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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Anacreontic Society Revived i"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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27 results for: Title - The Anacreontic Society Revived [i

1
23 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Anacreontic Society Revived [i

Afterpiece Title: The Flitch of Bacon

2
05 March 1720 @ King's Theatre

Performances

Mainpiece Title: Harlequin Dead And Revived

Dance:

3
19 April 1737 @ Covent Garden

Performances

Mainpiece Title: Volpone

Afterpiece Title: Damon and Phillida

Dance: TTwo Pierrots-Nivelon, Lalauze; Grecian Sailors-Glover

Song: RRosy Bowers (set by Purcell)-Beard; The Contented Mind, in the Anacreontic Stil,-Leveridge

4
24 April 1747 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Song: I: Freedom and Ease a song in the Anacreontic Style-Leveridge; II: A Cantata call'd Who will buy my Heart by Stanley-Beard; IV: Mirth gives Courage-Leveridge; V: A Gratulatory Epilogue-Leveridge

Dance: III: As17461231; V: The English Boy and Girl [LaLauze's scholars; see17470423

5
31 March 1748 @ Covent Garden

Performances

Mainpiece Title: The Recruiting Officer

Song: I: Who'll Buy a Heart a Cantata by Stanley-Beard; II: Cupid's Power I Despise, Liberty-Miss Faulkner; III: a Song in the Anacreontic style- of Leveridge; IV: O Peace, Shepherd what art thou pursuing-Mrs Storer; V: Mirth Gives Courage-Leveridge; Epilogue of Thanks in Music-Leveridge

Dance: Master Granier, Miss Granier

6
24 April 1751 @ Covent Garden

Performances

Mainpiece Title: The City Wives Confederacy

Song: I: a Cantata call'd The Lover's Lesson-Miss Falkner; II: an Anacreontic-Leveridge; III: If Love's a Sweet Passion set by Baildon-Lowe; IV: The Truly Happy Man-Leveridge; End: Epilogue of Thanks-Leveridge

Dance: As17510117

7
28 January 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

Dance: End: will be revived Slingsby's ballet, The Provincalle-Slingsby, Henry, Miss Armstrong, Mlle Crespi

8
24 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Belphegor

Dance: End II: will be revived Slingsby's grand ballet, The Savage Hunters-Slingsby, Henry, Miss Armstrong, Mlle Crespi

9
12 May 1780 @ Covent Garden

Performances

Mainpiece Title: The Female Orators; Or, Ladies' Debating Society

Afterpiece Title: The Merchant of Venice

Afterpiece Title: The Deaf Lover

Song: End III 2nd piece: a Scotch ballad (the music by Dr Arne)-Mrs Kennedy

Ballet: End IV 2nd piece: The Humours of New-Market. As17800508

10
03 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

11
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

12
25 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

13
19 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

14
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

15
17 May 1787 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: an entirely new ballet (composed by Hus), Le Cossac Jaloux- [see17870519]; End Opera: [will be revived, with alterations and improvements, Zemira and Azor- [see17870213]

16
03 March 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890214; End Opera: a new Anacreontic Ballet, composed by Coinde (pupil of Noverre), La Nymphe et le Chasseur-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier

17
05 August 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Friends; Or, The Benevolent Planters

Afterpiece Title: The Prisoner at Large

Afterpiece Title: The Devil to Pay

Dance: In: a new dance, Liberty or We Slaves Rejoice-

Entertainment: Monologues End 2nd piece: As17890617 Preceding: An Address to the Humane Society on the Abolition of the Slave Trade in the character of a Negro , by-Kemble; End 3rd piece: Belles have at Ye All-Mrs Kemble

18
05 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

19
17 December 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: a new Ballet Demi-Caractere, composed by D'Auberval, La Fontaine d'Amour-

Ballet: End II: a new Pantomimic, Anacreontic Ballet, composed by D'Auberval, L'Amant Deguise. Alcindor-Laborie; Ciane-Mlle Hilligsberg; Euphrosine-Mme Theodore D'Auberval; Satyre-D'Egville; Nymphs-Mlles Simonet; Cupidon-Mlle Menage

20
01 April 1794 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Dance: End of Act I New Divertisement, as17940311End of Act II a new Anacreontic Ballet (composed by Noverre) Les Ruses de L' Amour by Gentili, Aumer, Lahante, Favre Guirdele, D'Egvillc, Mlle Guirdele, Mlle Hilligsberg, Mme Del Caro

Opera: Principal Characters by Rovedino, Braghetti, Torregiani, Garelli, Morelli. Cast not known

21
27 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix; or, Anacreontics Renovated [i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

22
26 November 1796 @ King's Theatre

Performances

Mainpiece Title: Zemire Et Azor

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

23
22 March 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

24
09 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

25
11 January 1800 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot