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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Le Divorce Du Mariage"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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261 results for: Title - Le Divorce Du Mariage

176
01 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Gentle Shepherd

Song: End of Act II of mainpiece Thou hast stole awa' from me, Mary; End of Act IV Kate of Aberdeen, both by Du-Bellamy

177
02 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: Henry and Emma

Afterpiece Title: The Divorce

Dance: Dance of Daemons as17820418

178
08 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lincos Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420

179
09 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Lincos Travels

Afterpiece Title: The Divorce

Dance: End of Act I of mainpiece a Hornpipe by Master Butler (Scholar of Miller)

180
21 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair American

Afterpiece Title: The Divorce

Dance: As17820302athi

181
24 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Divorce

Monologue: 1782 09 24 As 17 Sept

182
23 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Divorce

183
13 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Divorce

Dance: As17821107

184
16 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Divorce

185
28 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Divorce

186
27 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Divorce

Dance: End of Act I of mainpiece, as17821005

187
25 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Divorce

188
30 April 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Divorce

Dance: As17830329athi

189
14 May 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Divorce

Song: In Act IV of mainpiece Time bas not thinn'd my flowing Hair by Williames and Miss Phillips

Monologue: 1783 05 14 End of mainpiece The Picture of a Playhouse; or, Bucks have at ye all by R. Palmer

190
03 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

191
17 February 1784 @ King's Theatre

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act II Divertissement, as17840214; End of Opera Le RJveil du Bonheur, as17840203

192
02 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Schiava

Dance: End of Act I Divertissement, as17840214; End of Opera Le Cocq du Village, as17840226, but added: the much-admired Marlbro' Dance by Slingsby and Mme Rossi

193
04 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

194
09 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840302End of Opera Orpheo, as17840306athi

195
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

196
20 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Friendship leads to Love, as17831206, but omitted: Lepicq, Slingsby, Mme Simonet, and with a Pas de Deux by Lepicq and Mme Rossi; End of Opera Le Coca du Village, as17840302athi

197
15 April 1784 @ King's Theatre

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

198
22 April 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dance, as17840318End of Opera Le Cocq du Village, as17840302athi

199
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

200
01 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520