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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Londons Glory Represented by Time Truth and Fame"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1072 results for: Title - London's Glory Represented by Time, Truth, and Fame

1
05 July 1660 @ The City, London

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

2
30 April 1706 @ Queen's Theatre

Performances

Mainpiece Title: The True And Antient History Of King Lear

Song: Comical Songs and Dialogues from Wonders in the Sun-; particularly a Song-Mrs Willis representing one of Queen Elizabeth's Dames of Honour ; Comical Dialogue-Pack, Bowman , representing a vain promising Courtier and a Sycophant ; a Comical Dialogue-Dogget, Cook representing a Widdow in Tears for the Loss of her Husband and a Town Rake making Love to her

Dance: A new Entry-deBarques, Mrs Elford; French Peasant-Firbank, Mrs Bicknell; The famous Italian Scaramouch-Layfield

3
09 September 1730 @ Southwark Fair

Performances

Mainpiece Title: Amurath The Great, Emperor Of The Turks: Containing The Distress'd Loves Of achmet And selima; Or, The london Prentice's Glory: With The Comical Humours And Surprizing Adventures Of The London 'prentice And Want Brains His Man

Afterpiece Title: Harlequin's Contrivance; or The Plague of a Wanton Wife

4
29 October 1680 @ The City, London

Performances

Mainpiece Title: London's Glory; Or, The Lord Mayor's Show

5
04 August 1731 @ Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

6
11 April 1738 @ Covent Garden

Performances

Mainpiece Title: Wit Without Money

Song: I: The Truth on Both Sides-Roberts, Miss Hillyard; II: Chancon a Boire-Leveridge, Laguerre; III: By Desire, Purcell's Since Times are so bad-Leveridge, Salway; IV: By particular Desire, The Roast Beef of Old England-Leveridge; V: The Praise of Good English Beer (to the Tune of Trade and Navigation)-Leveridge

Dance: II: Je ne scai quoi-Tench, Villeneuve, Miss Oates; III: Two Pierrots-Lalauze, Nivelon; IV: Grand Ballet, as17380318

7
11 March 1757 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

8
16 March 1757 @ Covent Garden

Performances

Mainpiece Title: Triumph Of Time And Truth

9
18 March 1757 @ Covent Garden

Performances

Mainpiece Title: Triumph Of Time And Truth

10
23 March 1757 @ Covent Garden

Performances

Mainpiece Title: Triumph Of Time And Truth

11
27 April 1757 @ Covent Garden

Performances

Mainpiece Title: The Humorous Lieutenant

Afterpiece Title: Colombine Courtezan; or, Harlequin Restor'd

Dance: II: Fingalian Dance (for 2nd time)-Miss Toogood, apprentice to Lalauze; IV: By Desire a Ball Dance, call'd Queen Caroline, with a Minuet-Miss Toogood, Lalauze; End: A Harlequin Dance-Miss Toogood, 1st time

12
10 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

13
15 February 1758 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

14
07 March 1760 @ Covent Garden

Performances

Mainpiece Title: The Triumph Of Time And Truth

Music: As17600229

15
04 May 1771 @ Covent Garden

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Dr Faustus

Entertainment: End: The Cries of London, last time this season-Shuter

16
28 April 1777 @ Covent Garden

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Don Quixote in England

Entertainment: IV: an Interlude between Plutus and Wit and a Masque of Singing and DancingPlutus-Reinhold, Wit- Miss Valois; After dance: +Monologue Tony Lumpkin's Adventures in a Trip to London (1st time)-Quick

Dance: End: The Humours of New@Market with the Pony Races-Dagueville (1st appearance this season)

17
02 May 1778 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Dance: End I: a new Comic Dance-Langrish, Master Jackson, Miss Parish, Miss Lings (pupils of Aldridge); End II: [The Cricket@Match [sic]The Cricketters, as17780128; [in which part of the celebrated Tambourine Dance-Aldridge[, originally composed and danced by him; III: Hornpipe, as17771017

Ballet: End: a new, Grand Marine Pantomimical Dance, suited to the times, The Sailors' Revels at Portsmouth; or, British Glory. in which an accurate view of the Isle of Wight and the Fleet now riding at Spithead. Principal Characters: Bobby Flip the Boatswain-Aldridge; Powder Monkey-Master Jackson; Mat Mizen-Langrish; Molly Topknot-Miss Besford; Susan Constant-Miss Valois; with variety of other Characters, and Hornpipe Dancing-in an entire new stile

18
20 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Blade Bone; or, Agreeable Companion

Afterpiece Title: A Quarter of an Hour before Dinner

Entertainment: Monologue Preceeding 1st piece: A Touch of the Times; or, The Humours of London-Bannister Jun

19
30 December 1788 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

20
21 April 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

21
23 May 1797 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

22
16 April 1799 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

23
29 October 1659 @ The City, London

Performances

Mainpiece Title: London's Tryumph

24
June 1660 @ Dorset Court

Performances

Mainpiece Title: The Rump; Or, The Mirrour Of The Late Times

25
22 April 1661 @ no theater listed

Performances

Mainpiece Title: The Relation Of His Majesties Entertainment Passing Through The City Of London, To His Coronation: With A Description Of The Triumphal Arches, And Solemnity