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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The 1st Act Of La Modista Raggiratrice"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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3463 results for: Title - The 1st Act Of La Modista Raggiratrice

1
07 February 1797 @ King's Theatre

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- As17970124

Ballet: End 2nd piece: Pizarre; ou, La Conquete du Perou (1st time; composed by Gallet [with music by Mazzinghi]). Pizarre-Gallet; the other characters-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Marcadet, Gentili

2
11 February 1797 @ King's Theatre

Performances

Mainpiece Title: The 1st Act Of La Modista Raggiratrice

Afterpiece Title: Il Consiglio Imprudente

Dance: End 1st piece: Les Delassements Militaires- as17970124; End 2nd piece: Pizarre [see17970207]-

3
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

4
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

5
10 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

6
11 July 1786 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: End of Act I L'Amour Jardinier, as17860701 End of Act II La Fete Marine, as17860427; End of Opera Ninette a la Cour, as17860701

7
07 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: La Tambourine-Mlle Chateauneuf; III: La Tambourin Matelote-Maltere, Mlle Maltere; IV: La Provencale-Mlle Chateauneuf; V: Grand Serious Ballet-Maltere, Mlle Maltere

8
30 April 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Dance: I: La Tambourin Matelote-Maltere, Mlle Maltere; II: La Provencale-Mlle Chateauneuf; III: Muilment; IV: La Tambourine-Mlle Chateauneuf; V: Les Masons & Les Sabotiers-Signora Fausan, Muilment, Desse

9
16 April 1768 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End I: Comic Dance-Arnauld, Miss Capon apprentice to Fishar; End Act II: By Particular Desire, The Dutch Milkmaid, as17671114; End Act III: A New Grand Ballet, that night only, call'd The Tartarians-Fishar, Sga Manesiere (with New Dresses); End Act IV: a New Pantomime Dance, call'd The Spanish Coal@Heaver-Mas. Blurton, Miss Besford, both apprentices of Fishar

Ballet: End: The Wapping Landlady. Jack in Distress-Fishar; Landlady-Miles; Milk@woman-Sga Manesiere; A Double Hornpipe-Fishar, Sga Manesiere

10
09 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Gentle Shepherd

Entertainment: End Act II: Imitations[, Vocal and Rhetorical-Bannister; [Act III: An Ode to Masonry-Vernon, Dodd, Bannister; [Act V: Judge Tycho's Sentence-Weston. [See17740505.

11
03 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

12
10 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: Le Devin du Village, as17771104; End II: Masquerade Dance, as17780303but a Minuet-Simonet, Sga Jermoli in place of Minuet de la Cour and Gavot; Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Polonaise Favourite, as17780131, but Mlle _Baccelli

13
17 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: Le Devin du Village, as17780303End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande al la Strasbourgeiose, as17780303End Opera: La Serenade Interrompuee, as17780303

14
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

15
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

16
05 June 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303but _Simonet, Mme Simonet; +Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: La Surprize de Daphnis et Cephise. As17780331

17
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

18
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

19
07 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

20
14 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

21
16 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Slingsby; End of Act III Le Triomphe del'Amour Conjugal, as17820110

22
26 February 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

23
28 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I pastoral Dance, as17811117, but added: with a Pas Seul by Mlle Simonet; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

24
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

25
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110