed by Gluck, and both had English words by Elizabeth Sheridan (Kelly, I, 301-2)]

16
26 December 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Frolicks; or, The Power of Witchcraft

Dance: In II: As17891209; Afterpiece conclude: Grand Ballet-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, as here assigned, in all subsequent performances]

Song: As17891209

17
19 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Music; Messiah

Afterpiece Title: Acis and Galatea; Messiah

Music: End Ode: As17900219

18
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

19
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

20
24 May 1800 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Ghost

Afterpiece Title: The Poor Soldier

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon