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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Polly Honeycomb Winston MS 9"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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194 results for: Title - Polly Honeycomb (<i>Winston MS 9</i>)

176
05 October 1778 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: King Richard the Third

Afterpiece Title: Polly Honeycombe

177
05 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Polly Honeycombe

Dance: WithTwo New Dances-Master and Miss Byrn. [These were danced, as here assigned, at all subsequent performances.

178
10 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Polly Honeycombe

179
02 August 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Albina, Countess Raimond

Afterpiece Title: Polly Honeycombe

180
14 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Grecian Daughter

Afterpiece Title: Polly Honeycombe

181
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

182
11 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Polly

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Dance: End of Act I of mainpiece a Dance of Pirates; In Act III a Dance of Indians {performers not listed for either dance)

183
12 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Polly

Afterpiece Title: The Humours of an Election

Dance: As17820611

184
21 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Polly

Afterpiece Title: Medea and Jason

Dance: As17820611

185
10 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: The Spanish Curate

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

186
31 October 1783 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: 9 Oct

Afterpiece Title: The Flitch of Bacon

187
28 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Two To One

Afterpiece Title: Polly Honeycombe

188
27 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycombe

Dance: As17900210

Song: As17890922

189
06 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycombe

Dance: As17900210

Song: As17890922

190
16 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Polly Honeycombe

191
25 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: Polly Honeycombe

192
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

193
18 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

194
05 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June; or, The Daggerwoods at Dunstable

Afterpiece Title: Blue-Beard

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak