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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "beaumarchais Never previously Acted Together"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1401 results for: Title - [$beaumarchais=: Never [previously] Acted Together

1
12 July 1790 @ Haymarket Theatre

Performances

Mainpiece Title: [beaumarchais: Never [previously] Acted Together

Afterpiece Title: The Follies of a Day (Being the Sequel to The Spanish Barber)

Dance: As17900630

2
16 April 1768 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Thomasand Sally

Dance: End I: Comic Dance-Arnauld, Miss Capon apprentice to Fishar; End Act II: By Particular Desire, The Dutch Milkmaid, as17671114; End Act III: A New Grand Ballet, that night only, call'd The Tartarians-Fishar, Sga Manesiere (with New Dresses); End Act IV: a New Pantomime Dance, call'd The Spanish Coal@Heaver-Mas. Blurton, Miss Besford, both apprentices of Fishar

Ballet: End: The Wapping Landlady. Jack in Distress-Fishar; Landlady-Miles; Milk@woman-Sga Manesiere; A Double Hornpipe-Fishar, Sga Manesiere

3
09 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Gentle Shepherd

Entertainment: End Act II: Imitations[, Vocal and Rhetorical-Bannister; [Act III: An Ode to Masonry-Vernon, Dodd, Bannister; [Act V: Judge Tycho's Sentence-Weston. [See17740505.

4
10 January 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

5
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

6
07 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a New Divertisement Dance (composed by Simonet), to conclude with a grand Chacomme [the music] by Piccinni, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

7
14 February 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Mlle Theodore, Slingsby; End of Act III Le Triompbe de l'Amour Conjugal, as17820110

8
16 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128; End of Act II New Divertisement Dance, as17820207, but omitted: Slingsby; End of Act III Le Triomphe del'Amour Conjugal, as17820110

9
26 February 1782 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

10
28 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I pastoral Dance, as17811117, but added: with a Pas Seul by Mlle Simonet; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

11
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

12
16 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

13
23 March 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17811117; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

14
09 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Dragon of Wantley

Dance: End of mainpiece The Gala, as17820402, but omitted: Dumay, Miss Matthews

Song: End of Act I of mainpiece The Early Horn; End of Act I of afterpiece The Lamentation of Mary Queen of Scots; End of Act II Auld Robin Grey, all three sung by Mrs Kennedy

15
14 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I New Divertisement Dance, as17820216; End of Act II Apollon et les Muses, as17820509; End of Act III New Dance, as17820507

16
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

17
27 March 1784 @ Covent Garden

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

18
24 April 1784 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

19
08 December 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: The Bath; Or, The Western Lass

Song: Let the dreadful Engines-Leveridge; Since the Times are so Bad-Leveridge, Mrs Lindsey; Sing Sing All Ye Muses-Laroone, Hughs; A Scotch Song-Leveridge

Dance: Between every Act: Genteel Round-a Devonshire Girl never seen on the Stage before, to the Harp alone; an Irish Humour, The Whip of Dunboyne-Devonshire Girl, her Master; another genteel dance-Devonshire Girl; a Highland Lilt-Devonshire Girl, her Master; A Country Farmer's Daughter-Devonshire Girl all in Natural Habits

20
18 May 1703 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly a Song-[Hughes] [before Her Majesty, in Congratulation of Her Majesty's Happy Accession to the Crown; [Also several Entertainments-Mr Dean, Signior Francisco; [And three New Songs [never perform'd anywhere-Mr Hughs; [And that much celebrated Song for the Trumpet[, perform'd originally-Mr Pate [in The Island Princess, beginning Rouse ye Gods of the Main; [Also a Sonata for two Trumpets-; [and positively there will be perform'd an Extraordinary Entertainment on the Arch/Lutes-an Eminent Master [who never perform'd there before; accompanied-Mr Dean, others

21
14 July 1705 @ Richmond Wells

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; with several three/part songs composed by Eccles and performed before the Queen on her birthday-; A Purcell two/part song never printed or performed in public-; Violin solos-a pupil of Gasperini who never performed in public before

22
16 February 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: Secret Love

Music: Between the Acts: Italian Sonatas-the best Masters

Dance: As17060110

Song: Four several Entertainments of Singing by the best Italian Masters, never sung before by her on the Stage, an English Song of Mr Henry Purcel's, never yet perform'd by her-Signiora del'Epine

23
08 September 1711 @ Greenwich

Performances

Mainpiece Title: The Jew Of Venice; Or, The Female Lawyer

Song: Between the Acts: With several Songs and Dialogues-Teno, Rainton, a Gentlewoman from London, who never perform'd there before; particularly that Celebrated Dialogue of Tell Me Why My Charming Fair by the late famous Mr Henry Purcell-; Mad Dialogue by him-; Also several Opera Songs with Instruments-

24
03 June 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Dialogue between a Drunken Smith and his Wife-Cook, Newberry; Trumpet Song-Rawlins never perform'd on that Stage before; Two/Part Song-The Two Boys never perform'd but once before

Dance: As17150512; Also Dutch Skipper-delaGarde, Mrs Bullock

25
10 May 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Rover

Dance: I: Hornpipe-Jones, Mrs Ogden; II: Peasant-Poitier; IV: Tambourin-Miss Rogers; V: The Medley, as17320504

Music: II: Concert on the Stage- , never perform'd in England; the principal Violin-Petit; III: Music on the Stage-Eversman; V: A Grand Concerto Favorito di Vivaldi-; never perform'd in England, the Violino Principal, with Finale,-Petit on the Stage