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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The 2nd Act Of Ines De Castro"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2231 results for: Title - The 2nd Act Of Ines De Castro

1
28 May 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

2
21 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

3
26 February 1788 @ King's Theatre

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

4
04 March 1788 @ King's Theatre

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

5
15 March 1788 @ King's Theatre

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

6
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

7
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

8
23 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Song: As17880221

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; a Pas Seul, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; General Dance, as17880221; Pas de Sept, as17880221

9
18 May 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

10
21 May 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

11
04 June 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

12
11 June 1799 @ King's Theatre

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: End: A New Divertissement, as17990326End 2nd piece: Tarare- [see17990502]

13
17 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Agnes De Challiot: Being A Critick And Paradox Upon Ines De Castro

Afterpiece Title: Arlequin Hulla

Afterpiece Title: Arlequin and Scaramouch Deserters

Dance:

14
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

15
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

16
07 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

17
14 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

18
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

19
19 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: In the Masquerade Scene a Minuet by Mlle Theodore and Nivelon; End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Act II a new Ballet (composed by Noverre), La Rosihe de Salency, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Leger, Henry, Bournonville, Olivier, Miss Simonet, Sga Crespi

20
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

21
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

22
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

23
21 May 1784 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

24
02 July 1789 @ Covent Garden

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

25
22 March 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose