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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Loves Contrivance last Act"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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4209 results for: Title - Love's Contrivance (last Act)

1
07 June 1705 @ Drury Lane Theatre

Performances

Mainpiece Title: Arsinoe, Queen Of Cyprus

Afterpiece Title: Love's Contrivance; or, Le Medecin Malgre Luy (last act)

Dance: As17041124

2
14 February 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: Love's Contrivance (last Act)

Afterpiece Title: Arsinoe, Queen of Cyprus

Dance: As17051218

3
26 February 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

4
16 April 1768 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End I: Comic Dance-Arnauld, Miss Capon apprentice to Fishar; End Act II: By Particular Desire, The Dutch Milkmaid, as17671114; End Act III: A New Grand Ballet, that night only, call'd The Tartarians-Fishar, Sga Manesiere (with New Dresses); End Act IV: a New Pantomime Dance, call'd The Spanish Coal@Heaver-Mas. Blurton, Miss Besford, both apprentices of Fishar

Ballet: End: The Wapping Landlady. Jack in Distress-Fishar; Landlady-Miles; Milk@woman-Sga Manesiere; A Double Hornpipe-Fishar, Sga Manesiere

5
28 May 1771 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: New Dance-a new Principal Dancer lately arrived from France; Hornpipe on Skates-Sga Guidi, Sga Galliotti

Song: In the last Act: a New Song (Giordani)-Sga Ristorini; accompanied on Violin-Sga Sirmen, being her last performance this season on this stage

6
09 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Gentle Shepherd

Entertainment: End Act II: Imitations[, Vocal and Rhetorical-Bannister; [Act III: An Ode to Masonry-Vernon, Dodd, Bannister; [Act V: Judge Tycho's Sentence-Weston. [See17740505.

7
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

8
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

9
07 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

10
14 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

11
16 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Slingsby; End of Act III Le Triomphe del'Amour Conjugal, as17820110

12
28 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I pastoral Dance, as17811117, but added: with a Pas Seul by Mlle Simonet; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

13
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

14
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

15
23 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17811117; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

16
09 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Dragon of Wantley

Dance: End of mainpiece The Gala, as17820402, but omitted: Dumay, Miss Matthews

Song: End of Act I of mainpiece The Early Horn; End of Act I of afterpiece The Lamentation of Mary Queen of Scots; End of Act II Auld Robin Grey, all three sung by Mrs Kennedy

17
14 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Apollon et les Muses, as17820509; End of Act III New Dance, as17820507

18
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

19
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

20
27 March 1784 @ Covent Garden

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

21
24 April 1784 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

22
21 April 1786 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Midas

Song: End of Act I of mainpiece Diana's Chase (composed by Dr Arne); End of Act II How sweet the love that meets return, both by Mrs Kennedy

23
30 April 1695 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love For Love

24
01 May 1695 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love For Love

25
02 May 1695 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love For Love